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Overview
The Discovery of Heaven, Harry Mulisch's magnum opus, is a rich mosaic of twentieth-century trauma in which many themes—friendship, loyalty, family, art, technology, religion, fate, good, and evil—suffuse a suspenseful and resplendent narrative.
The story begins with the meeting of Onno and Max, two complicated individuals whom fate has mysteriously and magically brought together. They share responsibility for the birth of a remarkable and radiant boy who embarks on a mandated quest that takes the reader all over Europe and to the land where all such quests begin and end. Abounding in philosophical, psychological and theological inquiries, yet laced with humor that is as infectious as it is willful, The Discovery of Heaven lingers in the mind long after it has been read. It not only tells an accessible story, but also convinces one that it just might be possible to bring order into the chaos of the world through a story.
Synopsis
On a cold night in Holland, Max Delius - a hedonist, yet a rhetorically brilliant astronomer who loves fast cars, nice clothes, and women - picks up a hitchhiker, Onno Quist, a cerebral, chaotic philologist who cannot bear the banalities of everyday life. They are like fire and water. But soon after they learn that they were conceived on the same day in 1933, it is clear that something special, even extraordinary, is about to happen. At the center of their relationship lies the battle between humanistic values and technological progress ... and an especially radiant child, Onno's son, Quinten. Quinten's sublimity - in his beauty, intelligence, and demeanor - becomes even more apparent when, after the heavens conspire against Onno and Max, Quinten embarks on a journey that can only be completed by a child with his incredible gifts. Abounding in philosophical, psychological, and theological inquires, yet laced with humor that is as infectious as it is wilful, The Discovery of Heaven lingers in the mind long after it has been read, offering itself up to many interpretations over time.
Publishers Weekly
In a new novel bulging with metaphysical speculation, Dutch author Mulisch masterfully intersperses mathematics, biology, linguistics, numerology, philosophy and theology. When two strangers meet on a cold night in The Hague, Onno Quist, a linguist and politician from a well-to-do family, and Max Delius, an astronomer, have no idea that their relationship will change the course of human existence. Their meeting, however, like many of the momentous events that occur in the novel, is no accident of chance. It is the product of the careful manipulations by two angels acting at the request of God, who, upset that people are on the verge of mapping the genetic code and thus deciphering the secret of creation, desires to wash His hands of His creation. Disgusted with human behavior, the two angels plot to retrieve the tablets bearing the Ten Commandments, thus breaking God's covenant with humanity. The two angels surmise that the 17th-century philosopher of science Francis Bacon made a pact with the devil for which all of mankind must atonebecause scientific knowledge quickly superseded humanity's belief in God. The angels contrive a series of complex events involving Onno, Max and Ada Brons, a bright and beautiful cellist, in order to create Quinten, the boy who will be their unwitting instrument for fulfilling God's doomsday plan. As Onno, Max and Quinten think and work through their lives, they arrive, ultimately, at the impossible and forbiddenthe discovery of heaven by means of science rather than faith. God has never been so unforgiving. Hope remains, however, that the next fallen angel might be more benevolent than the last. Mulisch, author of the critically hailed Last Call and The Assault, has created a masterpiece that not only brings his characters closer to discovering heaven but also prods them nearer to knowing themselves. Remarkably, he escalates his plot to ever more complex levels of thought without diminishing the strong, suspenseful (and, in Vincent's fluid translation, often funny) narrative thrust. This is novel-writing on a gloriously grand, hubristic scale. (Nov.)