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Sights Unseen : A Novel by Kaye Gibbons β€” book cover

Sights Unseen : A Novel

by Kaye Gibbons
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Overview

The acclaimed New York Times bestselling author of Ellen Foster,Kaye Gibbons paints intimate family portraits in lyrical prose, using as her palette the rich, vibrant colors of the American South. Sights Unseen shows the author at her most passionate and heartfelt best β€” an unforgettable tale of unconditional love, and of a family's desperate search for normalcy in the midst of mental illness. It is a novel of rare poignancy, wit, and evocative power β€” the story of the relationship between Hattie Barnes and her emotionally elusive mother, Maggie, known by their neighbors as "that Barnes woman with all the problems."

This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

In potent prose, Sights Unseen tells the story of the troubled relationship between Hattie Barnes and her elusive mother, Maggie, known by their neighbors as "that Barnes woman with the problems." Plagued by Maggie's suicidal lows and delirious highs, Hattie struggles to find a place in her mother's heart. From the bestselling author of Charms fo the Easy Life.

About the Author, Kaye Gibbons

Kaye Gibbons is the author of four previous novels: Ellen Foster, A Virtuous Woman, A Cure for Dreams, and Charms for the Easy Life. She lives in Raleigh, North Carolina, with her husband and five children.

Biography

In 1987, a novel detailing the hardships and heartbreaks of a tough, witty, and resolute 11-year-old girl from North Carolina found its way into the hearts of readers all over the country. Ellen Foster was the story of its namesake, who had suffered years of tough luck and cruelty until finding her way into the home of a kind foster mother. Now, some nineteen years later, author Kaye Gibbons is finally bestowing the ultimate gift on her fans -- a continuation of Ellen's story.

As The Life All Around Me By Ellen Foster begins, Ellen is now fifteen and living in a permanent household with her new adoptive mother. However, Ellen still feels unsettled an incomplete. Due to "the surplus of living" she had "jammed" into the years leading up to this point in her life, Ellen feels as though she is deserving of early admission into Harvard University. However, when this dream does not come to be, she re-embarks on her soul-searching journey, drawing her back to those she left behind in North Carolina.

While it took Gibbons nearly two decades to return to her most-beloved character, she never truly let go of Ellen Foster, even as she was penning bestsellers and critical favorites such as A Cure For Dreams and Charms For the Easy Life. "She is like a fourth child in my house," Gibbons said in an audio interview with Barnes&Noble.com. "Ellen is really like the kid who came to spend the weekend and stayed for twenty years."

Perhaps Gibbons's close association with the little orphan is the result of her own personal connection to the character. She claims that the Ellen Foster books were "emotionally" autobiographical and helped her to come to terms with the most painful experience of her life. When Gibbons was a child, her ailing mother committed suicide -- an event that placed her on the same pathless quest for love and belonging as Ellen. The untimely death of Gibbons's mother provided much of the impetus for her to revisit Ellen in a sequel. "Before I wrote The Life All Around Me," she confides, "I wasn't obsessed by my mother's suicide, but I was angry about it... and it's something that I thought about every few minutes of the day, and I always wondered what my life would have been like had she stayed. She had extremely awful medical problems and had just had open-heart surgery, and back then we didn't know what we know now about the hormonal changes after heart surgery and the depression that's so typical after it. After I wrote The Life All Around Me, I was amazed that I didn't think about it as much as I did, and I found that I'd forgiven her and understood it."

Now that she has set some of her old demons to rest with a novel that Booklist has called "compelling and unique," Gibbons has vowed not to allow another nineteen years to pass before completing the next chapter in Ellen's story. She ensures that Ellen's adventures are just beginning and ultimately intends to tell the tale of her entire life. "I decided to recreate the life of a woman in literature," Gibbons says. "I always liked to have a big job to do... and I thought about how marvelous it would be at the end of my life to have created a free-standing woman; a walking, talking all-but-breathing person on paper." Ambitious as this project may sound, a woman who has faced the challenges that Gibbons has shall surely prove herself to be up to the task.

