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Next by Michael Crichton — book cover

Next

by Michael Crichton
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Overview

Welcome to our genetic world.
Fast, furious, and out of control.
This is not the world of the future—it's the world right now.

Is a loved one missing some body parts? Are blonds becoming extinct? Is everyone at your dinner table of the same species? Humans and chimpanzees differ in only four hundred genes; is that why a chimp fetus resembles a human being? And should that worry us? There's a new genetic cure for drug addiction—is it worse than the disease?

We live in a time of momentous scientific leaps, a time when it's possible to sell our eggs and sperm online for thousands of dollars and to test our spouses for genetic maladies. We live in a time when one-fifth of all our genes are owned by someone else—and an unsuspecting person and his family can be pursued cross-country because they happen to have certain valuable genes within their chromosomes....

The future is closer than you think.

Check out the wild world of Michael Crichton's Next! This video features a Bug DNA Kit, where kids can experiment with the DNA of real live insects, and learn about genetics in a fun and exciting way! (Bugs not included.)

About the Author, Michael Crichton

Michael Crichton has sold over 200 million books, which have been translated into thirty-eight languages; thirteen of his books have been made into films. Also known as a filmmaker and the creator of ER, he remains the only writer to have had the number one book, movie, and TV show simultaneously. At the time of his death in 2008, Crichton was well into the writing of Micro; Richard Preston was selected to complete the novel.

Richard Preston is the internationally bestselling author of eight books, including The Hot Zone and The Wild Trees. He is a regular contributor to The New Yorker. He lives with his wife and three children near Princeton, New Jersey.

Biography

Michael Crichton's oeuvre is so vivid and varied that it hard to believe everything sprang from the mind of a single writer. There's the dino-movie franchise and merchandising behemoth Jurassic Park; the long-running, top-rated TV series ER, which Crichton created; and sci-fi tales so cinematic a few were filmed more than once. He's even had a dinosaur named after him.

Ironically, for someone who is credited with selling over 150 million books, Crichton initially avoided writing because he didn't think he would make a living at it. So he turned to medical school instead, graduating with an M.D. from Harvard in 1969. The budding doctor had already written one award-winning novel pseudonymically (1968's A Case of Need) to help pay the bills through school; but when The Andromeda Strain came out in the same year of his med school graduation, Crichton's new career path became obvious.

The Andromeda Strain brilliantly and convincingly sets out an American scientific crisis in the form of a deadly epidemic. Its tone -- both critical of and sympathetic toward the scientific community -- set a precedent for Crichton works to come. A 1970 nonfiction work, Five Patients offers the same tone in a very different form, that being an inside look at a hospital.

Crichton's works were inspired by a remarkably curious mind. His plots often explored scientific issues -- but not always. Some of his most compelling thrillers were set against the backdrop of global trade relations (Rising Sun), corporate treachery (Disclosure) and good old-fashioned Victorian-era theft (The Great Train Robbery). The author never shied away from challenging topics, but it's obvious from his phenomenal sales that he never waxed pedantic. Writing about Prey, Crichton's cautionary tale of nanotech gone awry, The New York Times Book Review put it this way: "You're entertained on one level and you learn something on another."

On the page, Crichton's storytelling was eerily nonfictional in style. His journalistic, almost professorial, and usually third-person narration lent an air of credibility to his often disturbing tales -- in The Andromeda Strain, he went so far as to provide a fake bibliography. Along the way, he revelled in flouting basic, often subconscious assumptions: Dinosaurs are long-gone; women are workplace victims, not predators; computers are, by and large, predictable machines.

The dazzling diversity of Crichton's interests and talents became ever more evident as the years progressed. In addition to penning bestselling novels, he wrote screenplays and a travel memoir, directed several movies, created Academy Award-winning movie production software, and testified before Congress about the science of global warming -- this last as a result of his controversial 2004 eco-thriller State of Fear, a novel that reflected Crichton's own skepticism about the true nature of climate change. His views on the subject were severely criticized by leading environmentalists.

On November 4, 2008, Michael Crichton died, following a long battle against cancer. Beloved by millions of readers, his techno-thrillers and science-inflected cautionary tales remain perennial bestsellers and have spawned a literary genre all its own.

Good To Know

Some interesting outtakes from our 2005 interview with Crichton:

"I'm very interested in 20th-century American art."

"I have always been interested in movies and television as well as books. I see all these as media for storytelling, and I don't discriminate among them. At some periods of my life I preferred to work on movies, and at others I preferred books."

