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Overview
In the universally-praised Returning to Earth, Jim Harrison has delivered a masterpiece—a tender, profound, and magnificent novel about life, death, and the possibility of finding redemption in unlikely places. Donald is a middle-aged Chippewa-Finnish man slowly dying of Lou Gehrig’s disease. His condition deteriorating, he realizes no one will be able to pass on to his children their family history once he is gone. He begins dictating to his wife, Cynthia, stories he has never shared with anyone—as around him, his family struggles to lay him to rest with the same dignity with which he has lived. Over the course of the year following Donald’s death, his daughter begins studying Chippewa ideas of death for clues about her father’s religion, while Cynthia, bereft of the family she created to escape the malevolent influence of her own father, finds that redeeming the past is not a lost cause. Returning to Earth is a deeply moving book about origins and endings, making sense of loss, and living with honor for the dead. It is among the finest novels of Harrison’s long, storied career, and confirms his standing as one of the most important American writers now working.Synopsis
In the universally-praised Returning to Earth, Jim Harrison has delivered a masterpiece—a tender, profound, and magnificent novel about life, death, and the possibility of finding redemption in unlikely places. Donald is a middle-aged Chippewa-Finnish man slowly dying of Lou Gehrig’s disease. His condition deteriorating, he realizes no one will be able to pass on to his children their family history once he is gone. He begins dictating to his wife, Cynthia, stories he has never shared with anyone—as around him, his family struggles to lay him to rest with the same dignity with which he has lived. Over the course of the year following Donald’s death, his daughter begins studying Chippewa ideas of death for clues about her father’s religion, while Cynthia, bereft of the family she created to escape the malevolent influence of her own father, finds that redeeming the past is not a lost cause. Returning to Earth is a deeply moving book about origins and endings, making sense of loss, and living with honor for the dead. It is among the finest novels of Harrison’s long, storied career, and confirms his standing as one of the most important American writers now working.
The New York Times - Will Blythe
As a rough rule, it seems that writers fall into two camps. There are those who delight in rousting the truth from its concealment amid pieties and convention. If they must strip-mine the world to expose its hypocrisy, they will do so, even if they leave a landscape barren of hope. Then there are those writers who prefer to remythologize life on earth, finding it rich with strange congruences and possibilities. Jim Harrison is a writer of the second type, and Returning to Earth is his extraordinary valediction to mourning. It sharpens one s appetite for life even at its darkest.
Editorials
From the Publisher
“[Harrison’s] books glisten with love of the world, and are as grounded as Thoreau’s in the particulars of American place—its rivers and thickets, its highways and taverns. Bawdily and with unrelenting gusto, Harrison’s 40 years of writing explores what constitutes a good life, both aesthetically and morally, on this planet. . . . Quietly magnificent . . . A luminous, sad calm pervades this novel. . . . [An] extraordinary valediction to mourning. It sharpens one’s appetite for life even at its darkest.” —Will Blythe, The New York Times Book Review
“Time, memory, and the land all play key roles in Harrison's remarkable new novel. . . . A deeply felt meditation on life and death, nature and God, this is one of Harrison's finest works.”—Library Journal (starred review)
“Jim Harrison is a writer with a bear in him. Fearless, a top predator, omnivorous, he consumes all manner of literature and history and philosophy while walking the North Woods, fishing in streams or driving the back roads of North America He is one of the great writers of our age for the muscularity of his prose; his strong, declarative sentences boom one after the other like waves pounding a Lake Superior shore, each carrying some new flotsam from the conscious or unconscious worlds.” Jim Lenfestey, Minneapolis Star-Tribune
“Wrenchingly sad ” Charles McGrath, The New York Times
“[Harrison] offers roomy definition of integrity endlessly open to interpretation and based on relationships with the earth, with one’s family, with oneself. Locating ourselves in the four directions, in the march of ancestors, in the web of species, Harrison means to tell us, might help us feel safer, which would make us kinder and less destructive . Although these characters share a common heritage and interests, they remain so distinct, so memorable, that you would recognize their voices in a crowded bar, even if you had your back to them. As for the places they love and inhabit, the chokecherry and dogwood and porcupine-quill baskets and feathers and stones well, let’s just say that all five senses were used to re-create them.” Susan Salter Reynolds, The Los Angeles Times
