Join Books.org — it's free

Book cover of The Harlem Reader: A Celebration of New York's Most Famous Neighborhood, from the Renaissance Years to the 21st Century
Short Story Anthologies, New York City - History, African American General Biography, New York - Regional Biography

The Harlem Reader: A Celebration of New York's Most Famous Neighborhood, from the Renaissance Years to the 21st Century

by Herb Boyd
Available on Bookshop Write a review

Books.org participates in affiliate programs including Bookshop.org and the Amazon Services LLC Associates Program. We may earn a commission from qualifying purchases made through links on this page, at no additional cost to you.

Log in to track your reading progress.

Overview

There is no neighborhood in America as famous, infamous, and inspiring as Harlem. From its humble beginnings as a farming district and country retreat for the rich, Harlem grew to international prominence as the mecca of black art and culture, then fell from grace, despised as a crime-ridden slum and symbol of urban decay. But during all of these phases there was writing in Harlem—great writing that sprang from one of the richest and most unique communities in the world. From Harlem’s most revered icons (like Langston Hughes, Duke Ellington, Ann Petry, and Malcolm X) to voices of a new generation (including Willie Perdomo, Mase, Grace Edwards, and Piri Thomas), The Harlem Reader gathers a wealth of vital impressions, stories, and narratives and blends them with original accounts offered by living storytellers, famous and not so famous. Fresh and vivid, this volume perfectly captures the dramatic moments and personalities at the core of Harlem’s ever-evolving story.

Synopsis

There is no neighborhood in America as famous, infamous, and inspiring as Harlem. From its humble beginnings as a farming district and country retreat for the rich, Harlem grew to international prominence as the mecca of black art and culture, then fell from grace, despised as a crime-ridden slum and symbol of urban decay. But during all of these phases there was writing in Harlem—great writing that sprang from one of the richest and most unique communities in the world. From Harlem’s most revered icons (like Langston Hughes, Duke Ellington, Ann Petry, and Malcolm X) to voices of a new generation (including Willie Perdomo, Mase, Grace Edwards, and Piri Thomas), The Harlem Reader gathers a wealth of vital impressions, stories, and narratives and blends them with original accounts offered by living storytellers, famous and not so famous. Fresh and vivid, this volume perfectly captures the dramatic moments and personalities at the core of Harlem’s ever-evolving story.

Publishers Weekly

Boyd, national editor at The Black World Today and history professor at the College of New Rochelle, has assembled a memorable "mosaic of impressions," as he states in the introduction, of "personal experiences, organizations, institutions, and the dramatic moments that are at the core of Harlem's ever-evolving history." Drawing on a wealth of works from short story writers, song composers, essayists, poets and activists, Boyd charts Harlem's history chronologically-from notes Alexander Hamilton made circa 1802 about his "Home on the Grange" in what was then rural Manhattan, to a short series of interviews Boyd conducted with contemporary Harlem leaders. Boyd ably combines jeremiads and odes. Among the former are James Baldwin's "Fifth Avenue Uptown: A Letter from Harlem," in which he describes a housing project that "hangs over the avenue like a monument to the folly, and the cowardice, of good intentions." Malcolm X denounces police brutality "when Brother Hinton was attacked with night sticks," which cracked open his scalp. Ann Petry praises the respite the Junto Bar and Grill provided for the "young women coming home from work-dirty, tired, depressed," and Mayo Angelou cheers Fidel Castro, who stayed in Harlem's Theresa Hotel, while Sonia Sanchez evokes the days when she was one of the homegirls "who smiled and danced and kept our dresses down because everybody knew we were going to make something of our lives." An insightful book that will undoubtedly find a place in many classrooms, it provides a textured overview of one of the world's most famous neighborhoods. (Apr.) Copyright 2003 Reed Business Information.

About the Author, Herb Boyd

HERB BOYD is the national editor at The Black World Today, an online publication. He currently teaches African and African-American history at the College of New Rochelle in Manhattan. Boyd is also coeditor with Robert Allen of the American Book Award–winning collection Brotherman and, more recently, editor of Autobiography of a People. He resides in Harlem with his wife, Elza Dinwiddie-Boyd, also a noted writer and college professor.

Reviews

There are no reviews yet. Log in to write one.

