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Overview
A fast-paced comic extravaganza from the pen of the author of the runaway bestseller How Insensitive. Set in the cynical and celebrity-obsessed world of mainstream media, and alternatively in the stultifying conservatism of suburban sprawl, a failed musician and intellectual nerd has become a freelance magazine writer and unwillingly been cast into the role of fashion arbiter. Reluctantly, and only for the money, James Rainer Willing agrees to interview the reclusive nationalist Canadian poet Ludwig Boben for the prestigious American magazine Glitter. Willing's insanely busy and competitive life provides glimpses into the world of fashion photography, small-press poetry readings, expensive and fashionable restaurants (he is a restaurant critic), 'lifestyle' magazines, and a return to the suddenly-quiet life or non-life of ghostly New Munich, Ontario, where Willing revisits his one-time peers, the People Who Stayed Behind.
Editorials
Saturday Night
'You don't have to like James Rainer Willing to like Noise, the exuberant lampoon of which he is the over-elegant centrepiece. And a good thing too -- dour, self-absorbed, the most pretentious restaurant critic ever to hit the pages of a trendy tabloid, Willing is a throwback to the hilariously unsatisfactory heroes and heroines of Kingsley Amis and Evelyn Waugh. Smith, whose 1994 novel, How Insensitive, mined similar territory -- the lives of Toronto's helplessly hip -- offers here a more polished portrait of a distracted magazine writer for whom la vie bohème is rapidly becoming La vie ho-hum. ... Smith picks on the effete and the dowdy with a bracing even-handedness: he's just as good at nailing what makes motel dining rooms so creepy as he is at skewering performance poets.'
Toronto Star
'Noise is not so much a novel as a series of sketches. Many of them ... are priceless. In one episode, Willing and his girlfriend visit an upscale restaurant and witness its famous chef and his boyfriend, the sous-chef, having a colossal hissy fit.... In these and other scenes, Smith plays to his strengths -- a well-tuned ear for speech, a keen eye for absurdity, a wicked aptitude for ridicule. These are writerly strengths that Canadian literature badly needs.'