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The Ghost Writer by John Harwood β€” book cover

The Ghost Writer

by John Harwood
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Overview

In this tantalizing tale of Victorian ghost stories and family secrets, timid, solitary librarian Gerard Freeman lives for just two things: his elusive pen pal Alice and a story he found hidden in his mother's drawer years ago. Written by his great-grandmother Viola, it hints at his mother's role in a sinister crime. As he discovers more of Viola's chilling tales, he realizes that they might hold the key to finding Alice and unveiling his family's mystery-or will they bring him the untimely death they seem to foretell?

Harwood's astonishing, assured debut shows us just how dangerous family skeletons-and stories-can be.

Synopsis

A tantalizing tale of family secrets hidden in spine-tingling ghost stories—that have started to come true

Growing up in a small Australian town, Gerard Freeman loves to hear his mother talk about her idyllic childhood in an English country manor. But she swears that she will never return to England, and refuses to tell him what happened to her family, though she is clearly terrified of some invisible yet ever-present threat. One hot afternoon, he waits until she is napping, then creeps into her bedroom to break open the drawer that’s always locked, the one that he hopes holds all her secrets. . . .

Twenty years later, Gerard has not left home – he works as a librarian – but he lives for just two things: his English penfriend Alice, for whom he yearns with all his heart, and the ghost story he found in his mother’s drawer all those years ago. Written by his great-grandmother Viola, it hints at the terrible crime that haunted his mother, and, finally, destroyed her. And as Viola’s chilling tales lead him to London, Gerard realizes that the stories might hold the key to finding Alice as well as unveiling his family's mystery – or are they leading him directly to the untimely death they seem to foretell?

Harwood’s deliciously clever debut never loosens its grip on us as it moves from Gerard's present-day detective work to the macabre world of Viola's supernatural stories, from Australia to London, from the safety of books to the terror of a ghost story come alive. Astonishingly assured, compulsively readable, The Ghost Writer shows us just how dangerous family skeletons – and stories—can be.

The New York Times - Terrence Rafferty

With all these literary revenants hovering about, The Ghost Writer manages to evoke, as not enough contemporary horror does, both the confident past and the more anguished present of the genre, and even to suggest, slyly, that although the illustrious tradition of the genteel British ghost story remains with us, we need to be very, very careful about disturbing its rest.

About the Author, John Harwood

John Harwood divides his time between London and Victor Harbor, a small town on the coast of South Australia. He is currently at work on The S+ance, a suspense novel set in Victorian London.

Reviews

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Editorials

Talk of the Nation

A fabulous, very spooky ghost story in the classic mode that will remind some people of A.S. Byatt's Possession.

β€”Laura Miller

Entertainment Weekly

"Intricate and engrossing. Harwood raises the ghost of the Victorian ghost story. One ghoulishly absorbing read. B+."

New York Daily News

"The Ghost Writer" is a grand Victorian tale in which Gerard becomes increasingly certain something wicked his way comes.

Milwaukee Journal Sentinel

"Spooky and gripping, a chilling tale sure to make your spine shiver on even the hottest summer day."

San Jose Mercury News

"You can't help being dazzled by Harwood's inventiveness, especially his sure-footed mastery of prose style. [An] entertainingly accomplished first novel."

Boston Globe

"'The Ghost Writer," is a first-class creeper, a literary ghost story in the Victorian tradition.

Murder Ink Bookstore Newsletter

"A creepy literary mystery. A terrific debut, very accomplished and assured."

Washington Post Book World

"Harwood has written a smart, stylish and mesmerizing book."

Denver Post

"A compelling ghost story and an auspicious debut."

Booklist

"Harwood's debut is a haunting literary gothic, a slow-building suspense thriller. Lyrical, labrynthine. An atmospheric paranormal thriller with many surprises."

The Guardian

"As a mystery, The Ghost Writer is irresistible, pushing all the genre's gothic buttons and casting a convincingly Dickensian pall."

Salon.com

By the last page, all loose ends have been tied up, but the uncanny still clings to everything.

β€”Laura Miller

The Weekend Australian

"An exceptionally inventive first novel."

The Times of London

"An elegant homage to the Victorian ghost story tradition. Like Dickens's The Pickwick Papers, Harwood makes your flesh creep."

Salon.com

"A fabulous, very spooky ghost story in the classic mode that will remind some people of A.S. Byatt's "Possession.