Good To Know

Some fun facts from our interview with Gibbons:

"I wrote A Virtuous Woman while nursing two babies simultaneously, typing with my arms wrapped around them. I turned in stained pages but never called them to anyone's attention for fear they'd be horrified."

"I got a C on an Ellen Foster paper I rewrote for a daughter's tenth-grade English class."

"Writing serious work one wants to be read and to last isn't like a hobby that can be picked up and put down, it's a lovely obsession and a very demanding joy."

"Getting involved with things that don't matter in life will get in the way of it, as they will with anything, like family and home, that do matter."

"To unwind, I watch movies and do collages with old photographs from flea markets or make jewelry with my daughter, and the best way to clear my mind is to walk around New York, where I write most of the time in a tiny studio apartment with random mice I've named Willard and Ben, though I can't tell any of those guys apart!"

"My writing is powered by Diet Coke, very cold and in a can. If Diet Coke was taken off the market, I'm afraid I'd never write again!"

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Editorials

Publishers Weekly - Publisher's Weekly

``Both forgiving and healing are true arts,'' says Hattie Barnes, the narrator of Gibbons's moving novel; readers will be thoroughly in thrall to her clear, true voice and to the poignant story she tells. In flashback, Hattie describes the summer and fall of 1967, when she was 12 and living in Bend of the River, N.C., and when her beautiful, psychotically volatile mother, Maggie, was temporarily committed to the psychiatric ward at Duke University. A near-miracle occurs: for the first time in nearly two decades, Maggie becomes stabilized on medication. And, for the first time in her life, Hattie experiences a mother who relates to, touches and cares for her. Gibbons tells this story of family dislocation and crisis in restrained prose of unflinching clarity, with a honing eye for the small domestic details that conjure a time, place and emotional atmosphere. She conveys the hellish condition of a home where one parent is delusional and dangerous to herself and others; where the other is a full-time caretaker; and where the children, Hattie and her older brother Freddie, are lonely, anxious, bewildered victims. The fifth member of the family is the grandfather, Mr. Barnes, a manipulative bully who protects and spoils his daughter-in-law, and indulges her every manic whim from his ample wallet; he is the truly destructive element in the Barnes family's lives. The dynamics of this dysfunctional group, their balance precariously maintained by the calm ministrations of their black housekeeper, Pearl, are spelled out with tender understanding. Gibbons is equally sensitive when conveying the aberrant wiring of Maggie's jangled brain. This is her best novel since Ellen Foster, a haunting story that begs to be read in one sitting. BOMC and QPBC featured alternates. (Sept.)

Library Journal

The illustrious Gibbons burst onto the literary scene with her award-winning first novel, Ellen Foster, which was "written with the freshness of a child but the wisdom of an adult" (LJ 4/15/87). One hopes this will live up to that debut.

School Library Journal

YA-A story that chronicles the devastating effects of growing up in a dysfunctional family. Hattie's mother, a manic depressive, experiences erratic mood swings and irrational outbursts. She is incapable of nurturing her daughter, shopping, talking, or providing a role model for something as basic as cooking. Narrated by Hattie, the book is permeated with sadness and disillusionment because of her constant disappointment over the lost opportunities for bonding, her fears and embarrassment with peers, and her lack of mothering. The minor characters emerge as shadowy figures who must tiptoe around the mother's moods. Readers witness violent verbal attacks on Hattie's father and experience her brother's protective response of staying in his room. The entire family is grateful for the respite provided by the mother's institutionalization. The novel will elicit empathy in most YAs, providing information to those who have never experienced this type of family situation and reassurance to those who have.-Barbette Timperlake, R.E. Lee High School, Springfield, VA

From Barnes & Noble

The good people of Bend of the River, North Carolina, politely refer to the beautiful Maggie Barnes as "the woman with all the problems.'' But young Hattie sees her mother as a captivating manic-depressive worth caring for. This is the tender and irresistibly funny story of a child's despairing love for her ill mother and the undying loyalty of a husband and extended family who go to great lengths to deal with a heartless woman's volatile mood swings.

Book Details

Published
July 1, 2005
Publisher
Harper Perennial
Pages
240
Format
Paperback
ISBN
9780060797157

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