"In the early 1990s, interviewers began calling me ‘the father of the techno-thriller.' Nobody ever had before. Finally I began asking the interviewers, ‘Why do you call me that?' They said, ‘Because Tom Clancy says you are the father of the techno-thriller.' So I called Tom up and said, ‘Listen, thank you, but I'm not the father of the techno-thriller.' He said, ‘Yes you are.' I said, ‘No, I'm not, before me there were thrillers like Failsafe and Seven Days in May and The Manchurian Candidate that were techno-thrillers.' He said, ‘No, those are all political. You're the father of the techno-thriller.' And there it ended."

"My favorite recreation is to hike in the wilderness. I am fond of Hawaii."

"I used to scuba dive a lot, but haven't lately. For a time I liked to photograph sharks but like anything else, the thrill wears off. Earlier in my life I took serious risks, but I stopped when I became a parent."

"I taught myself to cook by following Indian and Szechuan recipes. They each have about 20 ingredients. I used to grind my own spices, I was really into it. Now I don't have much time to cook anymore. When I do, I cook Italian food."

"I read almost exclusively nonfiction. Most times I am researching some topic, which may or may not lead to a book. So my reading is pretty focused, although the focus can shift quickly."

"I have always been interested in whatever is missing or excluded from conventional thought. As a result I am drawn to writers who are out of fashion, bypassed, irritating, difficult, or excessive. I also like the disreputable works of famous writers. Thus I end up reading and liking Paul Feyerabend (Against Method), G. K. Chesterton (Orthodoxy, What's Wrong with the World), John Stuart Mill, Hemingway (Garden of Eden), Nietzsche, Machiavelli, Alain Finkielkraut (Defeat of the Mind), Anton Ehrenzweig (Hidden Order of Art), Arthur Koestler (Midwife Toad, Beyond Reductionism), Ian McHarg (Design with Nature), Marguerite Duras, Jung, late James M. Cain (Serenade), Paul Campos.

"Because I get up so early to work, I tend to go to bed early, around 10 or 11. So I don't go out much. I suppose I am borderline reclusive. I don't care."

Reviews

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Editorials

People Magazine

"Under Crichton’s imaginative scrutiny, body-part theft, the extinction of blonds and transgenic experiments...all loom on the horizon."

Time Magazine

"[Crichton] invites a mass audience irresistibly into some of the Most Important Conversations We’re Not Having."

(All Things Considered)

"Crichton creates a series of fascinating dramatic situations that hold a reader’s attention right down to the last page."

USA Today

"[Crichton’s] in top form with NEXT....There’s a lot to like and to scare you."

Los Angeles Times

"[NEXT] is a tribute to Crichton’s storytelling skill...the docmentation he sprinkles throughout the narrative teases us with speculation."

Philadelphia Inquirer

"NEXT is a romp and a potboiler...a blockbuster science thriller...an entertaining read."

Daily Mail (London)

"His plot, involving a score of main characters and a dozen different strands, defies summary but is completely brilliant."

Time magazine

“[Crichton] invites a mass audience irresistibly into some of the Most Important Conversations We’re Not Having.”

NPR (All Things Considered)

“Crichton creates a series of fascinating dramatic situations that hold a reader’s attention right down to the last page.”

Newsweek

"Crichton addresses complex contemporary issues...into thrilling reads."

Globe & Mail (Toronto)

"Crichton has created a series of vivid, thought-provoking morality plays, presenting key questions engendered by genetic research."

Christian Science Monitor

"Crichton’s latest techo-thriller raises fascinating ethical questions."

National Review

"A compulsively readable beach book about the dawn of the biotech revolution."

Pittsburgh Post-Gazette

"You realize what [Crichton]’s fictionalizing could be happening now, not "Next." And that’s what makes it all so terrifying."

Dallas Morning News

"As entertaining as anything he has written since Jurassic Park."

Baton Rouge Advocate

"Read this book. It’s enough to scare the DNA out of you."

Bookreporter.com

"NEXT will frighten, worry and amuse you, and keep you thinking long after its final words are read. Highly recommended."

Sunday Telegraph (Australia)

"A cracking pace...fast-moving plot with highly detailed research."

Houston Chronicle

"The writing is mentally sharp, with vignettes that make you wonder if you are reading satire or simply mild exagerration."

Denver Post

"A satirical thriller that will have bookworms glued to their armchairs."

