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Poison by Kathryn Harrison — book cover

Poison

by Kathryn Harrison
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Overview

Francisca de Luarac, the daughter of a poor Spanish silk grower, is a dreamer of fabulous dreams. Marie Louise de Bourbon, the niece of Louis XIV, dances in slippers of fine Spanish silk in the French Court of the Sun King and imagines her own enchanted future. Born on the same day—in an age when superstition, repression, and the Inquisition reign—the lives of these two young women unfold in tandem, barely touching. Each hoards the memory of her adored lost mother like an amulet. Francica's obsession with her lover, a Catholick priest, will shaper her fate. Marie Loouise is yoked by political expediency to the mad, imptoent Carlos II of Spain. But even as their twin destinies spiral inexorably toward disaster, both Queen and commoner cultivate a dangerous, secret life dedicated to resistance, transcendence, and love. Written in gorgeous prose that has the sheen of silk, Kathryn Harrison's POISON vividlyreminds us of the persistence of desire, the passion that exists between mothers and daughters, and the sorcery of dreams.

Set during the time of the Spanish Inquisition, this hypnotic, luminous, and original novel by the critically acclaimed author of Exposure tells the story of two young women--a silk grower's daughter and a queen--struggling to survive in an atmosphere poisonous to passion, creativity and love.

Synopsis

Francisca de Luarac, the daughter of a poor Spanish silk grower, is a dreamer of fabulous dreams. Marie Louise de Bourbon, the niece of Louis XIV, dances in slippers of fine Spanish silk in the French Court of the Sun King and imagines her own enchanted future. Born on the same day—in an age when superstition, repression, and the Inquisition reign—the lives of these two young women unfold in tandem, barely touching. Each hoards the memory of her adored lost mother like an amulet. Francica's obsession with her lover, a Catholick priest, will shaper her fate. Marie Loouise is yoked by political expediency to the mad, imptoent Carlos II of Spain. But even as their twin destinies spiral inexorably toward disaster, both Queen and commoner cultivate a dangerous, secret life dedicated to resistance, transcendence, and love. Written in gorgeous prose that has the sheen of silk, Kathryn Harrison's POISON vividlyreminds us of the persistence of desire, the passion that exists between mothers and daughters, and the sorcery of dreams.

Janet Burroway

"Poison" is a hothouse of a novel, overwrought and heavily scented; it will not be to everybody's taste. It is also serious and thoughtful, its vivid colors partly concealing issues about the way we subjectify biography in order to make meaning of our own lives. -- New York Times

About the Author, Kathryn Harrison

Kathryn Harrison is a graduate of Stanford University and the Iowa Writer's Workshop. Her first novel, Thicker Than Water, was a New York Times Notable Book of 1991. Her second novel, Exposure, was also a New York Times Notable Book, and a national bestseller. She lives in New York City with her husband, the writer Colin Harrison.

Reviews

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Editorials

Janet Burroway

"Poison" is a hothouse of a novel, overwrought and heavily scented; it will not be to everybody's taste. It is also serious and thoughtful, its vivid colors partly concealing issues about the way we subjectify biography in order to make meaning of our own lives. -- New York Times

Publishers Weekly - Publisher's Weekly

Perhaps Harrison's most signal achievement in this story of two doomed women is her reflection of their time and place: Spain in the 17th century, a sordid and barbarous era. Harrison (Exposure) is totally in command of her tragic narrative, which proceeds with the stately, mesmerizing pace of a pavane, stepping to one side to look behind, to the other to look ahead. Francesca Luarca, a humble silk farmer's daughter, is arrested for witchery. Her story parallels that of Queen Maria Luisa, the French Bourbon princess married to the impotent king of Spain, whose inability to produce an heir to the throne condemns her to death as surely as imprisonment in the Inquisition's prisons dooms Francesca. Francesca commits several sins: she begs a priest to teach her to read (a dangerous ambition for a woman); he also introduces her to carnal delights and impregnates her. Francesca is destroyed by passion, the queen-who is also called a witch by the jeering mob-by its complete absence. Hovering over everything is the ominous shadow of the Inquisition, fed by a greedy, corrupt church that plays on fears of devils and witches but forgives ``sins'' on the payment of hefty fines. Harrison weaves a marvelous tapestry of almost palpable details: people in Madrid wore enormous jeweled spectacles, ``an enhancement to dignity rather than eyesight''; ``the Spanish nobility's desire for loftiness was so intense and so literal that aristocratic women balanced on stilts.'' This is hardly an historical novel in its accepted sense, however, since Harrison pulls free of exact historical documentation. While richly imagined, the narrative is sometimes overwrought; being confined inside the heads of the poisoned, delirious queen and the peasant woman torn by the Inquisition's rack is a feverish experience. This claustrophobic darkness, the unremitting misery of the story, may deter some readers. For others, it will be an illuminating portrait of a woman's lot in an age poisoned by superstition and the church's tyranny. (May)

Library Journal

Harrison examines the lives of two women in 17th-century Madrid. One, Maria Luisa, the French-born queen of Carlos II, is dying of poison because she has not produced an heir in ten years of marriage. The other is Francisca de Luarca, a silk grower's daughter, who lies in the Inquisition's prison, accused of witchcraft. As Francisca reviews her life and that of the queen, a panoramic view of Spain emerges, from the superstitious peasants of Castile to the equally superstitious nobility of a fading country. The evocative historical setting is a departure for Harrison (e.g., Exposure, LJ 12/92), whose previous novels viewed contemporary life. However, her brilliant descriptions and compelling examination of the minds and motivations of her two heroines, each condemned by society for wanting happiness, will maintain the author's reputation as a writer of power and rare sensibility. For most collections. [Previewed in Prepub Alert, LJ 1/95.]-Andrea Caron Kempf, Johnson Cty. Community Coll. Lib., Overland Park, Kan.

Book Details

Published
September 1, 1996
Publisher
HarperCollins Publishers
Pages
336
Format
Paperback
ISBN
9780380727414

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