From Barnes & Noble
If former prosecutor Penn Cage thought that he was entering pristine waters when he became the mayor of Natchez, he was sorely mistaken. One of the five gambling steamboats plying its trade nearby on the Mississippi River has an exclusive clientele and a high-stakes agenda all its own. When Cage learns that the dangerous games aboard this sinful ship sometimes include murder, he has no choice but to launch a one-man campaign against these floating vice kings.
From the Publisher
"A knockout thriller that's just the right degree of chilly to combat the dog days of summer... Iles' knack for perfectly integrating character and plot could serve as a master's class for other authors." — The Dallas Morning News
Publishers Weekly
Iles's third addition to the Penn Cage saga is an effective thriller that would have been even more satisfying at half its length. There is a lot of story to cover, with Cage now mayor of Natchez, Miss., battling to save his hometown, his family and his true love from the evil clutches of a pair of homicidal casino operators who are being protected by a homeland security bigwig. Dick Hill handles the large cast of characters effortlessly, adopting Southern accents that range from aristocratic (Cage and his elderly father) to redneck (assorted Natchez townsfolk). He provides the bad guys with their vocal flair, including an icy arrogance for the homeland security honcho, a soft Asian-tempered English for the daughter of an international villain and the rough Irish brogue of the two main antagonists. One of the latter pretends to be an upper-class Englishman and, in a moment of revelation, Hill does a smashing job of switching accents mid-sentence. A Scribner hardcover (Reviews, May 25). (July)
Library Journal
Penn Cage (Quiet Game, Turning Angel), a former prosecuting attorney-turned-novelist, is now mayor of Natchez, MS, his hometown. But all is not well, for the promises he made as a candidate seem all but impossible to achieve as a working mayor. When one of his childhood friends is murdered a day after contacting him with information concerning dog fighting, prostitution, drugs, and money laundering presided over by the manager of a Natchez gambling casino, Cage takes on an investigation that makes him the target of organized crime, endangers the lives of his family and closest friends, and draws the wrath of the Justice Department and Homeland Security. VERDICT Iles's latest provides a thrill a minute, as Cage calls in long-owed favors to protect his family while employing every strategy in his command against a savvy, conscienceless killer. The author also manages to advance the love between Cage and Caitlin Masters, which, readers will remember, began in Turning Angel, and to present a striking panoramic view of his hometown. Highly recommended for thriller fans looking for a white-knuckled beach read.—Thomas L. Kilpatrick, formerly with Southern Illinois Univ. Lib., Carbondale
Kirkus Reviews
A steamy, swampy tale of international nastiness by accomplished thriller writer Iles (True Evil, 2006, etc.). Penn Cage, steely protagonist of two previous novels (The Quiet Game, 1999; Turning Angel, 2005), is now mayor of Natchez, Miss., and, after something of a midlife crisis involving both widowhood and a career change, heading deep into middle age. Penn reconnects with a childhood friend who brings him dark word of bad things happening down in the Devil's Punchbowl, a hollow off the Mississippi River where bad guys have long disposed of their victims. The bad guys are no longer the river rats and Confederate deserters of old; now they come from all over the world-the toughest of them, it seems, from Ireland-to do a thriving trade in illegal things surrounding the already lucrative business of legalized gambling. Those things include drugs, underage prostitution, white slavery and dogfighting. The novel's perfectly rendered atmospherics and sometimes depressive sense of miasmal gloom ("I'd be dog bait, and that's a truly terrible way to die") frequently invoke Faulkner, though Iles' prose is more straightforward. The mayhem is altogether postmodern, a perfect vehicle for Billy Bob Thornton (as heavy or hero, your pick) and a shattering experience for everyone involved, not least Cage's sometime girlfriend, who finds herself deeper in the mire than anyone might have wanted, and his boyhood pal, for whom things do not turn out happily. Strong characters, male and female; utterly convincing villains in Brooks Brothers suits and private jets; and a believable premise. All these elements add up to a tale that ends, yes, on the promise of a sequel to come. Just right for beach reading atGulfport-or Tunica, for that matter: a whodunit that aspires to literature, albeit of the Southern Gothic variety.