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Overview
Eden-Olympia is more than just a multinational business park, it is a virtual city-state in itself, built for the most elite high-tech industries. Isolated and secure, the residents lack nothing, yet one day, a doctor at the clinic goes on a suicidal shooting spree. Dr. Jane Sinclair is hired as his replacement, and her husband Paul uncovers the dangerous psychological vents that maintain Eden-Olympia’s smoothly-running surface.
Synopsis
Eden-Olympia is more than just a multinational business park, it is a virtual city-state in itself, built for the most elite high-tech industries. Isolated and secure, the residents lack nothing, yet one day, a doctor at the clinic goes on a suicidal shooting spree. Dr. Jane Sinclair is hired as his replacement, and her husband Paul uncovers the dangerous psychological vents that maintain Eden-Olympia’s smoothly-running surface.
Publishers Weekly
The connoisseur of the bizarre (Cocaine Nights, The Atrocity Exhibition, etc.) turns his attentions to the globalized corporate elite in his 26th book. Crippled aviator Paul Sinclair ("I counted the titanium claws that held the kneecap together") accompanies his young wife, Jane, to her new posting at a luxurious corporate park on the French Riviera. A manicured paradise of multinational conglomerate HQs and their executives' villas, Eden-Olympia (which the author has modeled on the current business parks of Antibes-les-Pins and Sophia-Antipolis) is managed by a seductive yet sinister psychiatrist named Wilder Penrose, who ensconces the Sinclairs in the house of a former local doctor named Greenwood, who one day went on a suicidal murder spree, leaving 10 dead. In short Ballardesque order, the Sinclairs become estranged from one another: Jane falls into heroin-fueled m nages with the Belgian couple next door; Paul takes up tranquilizers and trysts with an Eden-Olympia vamp. Paul becomes obsessed with unraveling the mystery of the massacre, coming almost to identify with Greenwood. His efforts eventually reveal the horrifying true nature of Eden-Olympia, where the most bestial drives of corporate executives are harnessed in Brownshirt-style "therapy sessions" to create optimum working efficiency. Paul's collision course with the psychopathic Penrose is a new twist on Ballard's weird neo-romanticism, whereby our self-defining "latent psychopathy" is put to use to save society rather than to revel in hedonistic defiance of it ( la Crash). Ballard actually seems to have penned a story with a clear-cut hero (if the reader overlooks Paul's drug use and pedophiliac urges) and villain ("I don'twant to start a race war or not yet"), with the fate of civilization in the balance. This novel, for all the author's trademark grotesqueries, may be Ballard's most commercially viable yet. Author tour. (Oct.) Copyright 2001 Cahners Business Information.
Editorials
From the Publisher
“Each page, and this is a page-turner, might have the mind’s knees knocking, the mind’s flesh horripitating... Super-Cannes confirms J. G. Ballard’s substantial place in contemporary fiction.” —The Washington Times“Ballard’s prose is seductive and pellucid and his stories compelling....Spiked with...gnomic dialogue and black, black humor, this book is also a captivating Chandlerian mystery.” —The Washington Post Book World
“Ballard’s fictional world [is] like no one else’s.” —The Atlantic Monthly
“Ballard is our poet laureate of Modernism’s dead zones.... [Super-Cannes] achieves a brilliant, thorny ambiguity—the kind that lodges splinterlike in your imagination, and refuses to come loose.” —LA Weekly
“Rarely has his vision been so total, his creation so complete. Super-Cannes is as good as anything that Ballard has done before, and considering the work which that bland statement encompasses, it’s the highest possible praise.” —Star Tribune (Minneapolis)
“One of his finest.” —San Francisco Chronicle