Poetry - Literary Criticism, Drama - Literary Criticism, General & Miscellaneous Literary Criticism, True Crime, Bibliographies, Literary Reference, English Literature

Seven Lectures on Shakespeare and Milton

Name: Seven Lectures on Shakespeare and Milton
Author: Samuel Taylor Coleridge
ISBN: 9781231261170

by Samuel Taylor Coleridge

Write a review

Overview

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Synopsis

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1856 Excerpt: ...then I call it fancy. I know of no mode so satisfactory of distinguishing between wit and fancy. I appeal to the recollection of those who hear me, whether the greater part of what passes for wit in Shakespeare, is not most exquisite humour, heightened by a figure, and attributed to a particular character? Take the instance of the flea on Bardolph's nose, which Falstaff compares to a soul suffering in purgatory. The images themselves, in cases like this, afford a great part of the pleasure. These remarks are not without importance in forming a judgment of poets and writers in general: there is a wide difference between the talent which gives a sort of electric surprise by a mere turn of phrase, and that higher ability which produces surprise by a permanent medium, and always leaves something behind it, which satisfies the mind as well as tickles the hearing. The first belongs to men of cleverness, who, having been long in the world, have observed the turns of phrase which please in company, and which, passing away the moment, are passed in a moment, being no longer recollected than the time they take in utterance. We must all have seen and known such people; and I remember saying of one of them that he was like a man who squandered his estate in farthings: he gave away so many, that he must needs have been wealthy. This sort of talent by no means constitutes genius, although it has some affinity to it. The wit of Shakespeare is, as it were, like the flourishing of a man's stick, when he is walking, in the full flow of animal spirits: it is a sort of exuberance of hilarity which disburdens, and it resembles a conductor, to distribute a portion of our gladness to the surrounding air. While, however, it disburdens, it leaves behind what is weightiest and most ...