Editorials

Publishers Weekly

Boyd, national editor at The Black World Today and history professor at the College of New Rochelle, has assembled a memorable "mosaic of impressions," as he states in the introduction, of "personal experiences, organizations, institutions, and the dramatic moments that are at the core of Harlem's ever-evolving history." Drawing on a wealth of works from short story writers, song composers, essayists, poets and activists, Boyd charts Harlem's history chronologically-from notes Alexander Hamilton made circa 1802 about his "Home on the Grange" in what was then rural Manhattan, to a short series of interviews Boyd conducted with contemporary Harlem leaders. Boyd ably combines jeremiads and odes. Among the former are James Baldwin's "Fifth Avenue Uptown: A Letter from Harlem," in which he describes a housing project that "hangs over the avenue like a monument to the folly, and the cowardice, of good intentions." Malcolm X denounces police brutality "when Brother Hinton was attacked with night sticks," which cracked open his scalp. Ann Petry praises the respite the Junto Bar and Grill provided for the "young women coming home from work-dirty, tired, depressed," and Mayo Angelou cheers Fidel Castro, who stayed in Harlem's Theresa Hotel, while Sonia Sanchez evokes the days when she was one of the homegirls "who smiled and danced and kept our dresses down because everybody knew we were going to make something of our lives." An insightful book that will undoubtedly find a place in many classrooms, it provides a textured overview of one of the world's most famous neighborhoods. (Apr.) Copyright 2003 Reed Business Information.

KLIATT

Unlike the well-known and widely circulated anthologies of Harlem writers and writing, this compilation does not limit itself to the work of the famous or little-known writers of the Harlem Renaissance. Instead, Boyd has chosen selections from over two centuries of writing in and about Harlem, ranging from a brief paragraph by Alexander Hamilton to excerpts from last year's Amsterdam News. Certainly, the well-known writers such as James Baldwin and Langston Hughes are represented. More interestingly, so are politicians Marcus Garvey and Adam Clayton Powell, Jr., artists Duke Ellington and Maya Angelou, and contemporary poets Willie Perdomo and Jabari Asim. Here too are a host of sociologists whose commentaries are interspersed among anecdotes and memoirs written over the years by Harlem residents. While a few short stories extend to 15 pages, most of the selections are quite brief. The items are in no particular order, the editor preferring to create a "mosaic of impressions" about Harlem. As such, The Harlem Reader is probably best read in its totality. Excellent supplementary reading for history and sociology courses. KLIATT Codes: JSA;Recommended for junior and senior high school students, advanced students, and adults. 2003, Random House, Three Rivers Press, 316p., Moore

Kirkus Reviews

Bedside companion, certainly not to be read all at once, of clips, stories, impressions, poems, and narratives that tell the history of black art that has enriched the globe, not just the States, and of the big fall into drugs and crime and urban blight. The more famous contributors include Alexander Hamilton, W.E.B. Du Bois, James Weldon Johnson, Marcus Garvey, Duke Ellington ("Nights at the Cotton Club"), Langston Hughes, Adam Clayton Powell, Ossie Davis and Ruby Dee, Gordon Parks Sr., Ann Petry (from 1946's The Street), Sidney Poitier, Claude McKay, Piri Thomas, John Oliver Killens, James Baldwin ("Fifth Avenue Uptown: A Letter from Harlem" from Nobody Knows My Name), Ben E. King's song "(There Is a Rose in) Spanish Harlem," Malcolm X (from The Autobiography of Malcolm X), Maya Angelou (on Castro in Harlem), Chester Himes (from Cotton Comes to Harlem), and editor Boyd himself (Autobiography of a People, not reviewed; African and African-American history/College of New Rochelle). (Missing: Ralph Ellison, Melvin B. Tolson's Harlem Gallery.) This is a book, Boyd says, that "stretches beyond the halcyon twenties into the world of the learned scholars, novelists, and ordinary 'griots' so that you can feel Harlem's unique pulse, see those hues of humanity, smell the seductive aroma wafting from a thousand restaurants and street vendors or hear the countless tongues trying to talk above the music blasting from boom boxes and store speakers." There are also charming excerpts from works by relative unknowns, such as Cintra Williams's fierce deconstruction of "Chris Rock at the Apollo" and Michele Wallace's "Memories of a Sixties Girlhood: The Harlem I Love" (from her Invisibility Blues), anantidote to Harlem on My Mind and Piri Thomas's Down These Mean Streets. Richly intelligent, hustling energy throughout. Agent: Marie Brown

Book Details

Published
May 1, 2003
Publisher
Crown Publishing Group
Pages
336
Format
Paperback
ISBN
9781400046812

More by Herb Boyd

Similar books