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Overview
In this tantalizing tale of Victorian ghost stories and family secrets, timid, solitary librarian Gerard Freeman lives for just two things: his elusive pen pal Alice and a story he found hidden in his mother's drawer years ago. Written by his great-grandmother Viola, it hints at his mother's role in a sinister crime. As he discovers more of Viola's chilling tales, he realizes that they might hold the key to finding Alice and unveiling his family's mystery-or will they bring him the untimely death they seem to foretell?
Harwood's astonishing, assured debut shows us just how dangerous family skeletons-and stories-can be.
Synopsis
A tantalizing tale of family secrets hidden in spine-tingling ghost storiesthat have started to come true
Growing up in a small Australian town, Gerard Freeman loves to hear his mother talk about her idyllic childhood in an English country manor. But she swears that she will never return to England, and refuses to tell him what happened to her family, though she is clearly terrified of some invisible yet ever-present threat. One hot afternoon, he waits until she is napping, then creeps into her bedroom to break open the drawer that’s always locked, the one that he hopes holds all her secrets. . . .
Twenty years later, Gerard has not left home – he works as a librarian – but he lives for just two things: his English penfriend Alice, for whom he yearns with all his heart, and the ghost story he found in his mother’s drawer all those years ago. Written by his great-grandmother Viola, it hints at the terrible crime that haunted his mother, and, finally, destroyed her. And as Viola’s chilling tales lead him to London, Gerard realizes that the stories might hold the key to finding Alice as well as unveiling his family's mystery – or are they leading him directly to the untimely death they seem to foretell?
Harwood’s deliciously clever debut never loosens its grip on us as it moves from Gerard's present-day detective work to the macabre world of Viola's supernatural stories, from Australia to London, from the safety of books to the terror of a ghost story come alive. Astonishingly assured, compulsively readable, The Ghost Writer shows us just how dangerous family skeletons – and storiescan be.
The New York Times - Terrence Rafferty
With all these literary revenants hovering about, The Ghost Writer manages to evoke, as not enough contemporary horror does, both the confident past and the more anguished present of the genre, and even to suggest, slyly, that although the illustrious tradition of the genteel British ghost story remains with us, we need to be very, very careful about disturbing its rest.
Editorials
Talk of the Nation
A fabulous, very spooky ghost story in the classic mode that will remind some people of A.S. Byatt's Possession.βLaura Miller
Entertainment Weekly
"Intricate and engrossing. Harwood raises the ghost of the Victorian ghost story. One ghoulishly absorbing read. B+."New York Daily News
"The Ghost Writer" is a grand Victorian tale in which Gerard becomes increasingly certain something wicked his way comes.Milwaukee Journal Sentinel
"Spooky and gripping, a chilling tale sure to make your spine shiver on even the hottest summer day."San Jose Mercury News
"You can't help being dazzled by Harwood's inventiveness, especially his sure-footed mastery of prose style. [An] entertainingly accomplished first novel."Boston Globe
"'The Ghost Writer," is a first-class creeper, a literary ghost story in the Victorian tradition.Murder Ink Bookstore Newsletter
"A creepy literary mystery. A terrific debut, very accomplished and assured."Washington Post Book World
"Harwood has written a smart, stylish and mesmerizing book."Denver Post
"A compelling ghost story and an auspicious debut."Booklist
"Harwood's debut is a haunting literary gothic, a slow-building suspense thriller. Lyrical, labrynthine. An atmospheric paranormal thriller with many surprises."The Guardian
"As a mystery, The Ghost Writer is irresistible, pushing all the genre's gothic buttons and casting a convincingly Dickensian pall."Salon.com
By the last page, all loose ends have been tied up, but the uncanny still clings to everything.βLaura Miller
The Weekend Australian
"An exceptionally inventive first novel."The Times of London
"An elegant homage to the Victorian ghost story tradition. Like Dickens's The Pickwick Papers, Harwood makes your flesh creep."Salon.com
"A fabulous, very spooky ghost story in the classic mode that will remind some people of A.S. Byatt's "Possession.Terrence Rafferty
With all these literary revenants hovering about, The Ghost Writer manages to evoke, as not enough contemporary horror does, both the confident past and the more anguished present of the genre, and even to suggest, slyly, that although the illustrious tradition of the genteel British ghost story remains with us, we need to be very, very careful about disturbing its rest.β The New York Times