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Somehow Form a Family: Stories That Are Mostly True by Tony Earley — book cover

Somehow Form a Family: Stories That Are Mostly True

by Tony Earley
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Overview

This is the book that in hardcover won unanimous praise from reviewers, who called it "beautiful and transcendent" (The Boston Globe), a book that "measures the arc of a culture's mortality in small, personal increments" (Star Tribune, Minneapolis), is written "in a poker-faced style that always seems on the verge of exploding into manic laughter or howls of pain" (The Atlanta Journal-Constitution).

They're right. Tony Earley is a writer so good at his craft that you don't read his words so much as inhale them. His first book of nonfiction is one of those unexpected classics, like Ann Lamott's Traveling Mercies, in which a great writer rips open his/her heart and takes the reader inside for a no-holds-barred tour.

In a prose style that is deceptively simple, Earley confronts the big things-God, death, civilization, family, his own clinical depression-with wit and grace, without looking away or smirking.

Synopsis

The American genius for language lies in understatement...Earley has the courage to return to artistic first principals: clarity, balance, ease. (The New York Times Book Review)

Tony Earley's view of the world is from the edge, at the cusp. Which is what this collection of personal essays is about - about how he stands with one foot in the rural mountains of his birth and upbringing and the other in the Brady Bunch's split-level.

Born thirty-nine years ago, Earley was too late to be a Baby Boomer, too soon to be a Gen Xer. He grew up in the North Carolina mountains but says, "I go around telling anyone who will listen that I am from the country, but deep down I know it's a lie. I grew up on Gilligan's Island, in Mayberry, I'm not sure where."

In a prose style that is deceptively simple (E. B. White comes to mind), Earley confronts the big things - death, civilization, family, his own clinical depression - with wit and grace, without looking away or smirking. He writes about how he's neither an adherent to the fundamentalism of his boyhood nor an unbeliever, and about how hard it is to find your place in the world without letting go of your authenticity.

Clearly having lost patience with irony, Tony Earley is on a journey from faith, through disbelief, and into a new faith.and a new family. And he is a writer so good at his craft that you don't read his words so much as inhale them. His first book of nonfiction is one of those unexpected classics in which a great writer rips open his heart and takes the reader inside for a no-holds-barred tour.

Library Journal

Somehow Form a Family proved to be a pleasant surprise to a reviewer who found Earley's Jim the Boy rather flat. This offering consists of stories, some fictional, others from his boyhood and more recent life, that should prove fascinating to adult listeners his age or older. Earley strikes some chords with tales related to growing up with black-and-white TV, parents separating, death of a close relative, coming of age and contemplating suicide in college, or simply being a rascally kid. There are both intimately confessional details of the author's search for spirituality and wry observations on the hype, madness, and marketing of an around-the-world record flight aboard an Air France Concorde. These stories will stick with the listener for quite some time. The work is written and read with care, expression, and the appropriate humor or irony by Earley. A fine addition to general adult collections; highly recommended. Cliff Glaviano, Bowling Green State Univ. Libs., OH Copyright 2002 Cahners Business Information.

About the Author, Tony Earley

Tony Earley was selected by Granta as one of today's best young writers, The New Yorker featured him in its best young fiction writers issue, and his first novel, Jim the Boy, became a national best-seller. He is also the author of a highly praised collection of short stories, Here We Are in Paradise. He lives in Nashville, Tennessee, with his wife and teaches writing at Vanderbilt University.

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Editorials

From Barnes & Noble

Last year, Tony Earley delighted readers young and old with his novel Jim the Boy, a nostalgic portrayal of one year in the life of a ten-year-old growing up in Depression-era North Carolina. In Somehow Form a Family: Stories That Are Mostly True, Earley presents a collection of essays that fall into the gray space between fact and fiction, artfully and unironically piecing together the story of how he became the man he is today.

Library Journal

Somehow Form a Family proved to be a pleasant surprise to a reviewer who found Earley's Jim the Boy rather flat. This offering consists of stories, some fictional, others from his boyhood and more recent life, that should prove fascinating to adult listeners his age or older. Earley strikes some chords with tales related to growing up with black-and-white TV, parents separating, death of a close relative, coming of age and contemplating suicide in college, or simply being a rascally kid. There are both intimately confessional details of the author's search for spirituality and wry observations on the hype, madness, and marketing of an around-the-world record flight aboard an Air France Concorde. These stories will stick with the listener for quite some time. The work is written and read with care, expression, and the appropriate humor or irony by Earley. A fine addition to general adult collections; highly recommended. Cliff Glaviano, Bowling Green State Univ. Libs., OH Copyright 2002 Cahners Business Information.

Kirkus Reviews

Ten homespun personal essays—most published elsewhere—from the author of last year's acclaimed novel Jim the Boy. Earley grew up in a small-town, kudzu-covered corner of North Carolina more recognizable as the terrain of Thomas Wolfe than that of Dorothy Allison. Seven of these pieces explore his early years there, as a 1960s television acolyte, a squirrel-hunting dilettante, and, through it all, an astute, heartbreaking observer of the idiosyncratic people around him. The title story, which appeared in Harper's, serves as an introduction to this American boyhood, wholly transformed by a color, Zenith television set, replete with rooftop antenna. As the cornerstone entry here, a masterful exercise in metaphor, it's hard to imagine what more the author could have to articulate about his young life. But Earley thankfully only has more trenchant memories to spin. With "Hallway," in an equally unadorned language, but with more deeply felt remembrances, Earley recalls, with a child's perception, his extended family's peculiarities and his own fearful awe of his grandfather. A look at the odd Scots-derived Appalachian dialect of his youth ("The Quare Gene") leads to a reflection on the "shared history" that the author is losing with his highland ancestors. A similar wistfulness pervades "Granny's Bridge," a tribute to a time when crossing a bridge—and certainly not one to the 21st century—could enhance a person's outlook. In "Ghost Stories," Earley takes his wife to New Orleans to investigate the haunted city: "We are looking for ghosts, but, I think, a good story will do." And the final piece ("Tour de Fax"), another gem from Harper's, follows him on a record-settingcircumnavigational flight, recorded stop by stop in under 32 hours. Earley's skewering of the trip's corporate sponsors is good fun, and his capstone epiphany—that where he ended up, at home, is the only place he'd fly around the world to get to—rings true. Poetic, inspiring proof that you can go home again. Author tour

Book Details

Published
May 1, 2001
Publisher
Algonquin Books of Chapel Hill
Pages
192
Format
Hardcover
ISBN
9781565123021

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