“Beautifully written ” Ashley Simpson Shires, Rocky Mountain News
“Beautiful, complex and heart-wrenching . Really really, Harrison is one of the most remarkable writers on the planet. He is one of the few who can write a book about death and dying that is at once dignified, uplifting and hilarious, without a trace of mawkishness or sentimentality . On every page of a Harrison novel are revelatory gems of seemingly off-handed wisdom . It is useless to catalog the wisdom on every page of ‘Returning to Earth,’ except to say that like great poetry, Harrison’s prose has the power to stop the eye and the mind at the same time, to suspend a reader in an absolute moment of contemplation, and to tear away the junk of the world, revealing only what our deepest nature desires, peace and contentment . Redemption and courage flow from Harrison’s heart to ours. We’re lucky to have him. He’s a genuine treasure, an American writer who deserves the Nobel Prize for Literature.” Gaylord Dold, The Wichita Eagle
“For more than four decades his sinewy prose and poetry have been exhorting us without timidity to embrace life in all its sensuality. Now, with his splendid new novel, [Harrison] delivers a treatise on love, loss, and longing, and reminds us that such embarrassment can compromise our lives while we yet live . This should not be mistaken as an endorsement of ‘closure’ that false sedative to which we, in our instant-gratification society, seem addicted. Harrison fairly thumbs his nose at that hollow concept. He knows that yearning outlives acceptance. His point is more profound.” Craig L. Smith, Santa Fe New Mexican
“Mr. Harrison [is] one of the finest American writers of the last half-century . Mr. Harrison writes with great beauty and power about nature and the outdoors . This is a major book by a major writer working at the top of his powers. Don’t miss it.” John Greenya, The Washington Times
“Harrison is a companionable writer whose best work reads like a long conversation with an eccentric friend. In Returning to Earth, the anecdotes within the larger narrative have the drift of oral language and the texture of the oft-repeated tales good buddies exchange when they reconnect after a long absence . The sort of speaker most people can listen to for hours.” Joe Campana, The Missoula Independent
“At the center of the novel, the irreducible conundrum: What matters after life is stripped away? That is the question. It is not an easy question and it is the question we most often look away from, in a culture swept up in the distractions of the everyday. Be kind, Harrison might say by way of a sideways answer. Be true and be kind.” Ft. Lauderdale Sun-Sentinel
Harrison offers a view of death and redemption that is as earthbound and humble as it is spiritual and profound.” Tim McNulty, The Seattle Times
“[Jim Harrison] has become a major figure in American literature, and nowhere are the reasons for that more clear than in his newest novel, ‘Returning to Earth.’ ‘Returning to Earth’ is a prodigious achievement. It is both familiar and strange, rooted and rootless, endlessly dark and occasionally hilarious. It is above all human: raucous, literary, bawdy, goofy and wise. It is heartbreakingly sad. And it registers the redemption of love, the power of the word to speak the truth, the peace that comes to those who live even when it is time to die.” Bart Thurber, San Diego Union-Tribune
“Harrison's characters speak with a gripping frankness and intimacy about their own shortcomings, and delve into their grief with keen sympathy.”—Publishers Weekly
“‘Returning to Earth’ is a poignant and powerful reflection of how all stories become one in the end a story told with bare-bones honesty and simple eloquence.” David Nolt, Livingston Weekly
“[Jim Harrison’s] fiction is rooted in primitive feelings of earthy connectedness and the mystical bonds shared by human beings and nature, or that could be shared were not our innocence corrupted by greed and unholy aspiration.” Fredric Koeppel, The Commercial Appeal
“Readers will find Returning to Earth both substantial and nourishing Robust, soulful, satisfying, Returning to Earth is a reminder of the death-defying power of deep and abiding love.” Kathleen Johnson, Kansas City Star
