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Oyster by Janette Turner Hospital — book cover

Oyster

by Janette Turner Hospital
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Overview

Janette Turner Hospital has been called by the Times Literary Supplement "one of the most powerful and innovative writers in English today." Oyster has received critical acclaim internationally, and was short-listed for the prestigious Miles Franklin Award and the National Book Award in Australia.

Outer Maroo, a small, opal mining town in the Australian outback, is stewing in heat, drought, and guilty anxiety. Some ghastly cataclysm has occurred on the opal fields, but this is a taboo subject. At the heart of the mystery is the cult messiah, Oyster, dressed in white, sexually compelling, and preaching the end of time.

Synopsis

Janette Turner Hospital has been called by the Times Literary Supplement "one of the most powerful and innovative writers in English today." Oyster has received critical acclaim internationally, and was short-listed for the prestigious Miles Franklin Award and the National Book Award in Australia.

Publishers Weekly

A rank, festering smell hangs over the desolate Australian Outback town of Outer Maroo, so isolated that it can't be found on any map of Queensland. The smell, which the town's wary inhabitants call Old Fuckatoo, is engendered by the corpses of animals dead in the lingering droughtand something more mysterious and horrible, "the feral stench of hate." Dreadful events, carried out under the mandate of religious fundamentalism, have occurred here , but no one dares to refer to them, or to the charismatic cult leader who called himself Oyster and whose acolytes worked like slaves mining opals and serving Oyster's insatiable sexual appetite. Oyster and his followers disappeared in a wave of violence unleashed by evil Dukke Prophet, a member of the churchgoing community of the Living Will, and ever since, no strangers have been allowed into town to look for their missing loved ones. The Bible-quoting, hypocritically sanctimonious Prophet deposed the Living Will's mild pastor and demanded fire and brimstone in the name of salvation. Prophet, a lecherous rancher named Andrew Godwin and the proprietor of the town's only pub are making millions in illegally traded opals while cowing the town's inhabitants and accumulating massive armaments. Armageddon beckons. Part of the seductive power of Hospital's novels (The Last Magician; Charades) lies in her practice of constructing the plot in a series of interlocking narratives, like an intricate jigsaw puzzle. Here, much of the action is filtered through the thoughts of Mercy Givens, the young daughter of the deposed pastor. Mercy's precocious but innocent mind resists the full meaning of the brutal acts that finally engulf the community. She and the others in the beautifully observed cast of charactersa schoolteacher doomed because she tells the truth, the parents of two missing cultists, an Aborigine woman, two of society's outcasts who have tried to forget their pastsgradually reveal the terror of people held under the iron fist of religious fanaticism. As the chilling truth becomes more clear and as the suspense mounts, Hospital creates her most powerful and dazzling novel to date. In sensuous prose, feverish with the cadences of mystery and doom, sometimes hallucinatory but always meticulously controlled, she spins a story eerie in its timeliness and credibility. (Mar.) (PW best book of 1998)

About the Author, Janette Turner Hospital

Janette Turner Hospital received Australia's Patrick White Award for lifetime literary achievement, and is Distinguished Professor of English at the University of South Carolina. She lives in Columbia, South Carolina.