Terrence Rafferty

With all these literary revenants hovering about, The Ghost Writer manages to evoke, as not enough contemporary horror does, both the confident past and the more anguished present of the genre, and even to suggest, slyly, that although the illustrious tradition of the genteel British ghost story remains with us, we need to be very, very careful about disturbing its rest.
β€” The New York Times

Publishers Weekly

Sly nods to spooky literary spinsters-Henry James's Miss Jessel and Dickens's Miss Havisham-set the tone for this confident debut, a gothic suspense novel with a metatextual spin. Gerard Freeman grows up on the windswept southern coast of Australia in the late 20th century with a controlling mother strangely silent about the details of her childhood in England. His only solace is steadfast English pen friend, Alice, to whom he confides everything. What was Gerard's mother, Phyllis, hoping to escape when she left England? The protagonist slowly pieces together his mother's past with the aid of short stories written by his great-grandmother, Viola. These cunning tales, filled with supernatural occurrences and s ances, are seamlessly embedded in the main narrative, offering Gerard-and readers-enticing clues into his troubled family's history. After Phyllis's death, her newly liberated son travels to England, hoping to learn more and to pursue elusive Alice. As he searches through the country house his mother inhabited long ago, Gerard finds past and present fusing in horrifying fashion. In the hands of a lesser novelist, sustaining several plot lines might have been difficult. But the novel links textual investigation and sublimated passion, building to a satisfying, unexpected ending. Agent, Kathleen Anderson. (July) Forecast: This A.S. Byatt-lite offering will appeal to the A&E set and to horror/suspense readers looking for something with a literary edge. Copyright 2004 Reed Business Information.

Publishers Weekly

"Combines suspense that keeps readers up with a literary voice that allows them to respect themselves in the morning."

Kirkus

"Compulsively readable. A wonderful debut, evoking a century's worth of family history, by a multitalented and artistically ambidextrous newcomer."

PW

"Sly nods to spooky literary spinsters - James'' Miss Jessel, Dickens's Miss Havisham - set the tone for this confident debut."

Library Journal

Harwood's compelling first novel speaks of love, family, and obsession. Since age 14, Australian Gerard Freeman has been corresponding with pen pal Alice Jessel and dreams of one day visiting her in England, in spite of his mother's disapproval. Alice, confined to a wheelchair, refuses to meet or even talk on the phone with Gerard until she can walk again. While snooping in his mother's dresser one day, Gerard finds a ghost story written by his grandmother Viola. Over time, he finds more stories, all eerily reminiscent of his family history but written years before the events actually happened. What is going on? Will he ever find his beloved Alice, or will family tragedies somehow stand in their way? Harwood's well-drawn characters and Gothic plot propel the reader toward the novel's denouement. Including the text of Viola's stories adds to the surreal drama, as they serve as untrustworthy flashbacks and help blur the line between fantasy and reality. Strongly recommended for all but the smallest public libraries.-Laurel Bliss, Princeton Univ. Lib., NJ Copyright 2004 Reed Business Information.

Kirkus Reviews

A compulsively readable, sturdily plotted mystery set in the late 19th and early 20th centuries. Here, the central importance of paintings, diaries, and ghosts lends the intrigue a distinctly Jamesian feel. In the first, and stronger, half, we meet Australian teenager Gerard Freeman just as he's opened a pen-pal relation with Alice, who lives in England. Over time, their relationship becomes epistolarily passionate as they share the most intimate secrets of each other's fantasies. Alice, however, confides that she's bound to a wheelchair and is highly reluctant to meet Gerard. Woven into the rest is the secretive family history of Gerard's mother Phyllis, who grew up in wartime England, including the enigmatic death of her sister Anne. This background unfolds slowly through a series of short stories that are reprinted in the book, written in the early 20th century by his great-grandmother "V.H." (Viola), and suggesting that Phyllis was involved in Anne's death. The stories are of course drawn in varying degrees from the actual lives of the girls, and it becomes Gerard's personal project to sort out what happened in the lives of the women and what was pure fiction. A subplot involves the work of an artist, Henry St. Clair, whose paintings, which many find mesmerizing, iconically refer to madness and the existence of ghosts. British author Harwood's touch in evoking the relation between the visual arts and inner states of mind is admirably sure, and Gerard does in fact untangle the family mysteries and find out the identity of his pen-pal Alice-but not before spirits and ghostlike voices have given him a number of promptings. A wonderful debut, evoking a century's worth of family history,by a multitalented and artistically ambidextrous newcomer. Agent: Kathleen Anderson/Anderson Grinberg

Book Details

Published
June 1, 2005
Publisher
Houghton Mifflin Harcourt
Pages
384
Format
Paperback
ISBN
9780156032322

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