“Each section of this brilliant novel set in the Upper Peninsula of Michigan is told from the perspective of a different character dealing with loss and love. I think this is one of the best novels I've read in months, and if you're discovering Jim Harrison for the first time, this is a great book to get you started on his work.”—Gayle Shanks, Changing Hands Bookstore, Tempe, AZ, Book Sense quote
“Harrison’s newest novel, ‘Returning to Earth,’ contains some of the most poignant moments he has ever imagined.” Daniel Dyer, Cleveland Plain Dealer
“Grade: A. Returning to Earth is a beautifully written account of one man’s passing and the effect on his multifaceted and multicultural family.” Ashley Simpson Shires, Rocky Mountain News
“[Returning to Earth] is told in a prose so pure and scraped of excess that a paragraph can seem a novel, a sentence a poem. Breathtaking.” Ted Roelofs, The Grand Rapids Press
“Deeply moving ” Book Passage
“A wise and moving story about life, death, and letting go.” The Octavian
“Returning to Earth (another wonderful title from an author who understands their importance) is best at the level of the sentence and the paragraph, which is where Harrison’s prose most shines. As a poet, he is especially attentive to the power of single words there is much to be said in praise of this quiet reflective work that presents an ordinary life in its final state of repose. Here we will all go in the end, and Jim Harrison has traveled that future length of the trail for us. The novel reaffirms his dedication to the craft and the persistence and clarity of his vision.”—The Bloomsbury Review
“Jim Harrison is a rare find. His characters are so skillfully rendered that they become real to the reader self-conscious, spontaneous and imperfect. Harrison’s voice is direct and brutal, bringing to light the parts of ourselves that we try to keep hidden, and the tiniest thought we leave unsaid.”—Bridget Randles, Albuquerque Journal
Will Blythe
As a rough rule, it seems that writers fall into two camps. There are those who delight in rousting the truth from its concealment amid pieties and convention. If they must strip-mine the world to expose its hypocrisy, they will do so, even if they leave a landscape barren of hope. Then there are those writers who prefer to remythologize life on earth, finding it rich with strange congruences and possibilities. Jim Harrison is a writer of the second type, and Returning to Earth is his extraordinary valediction to mourning. It sharpens one’s appetite for life even at its darkest.— The New York Times
Publishers Weekly
Dying at 45 of Lou Gehrig's disease, Donald, who is Chippewa- Finnish, dictates his family story to his wife, Cynthia, who records this headlong tale for their two grown children (and also interjects). Donald's half-Chippewa great-grandfather, Clarence, set out from Minnesota in 1871 at age 13 for the Upper Peninsula of Michigan. In Donald's compellingly digressive telling, Clarence worked the farms and mines of the northern Midwest, and arrived in the Marquette, Mich., area 35 years later. As Donald weaves the tale of his settled life of marriage and fatherhood with that of his restless ancestors, he reveals his deep connection to an earlier, wilder time and to a kind of people who are "gone forever." The next three parts of the novel, each narrated by a different member of Donald's family, relate the story of Donald's death and its effects. While his daughter, Clare, seeks solace in Donald's Anishnabeg religion, Cynthia and her brother, David, use Donald's death to come to terms with the legacy of their alcoholic father. The rambling narrative veers away from the epic sweep of Harrison's Legends of the Fall, and Donald's reticence about the role religion plays in his life dilutes its impact on the story. But Harrison's characters speak with a gripping frankness and intimacy about their own shortcomings, and delve into their grief with keen sympathy. (Jan.) Copyright 2006 Reed Business Information.Publishers Weekly
Harrison's novel of a dying man's retelling of his complex family history requires multiple readers to bring it to life. Svendsgaard, Porter, Weiner and Garcia all stick close to the rueful and world-weary, with long pauses and a subtle downturn of intonation marking their readings. They tag-team Harrison's prose, which shifts back and forth between the reminiscences of its protagonists, with Svendsgaard often leaping in to amend or second the stray thoughts of dying Donald Burkett. Weiner, as Donald, gives his reading just the right flat, clipped tone, each sentence ending abruptly and without warning. Donald's memories, in Weiner's rendering, are less the florid interior dramas of a romantically rendered past than the honest remembrance of what once was. The other readers follow Weiner's lead, echoing his spare performance ably and underscoring his fine work. Simultaneous release with the Grove hardcover (Reviews, Sept. 25). (Feb.)
Copyright 2007 Reed Business Information