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Editorials

Publishers Weekly - Publisher's Weekly

A rank, festering smell hangs over the desolate Australian Outback town of Outer Maroo, so isolated that it can't be found on any map of Queensland. The smell, which the town's wary inhabitants call Old Fuckatoo, is engendered by the corpses of animals dead in the lingering droughtand something more mysterious and horrible, "the feral stench of hate." Dreadful events, carried out under the mandate of religious fundamentalism, have occurred here , but no one dares to refer to them, or to the charismatic cult leader who called himself Oyster and whose acolytes worked like slaves mining opals and serving Oyster's insatiable sexual appetite. Oyster and his followers disappeared in a wave of violence unleashed by evil Dukke Prophet, a member of the churchgoing community of the Living Will, and ever since, no strangers have been allowed into town to look for their missing loved ones. The Bible-quoting, hypocritically sanctimonious Prophet deposed the Living Will's mild pastor and demanded fire and brimstone in the name of salvation. Prophet, a lecherous rancher named Andrew Godwin and the proprietor of the town's only pub are making millions in illegally traded opals while cowing the town's inhabitants and accumulating massive armaments. Armageddon beckons. Part of the seductive power of Hospital's novels (The Last Magician; Charades) lies in her practice of constructing the plot in a series of interlocking narratives, like an intricate jigsaw puzzle. Here, much of the action is filtered through the thoughts of Mercy Givens, the young daughter of the deposed pastor. Mercy's precocious but innocent mind resists the full meaning of the brutal acts that finally engulf the community. She and the others in the beautifully observed cast of charactersa schoolteacher doomed because she tells the truth, the parents of two missing cultists, an Aborigine woman, two of society's outcasts who have tried to forget their pastsgradually reveal the terror of people held under the iron fist of religious fanaticism. As the chilling truth becomes more clear and as the suspense mounts, Hospital creates her most powerful and dazzling novel to date. In sensuous prose, feverish with the cadences of mystery and doom, sometimes hallucinatory but always meticulously controlled, she spins a story eerie in its timeliness and credibility. (Mar.) (PW best book of 1998)

Library Journal

This novel tells a tale fit for the millennium. In a part of the Australian Outback so remote it is literally off the charts, a tiny opal-mining and ranching community faces the end of its world. A place of closed minds and closely held secrets, Outer Maroo has become dangerous since the arrival and departure of the fascinating, sinister spiritual leader calling himself Oyster. Since Oyster's coming, certain areas of conversation are taboo, minds are unhinged, and reality seems hard to define. Outsiders are met with distrust, dislike, and worse, while a seemingly endless drought heightens tension unbearably. When two particularly stubborn strangers demand information about their lost children, disciples of Oyster, they initiate Armageddon for Outer Maroo. Related from multiple perspectives and shifting back and forth in time, the narrative maintains the pace and suspense of a technothriller, yet its principal strengths lie in mood and characters depicted in exquisite prose. Hospital The Last Magician, LJ 9/15/92 deserves a wide readership for this book. [Previewed in Prepub Alert, LJ 11/1/97.]Starr E. Smith, Marymount Univ. Lib., Arlington, VA

Dale Peck

It is both a rare story and an accomplished piece of writing.
The New York Times Book Review

Kirkus Reviews

Echoes of Waco, Heaven's Gate, and Jonestown combine with intimations of apocalypse in a stunningly evocative story of life in a remote Australian hell-hole—a place where evil is as pervasive as the heat, goodness as rare as rain. Australian writer Hospital (The Last Magician, 19??, etc.) sets her morality tale in Outer Maroo, a town in a hot, arid region where droughts are common and a sinister, moistureless fog often covers the land. It's a place so remote that it's not even on the maps, yet its soil is riven with opal seams. These opals, and the isolation, attract folks "who are always waiting for retribution to catch up with them"—including the charismatic Oyster, who founds a commune (Oyster's Reef) just outside of town. Gradually, he begins to attract idealistic young people; they come as disciples, but soon find themselves digging for opals and catering to Oyster's increasingly bizarre needs. A chorus of voices recalls his lethal effect on Outer Maroo—how he corrupted many of the locals, offering them wealth and freedom from a government they viewed as intrusive, and how a teacher was among those brutally murdered for opposing him. Oyster's reign ended, appropriately, in an apocalyptic fire in which he and most of his followers perished. Only the good—Mercy, a young girl Oyster raped; Ethel, a local Aborigine; Jess, a former surveyor; Major Miner, a veteran and former POW; plus Nick and Sarah, two "foreigners" searching for their lost children—survive. These are the people who now recollect the corruption and destruction of Outer Maroo and their discovery of a kind of redemption after Oyster's end—and a chance to build a shining city of faith. Adeep and harrowing journey through a desolate land into the recesses of the soul and then back into the light, all recorded in luminous prose.

Book Details

Published
June 1, 1999
Publisher
Norton, W. W. & Company, Inc.
Pages
412
Format
Paperback
ISBN
9780393319361

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