Overview
"From 1950s Greenwich Village artists' lofts and coffee houses to the San Francisco Opera house, from park benches and strolls on the Bowery to the JFK Center in Washington DC, Offbeat is the action-packed true story of the unique friendship and collaborations of composer-performer David Amram and author Jack Kerouac. Amram is your travel guide, taking you along in this account of their adventures from 1956 until Kerouac's death in 1969." "The hilarious making of the now-classic film Pull My Daisy, the historic first jazz/poetry readings ever given in New York, and the symphonic works inspired by Kerouac's participation, are described here for the first time in detail by the man who made the music. Allen Ginsberg, Gregory Corso, Langston Hughes, Neal and Carolyn Cassady, Franz Kline, Larry Rivers, and a host of others, are vividly portrayed forging the legend of a generation that lives to this day." At the same time, Offbeat challenges and dismisses the myth of a Beat Generation, replacing it with a riveting and heartfelt account of the community of artists of that era, and how they supported one another.Synopsis
Now in a paperback edition, David Amram retraces in this engaging memoir the creative paths he followed through restless days and long, exhilarating nights with his collaborator and friend Jack Kerouac. With candor and humor, Amram illuminates the private side of Kerouac, his extraordinary intellect and his ardent pursuit of music and literature. Among the last of a generation that altered the style and substance of the arts in its time, Amram also celebrates in this wise and affecting book the renaissance of interest in Kerouac’s work three decades after his death. Photographs are included. “[A] compassionate, firsthand portrait.”—Eric P. Nash, The New York Times Book Review “... every bit as radiant as his enduringly popular first memoir, Vibrations.”—Donna Seaman, Booklist “[A]n unpretentious, freewheeling festival of highly diverting tales.”—Kirkus Reviews “[Offbeat] is most valuable for its narrative of the ongoing restoration of Kerouac’s literary reputation.”—Paul A. Bergin, St. Petersburg Times
Publishers Weekly
In the late 1950s, musician and composer Amram (Vibrations) pulled frequent all-nighters with Jack Kerouac and pals. The artists drank Thunderbird, smoked pot and recited spontaneous poems while Amram belted his French horn. In 1957, Amram and Kerouac went public with the act at a small East Village gallery; two years later, they documented their unique teamwork in the short film Pull My Daisy. They never worked together again: Kerouac moved with his mother to Florida, where he became increasingly reclusive and enfeebled by alcohol, and Amram went on to compose more than 100 orchestral and chamber pieces and wrote scores for such films as The Manchurian Candidate. In this memoir, the author hopes to clear up "decades of misinformation and mythology" about Kerouac and many of the other poets, painters and artists of the so-called Beat movement (a label he vehemently rejects). Unfortunately, the characters Amram renders come off as unreal as the stereotypes he wishes to destroy. Readers interested in Kerouac should look elsewhere. Memory Babe: A Cultural Biography of Jack Kerouac by Gerald Nicosia is the most comprehensive biography. For a more personal account, read former Kerouac lover Joyce Johnson's memoir Minor Characters. Photos not seen by PW. (Mar.) Forecast: As with most things Kerouackian, this book is sure to attract the many, still cultish, fans. Copyright 2001 Cahners Business Information.