Sunday Express (London)

"(Crichton) is one of the most reliable purveyors of brain-engaged popular fiction at work today."

Aberdeen Press & Journal [Scotland]

"It is devilishly clever...thoroughly enjoyable."

News of the World (UK)

"Crichton sets up mind-boggling scenarios. The pace and intrigue last to the final page."

South China Morning Post

"A complex and credible extension of present reality into the realm of the imagination. A highly readable novel."

Daily Telegraph (London)

"NEXT is a page-turner, natuarlly; deft and dashing, eminently professional. "

Mail on Sunday

"[Crichton’s] latest is in genetics and his literary success is assured."

Adelaide Advertiser

"[Crichton] is a punchy, modern storyteller. NEXT is a popular thriller worth serious reading."

Birmingham Post (UK)

"A cracking dark tale about biotechnology and transgenics. Epic in style."

Evening Standard (UK)

"Wonderful...NEXT’s a regular romp."

Calgary Sun

"Provocative and entertaining."

Forbes

"NEXT is populated with blood-pressure-raising villains who will keep you turning the pages."

New York Times

"NEXT is one of Mr. Crichton’s more un-put-downable novels. Its emphasis is on excitement."

People

“Under Crichton’s imaginative scrutiny, body-part theft, the extinction of blonds and transgenic experiments...all loom on the horizon.”

Daily News

"(Crichton) carouses through the landscape of scientific development, presenting one frightening possibility after another. Michael Crichton isn’t for scaredybabies."

Globe and Mail (Toronto)

“Crichton has created a series of vivid, thought-provoking morality plays, presenting key questions engendered by genetic research.”

Publishers Weekly

Do you own your body's cells? If a doctor develops a cure for a disease using your cells in the process, are you entitled to a share of the profits? These are some of the questions Crichton explores in his latest science-as-boogeyman polemic. Baker does all he can to give life to the characters, but they are little more than tools to convey the plot, so the author leaves him little to work with. Baker subtly shifts the tone of his voice to distinguish between characters and deftly alters the cadence of his speech to keep the narrative flowing. Despite his best efforts, though, Baker cannot turn the nonfiction interludes between chapters into anything remotely interesting. As if these weren't distracting enough, the multiple subplots make it quite difficult to keep track of what's going on, or how one plot line relates to another. Reading a book that goes in this many directions would be difficult enough, but on audio it's almost impossible to follow. Baker's performance is excellent all around, but listeners hoping Crichton would return to Jurassic Parkform will be left wanting. Simultaneous release with the S&S hardcover (reviewed online). (Jan.)

Copyright 2007 Reed Business Information

Forbes Magazine

Will cool your ardor for biotechnology. Crichton graphically portrays all the hideous things that can go wrong with genetic research. Critics carp that he exploitatively mixes fiction with fact to conjure up an array of Frankenstein-like outcomes. But so what? The last century showed us what the once popular, seemingly scientific idea of eugenics--the belief that we could improve human beings the way we improve animals and plants through selective breeding, planting and culling--led to. Most Western countries, including the U.S., forced sterilization on hundreds of thousands of people because the prevailing thought was that their bad genes shouldn't be passed on to future generations. The Nazis carried that idea to its murderous conclusion. (18 Jun 2007)
—Steve Forbes

Library Journal

Crichton's books dazzle listeners with technical jargon that sends them fleeing to an encyclopedia to find answers and actual characters who rub elbows with their fictitious counterparts. The subjects here are genetic engineering, genetic tampering, cross-cultural gene experiments, and stem cell research. Crichton screeches down the genetic highway at breakneck speed, tossing out truth and fiction in equal amounts. Can an African Grey parrot be able to carry on conversations with its owners? What about experiments to place commercial advertising on animals and fish? Throughout these flights of fancy are several story lines that bring the gene question down to a human level, pitting firm believers against equally firm opponents. Lawsuits that touch on the furthest reaches of genetic research confuse the jury and irritate the judges. Actor Dylan Baker has a multitude of voices to contend with as well as some tongue-twisting medical terms, and he handles the job very well. Some of his characters whine too much or speak sarcastically when the situation doesn't really call for it, and one has to wonder why journal headlines are read in a plummy British accent. Still, don't be diverted from diving head first into one of the most important fiction books of modern time. Highly recommended for all public libraries.
—Jodi L. Israel

Book Details

Published
February 5, 2013
Publisher
HarperCollins Publishers
Pages
431
Format
Hardcover
ISBN
9780062227195

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