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The Difference Between Women and Men: Stories by Bret Lott — book cover

The Difference Between Women and Men: Stories

by Bret Lott
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Overview

In this deeply affecting, beautifully crafted collection of short fiction, Bret Lott broadens his stylistic range, striking a surprisingly surreal tone with stark, hyperrealistic prose. As story after dazzling story deliberately takes you down a deceptively ordinary path, the arresting center of each startles your unsuspecting sensibility.

Among the narrative gems is “Family,” in which a husband and wife bicker incessantly before realizing that their two children are missing, only to discover them in a surprising place–and in a disturbing condition. In “Everything Cut Will Come Back,” a long-distance phone call between two brothers takes a turn when their own tragic past crackles over the line. In “History,” a widow thinks she spots her son at the airport and is left instead with a simple memory of her late husband that resolves her grief. The innocence of three boys is lost when they witness a devastating winter tragedy in “The Train, the Lake, the Bridge.”

Within these pages, adulterers are unceremoniously caught, epiphanies arrive during bizarre encounters, and characters move through everyday moments with a fortitude that elevates these stories almost to mythical status. Without a stroke of false sentimentality, The Difference Between Women and Men will leave you strangely shaken–and ever aware of the odd permutations of humankind.

From the Hardcover edition.

Synopsis

In this deeply affecting, beautifully crafted collection of short fiction, Bret Lott broadens his stylistic range, striking a surprisingly surreal tone with stark, hyperrealistic prose. As story after dazzling story deliberately takes you down a deceptively ordinary path, the arresting center of each startles your unsuspecting sensibility.

Among the narrative gems is “Family,” in which a husband and wife bicker incessantly before realizing that their two children are missing, only to discover them in a surprising place–and in a disturbing condition. In “Everything Cut Will Come Back,” a long-distance phone call between two brothers takes a turn when their own tragic past crackles over the line. In “History,” a widow thinks she spots her son at the airport and is left instead with a simple memory of her late husband that resolves her grief. The innocence of three boys is lost when they witness a devastating winter tragedy in “The Train, the Lake, the Bridge.”

Within these pages, adulterers are unceremoniously caught, epiphanies arrive during bizarre encounters, and characters move through everyday moments with a fortitude that elevates these stories almost to mythical status. Without a stroke of false sentimentality, The Difference Between Women and Men will leave you strangely shaken–and ever aware of the odd permutations of humankind.


From the Hardcover edition.

The Washington Post - Carolyn See

… Lott seems best to me when he sticks to the indisputably real. In "The Issue of Money," a young working couple and their baby become so tormented by the heat in their cramped apartment that they check into a cheap motel for a few nights, except they can't afford it. Their moods swing precipitously: They are on the edge, they know it, but they can't begin to know what's ahead. Most of us have been at that metaphorical place, in one way or another. It's a beautiful story.

About the Author, Bret Lott

BRET LOTT is the author of the novels A Song I Knew by Heart, Jewel (an Oprah’s Book Club selection in 1999), Reed’s Beach, A Stranger’s House, The Man Who Owned Vermont, and The Hunt Club; the story collections A Dream of Old Leaves and How to Get Home; and the memoir Fathers, Sons, and Brothers, and Before We Get Started. He and his wife now live in Baton Rouge, Louisiana, where he is editor of The Southern Review and professor of English at Louisiana State University.


From the Hardcover edition.

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Editorials

Carolyn See

… Lott seems best to me when he sticks to the indisputably real. In "The Issue of Money," a young working couple and their baby become so tormented by the heat in their cramped apartment that they check into a cheap motel for a few nights, except they can't afford it. Their moods swing precipitously: They are on the edge, they know it, but they can't begin to know what's ahead. Most of us have been at that metaphorical place, in one way or another. It's a beautiful story.
— The Washington Post

Publishers Weekly

The third collection from Oprah author Lott (A Song I Knew by Heart; Jewel) comprises uneven stories that explore the frail relationships and difficult emotions that render life surreal: in the eponymous story, an angry wife miraculously moves all of her furniture, including a heavy armoire containing her bewildered husband's things, to one corner of the bedroom. In "Family," a terrible fight between another husband and wife transforms their children into television-watching, complaining, aerobicizing dolls who live in a cooler. "Rose" echoes William Faulkner's "A Rose for Emily" but lacks its predecessor's narrative power, becoming instead a heavy-handed allegory starring an ancient, murderous necrophiliac. Other stories feature mostly unnamed, middle-aged characters in depressing situations, including bankruptcy, adultery, poverty, marital dissolution, and death. Lott's terse reflections on the struggles of average people trying to cope with mundane tragedy long to evoke Raymond Carver; instead, they produce meaningless dialogue, and epiphanies reached in the last line feel similarly forced. An occasional articulate observation about the difference between actual selves and imagined selves isn't enough to overcome cloying imitation or pervasive sentimentality. Agent, Marian Young. (July) Copyright 2005 Reed Business Information.

Library Journal

Novelist (Jewel), professor (English & creative writing, Coll. of Charleston), and editor (Southern Review), Lott has proven to be a keen observer of the minutiae of human relationships. The stories in this collection bear his ability to detect the infinitely tiny quirks that can be so telling in people's reactions to one another. An older woman mistakenly thinks that she glimpses her son while walking through an airport; a man recalls a train wreck from his boyhood; a woman going through bankruptcy walks through her home with the appraiser who is summing up the value of her things. These are stories about the poignancies of love and loss, and they can be viewed as highly instructive in the craft of short story writing. This collection will appeal most to readers of more literary fiction. Recommended for larger academic and public libraries.-Susanne Wells, P.L. of Cincinnati & Hamilton Cty., OH Copyright 2005 Reed Business Information.

Kirkus Reviews

Third collection from Lott (A Song I Knew by Heart, 2004, etc.) offers 15 mostly sour, sometimes surreal domestic tales plus a self-indulgent postscript. In the enigmatic title story, a wife begins piling everything in their bedroom into one corner, reacting to something her husband has said about the difference between men and women. She asks him to move his armoire, he reminds her of his bad back, she lifts it with ease and takes it out of the room. End of story. In "Family," a couple interrupt a marital spat to search for their school-age son and daughter. The children are found, miniaturized and adult, in an Igloo ice cooler; the daughter watches an exercise video while the son channel-surfs. "Close the lid!" the teeny two yell in unison, leaving their parents to face aging and disappointment without them. "A Way Through This" shows another disgruntled couple, but this time the husband has the grace to literally disappear. In "Halo," a husband buys a blanket so he can sleep in the car after an argument; there, he begins questioning everything in his life. In "Everything Cut Will Come Back," two brothers talk very obliquely about their parents, who died together in a car accident after their children were grown. "History" sketchily tells of a widow on a layover at O'Hare whose glimpse of a man who looks like her son Roger makes her realize that Roger has the mannerisms of her late husband. In the most effective and dramatic piece here, "The Train, The Lake, The Bridge," a man who was a boy at the time tells of a horrific wreck that plunges a train into a half-frozen lake during a blizzard. At the close, Lott takes two pages to describe a writer searching for the right words for a storywhile his family grows older around him. Slow-moving and sometimes opaque to the point of confusion. Author tour

Book Details

Published
May 1, 2008
Publisher
Random House Publishing Group
Pages
224
Format
Paperback
ISBN
9780345494702

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