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The Hand That First Held Mine by Maggie O'Farrell — book cover

The Hand That First Held Mine

by Maggie O'Farrell
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Overview

From the best-selling author of The Vanishing of Esme Lennox comes a spellbinding novel that shows there are no accidents, in life and in love.

Frustrated with her parents' genteel country life, Lexie Sinclair plans her escape to London. There, she takes up with Innes Kent, a magazine editor who introduces her to the thrilling, underground world of bohemian, postwar Soho. She learns to be a reporter, comes to know art and artists, and embraces her freedom fully. So when she finds herself pregnant, she doesn't hesitate to have the baby on her own. Later, in present-day London, a young painter named Elina dizzily navigates the first weeks of motherhood and finds she can't remember giving birth, while her boyfriend Ted is flooded with memories and images he cannot place. As their stories unfold—moving in time and changing voice chapter by chapter—a connection between the three of them takes shape that drives the novel towards a tremendous revelation. Praised by The Washington Post as a “breathtaking, heart-breaking creation,” The Hand That First Held Mine is a gorgeous and tenderly wrought story about the ways in which love and beauty bind us together.

Synopsis

Lexie Sinclair is plotting an extraordinary life for herself.

Hedged in by her parents' genteel country life, she plans her escape to London. There, she takes up with Innes Kent, a magazine editor who wears duck-egg blue ties and introduces her to the thrilling, underground world of bohemian, post-war Soho. She learns to be a reporter, to know art and artists, to embrace her life fully and with a deep love at the center of it. She creates many lives—all of them unconventional. And when she finds herself pregnant, she doesn't hesitate to have the baby on her own terms.

Later, in present-day London, a young painter named Elina dizzily navigates the first weeks of motherhood. She doesn't recognize herself: she finds herself walking outside with no shoes; she goes to the restaurant for lunch at nine in the morning; she can't recall the small matter of giving birth. But for her boyfriend, Ted, fatherhood is calling up lost memories, with images he cannot place.

As Ted's memories become more disconcerting and more frequent, it seems that something might connect these two stories—these two women—something that becomes all the more heartbreaking and beautiful as they all hurtle toward its revelation.

The Hand That First Held Mine is a spellbinding novel of two women connected across fifty years by art, love, betrayals, secrets, and motherhood. Like her acclaimed The Vanishing Act of Esme Lennox, it is a "breathtaking, heart-breaking creation."*And it is a gorgeous inquiry into the ways we make and unmake our lives, who we know ourselves to be, and how even our most accidental legacies connect us.

*The Washington Post Book World

The Washington Post - Heller McAlpin

…mesmerizing, enormously satisfying…In viscerally poetic prose, O'Farrell captures "the utter loneliness" of motherhood and "the constant undertow of maternal anxiety"…The Hand That First Held Mine evokes Shirley Hazzard's 1980 masterpiece, The Transit of Venus,…an uncommonly gripping and moving read.

About the Author, Maggie O'Farrell

MAGGIE O'FARRELL is the author of four previous novels, including the acclaimed The Vanishing Act of Esme Lennox, which was a B&N Recommends Pick, and After You'd Gone. Born in Northern Ireland in 1972, O'Farrell grew up in Wales and Scotland. She has two children.

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Editorials

From the Publisher

"O’Farrell brings to mind Sue Miller but with a British and darker flavor; her sure hand for psychological suspense . . . continues to be most impressive." —Library Journal

 "Maggie O’Farrell’s cinematically vivid novel is moody and powerful and plotted at a breakneck pace. This book, like life, will disarm you with its unannounced twists and tragedies and moments of unexpected beauty. She delivers to readers that rarest of experiences—total emotional investment. Hers is a brilliant feat of prose marksmanship—also, it made me cry on the subway."—Heidi Julavits, author of The Effect of Living Backwards and The Uses of Enchantment

 "Maggie O’Farrell knows how to weave a bewitching tale, both thrilling and poetic. The Hand That First Held Mine will no doubt enrapture you, just as it has me."—Tatiana de Rosnay, author of Sarah’s Key

"An exquisitely sensual tale of love, motherhood, and other forms of madness, The Hand That First Held Mine will unsettle, move, and haunt you."—Emma Donoghue, author of Slammerkin

"Maggie O’Farrell deftly depicts the long-after shocks of death, betrayal, and life-changing love as her richly complicated characters play out an immensely satisfying plot. The Hand That First Held Mine is a dazzling and absorbing novel."—Margot Livesey, author of The House on Fortune Street  

"Maggie O’Farrell is an uncommonly perceptive writer, and The Hand That First Held Mine is an unforgettable story of family, ambition, and love. I couldn’t stop thinking about it long after I read the final page."—Lauren Grodstein, author of A Friend of the Family

Heller McAlpin

…mesmerizing, enormously satisfying…In viscerally poetic prose, O'Farrell captures "the utter loneliness" of motherhood and "the constant undertow of maternal anxiety"…The Hand That First Held Mine evokes Shirley Hazzard's 1980 masterpiece, The Transit of Venus,…an uncommonly gripping and moving read.
—The Washington Post

Publishers Weekly

O’Farrell (TheVanishing Act of Esme Lennox) interweaves two seemingly unconnected stories—that of Lexie Sinclair, living in post-WWII London, and Elina Vilkuna, a denizen of present-day London. Lexie is a rebellious 21-year-old, and when she meets handsome and sophisticated Innes Kent, she realizes he’s the one who can help her find the adventure and excitement she craves. Their affair coincides with her moving up in the ranks at the magazine he edits, but a tragedy changes Lexie’s life forever. Fifty-odd years later, Elina, a painter, faces her own struggles: she recently had a son with her boyfriend, Ted, and, after a rough child-birth, Ted and Elina struggle to recalibrate their relationship as it evolves into parenthood. While O’Farrell brings Lexie to life, she does not achieve the same with Elina and Ted, who come across as just another bland couple facing the challenges of having a child. The two plots are, naturally, connected, but the contemporary plot doesn’t really get moving until too late in the book. If the contemporary storyline was developed half as well as the historical plot, this would be a wonderful book. As it is, it feels lighter than it should. (Apr.)

Library Journal

Lexie Sinclair moves from the Cornwall area to post-World War II London and begins a thrilling new life under the tutelage of her lover, Innes Kent, an editor and art collector. Even the eventual knowledge that he is legally married doesn't alter her allegiance to him, and she becomes the mother of his son, as well as a respected art critic. In between chapters about Lexie and Innes, readers meet contemporary London artist Elina, who lives with her boyfriend Ted. They have just had a son together, and Elina, who almost died in childbirth, is housebound during her recovery. Growing into his new role as a father, Ted suffers confusing flashbacks about his own childhood. Gradually, a trail of connection between these two nontraditional families is revealed. Devious acts have been committed, darkly affecting these innocent, decent, and well-developed characters. VERDICT O'Farrell brings to mind Sue Miller but with a British and darker flavor; her sure hand for psychological suspense (The Vanishing Act of Esme Lennox) continues to be most impressive. [ALA Midwinter promotion.]—Keddy Ann Outlaw, formerly with Harris Cty. P.L., Houston

Book Details

Published
January 1, 2011
Publisher
Houghton Mifflin Harcourt
Pages
341
Format
Paperback
ISBN
9780547423180

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