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Horror Films, Social Themes in Motion Pictures
The Monster Show by David J. Skal — book cover

The Monster Show

by David J. Skal
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Overview

Illuminating the dark side of the American century, The Monster Show uncovers the surprising links between horror entertainment and the great social crises of our time, as well as horror's function as a pop analogue to surrealism and other artistic movements.

With penetrating analyses and revealing anecdotes, David J. Skal chronicles one of our most popular and pervasive modes of cultural expression. He explores the disguised form in which Hollywood's classic horror movies played out the traumas of two world wars and the Depression; the nightmare visions of invasion and mind control catalyzed by the Cold War; the preoccupation with demon children that took hold as thalidomide, birth control, and abortion changed the reproductive landscape; the vogue in visceral, transformative special effects that paralleled the development of the plastic surgery industry; the link between the AIDS epidemic and the current fascination with vampires; and much more. Now with a new Afterword by the author that looks at horror's popular renaissance in the last decade, The Monster Show is a compulsively readable, thought-provoking inquiry into America's obsession with the macabre.

David J. Skal is the author several critically acclaimed books on fantastic literature and genre cinema, including Hollywood Gothic: The Tangled Web of Dracula from Novel to Stage to Screen; Screams of Reason; Mad Science and Modern Culture; V Is for Vampire: The A to Z Guide to Everything Undead; and, with Elias Savada, Dark Carnival: The Secret World of Tod Browning. With Nina Auerbach, he is co-editor of the Norton Critical Edition of Bram Stoker's Dracula. His writing has appeared in a variety of publications, ranging from The New York Times to Cinefantastique, and for television (on the A&E series Biography).

Illuminating the dark side of the American century, The Monster Show uncovers the surprising links between horror entertainment and the great social crises of our time, as well as horror's function as a pop-cultural counterpart to surrealism, expressionism, and other twentieth-century artistic movements.

Skal explores a broad landscape of cultural expression—from painting, photography, and theater to television, comic books, and novels. Ultimately focusing on film, he examines the many ways in which this medium has played out the traumas of two world wars and the Depression; the nightmare visions of invasion and mind control engendered by the Cold War; the preoccupation with demon children and mutants that took hold as thalidomide, birth control, and abortion changed the reproductive landscape; the vogue in body-transforming special effects that paralleled the development of the plastic surgery industry; the link between the AIDS epidemic and a renewed fascination with vampires; and much more. With a new Afterword by the author that looks at horror's popular renaissance in the last decade, The Monster Show is a thought-provoking inquiry into America's obsession with the macabre.

"The best book about horror movies I have ever read."—Robert Bloch, author of Psycho

"Fascinating . . . lively and entertaining . . . To understand a culture, you must know what it fears."—Stefan Dziemianowicz, Washington Post Book World

"The best book about horror movies I have ever read."—Robert Bloch, author of Psycho

"Lively . . . Provocative and illuminating."—Michiko Kakutani, The New York Times

"Frightfully well-done survey of modern horror, eclipsing Stephen King's seminal Danse Macabre for clarity of writing, if not personableness or depth of idea, and Walter Kendrick's The Thrill of Fear for cultural savvy . . . with a wealth of enjoyable anecdote and fact . . . [An] impeccably researched, lively chronicle."—Kirkus Reviews

"Nearly impossible to put down."—Fangoria

Americans love horror. The evolution of our favorite horror icons mirrors the great social crises of our times. Author David Skal shows how Cold War paranoia, nuclear fears, and now AIDS led to films such as Invasion of the Body Snatchers, The Fly, Dracula and other horror hits.

About the Author, David J. Skal

David J. Skal is the author several critically acclaimed books on fantastic literature and genre cinema, including Hollywood Gothic: The Tangled Web of Dracula from Novel to Stage to Screen; Screams of Reason; Mad Science and Modern Culture; V Is for Vampire: The A to Z Guide to Everything Undead; and, with Elias Savada, Dark Carnival: The Secret World of Tod Browning. With Nina Auerbach, he is co-editor of the Norton Critical Edition of Bram Stoker's Dracula. His writing has appeared in a variety of publications, ranging from The New York Times to Cinefantastique, and for television, on the A&E series Biography. He has written, produced, and directed a dozen original DVD documentaries, including features on the Universal Studios' classic monster movies, and a behind-the-scenes chronicle of the Academy Award-winning film Gods and Monsters. He currently lives and writes in Los Angeles.

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Editorials

Stefan Dziemianowicz

Fascinating [and] entertaining . . . to understand a culture, you must know what it fears. —The Washington Post

Publishers Weekly - Publisher's Weekly

This entertaining survey mixes behind-the-scenes Hollywood anecdotes with intriguing social analysis. Skal ( Hollywood Gothic ) considers the archetypes depicted in Dracula , Frankenstein , Dr. Jekyll and Mr. Hyde and Tod Browning's Freaks as responses to the Great Depression that contained metaphors of class warfare. Scientific sadism in films of the 1940s drew on partial knowledge of the Third Reich, he argues, while movie monsters of the '50s personified Bomb-bred mutants or Cold War brainwashers. Skal links 1960s films' anxiety about sex and reproduction to the introduction of the Pill and Thalidomide, and suggests that horror flicks of the '70s and '80s show signs of the post-traumatic stress syndrome suffered by many Vietnam veterans. Though he analyzes Stephen King's novels, Michael Jackson's ``Thriller'' video and Famous Monsters magazine, his book might have been richer had he delved into more non-Hollywood aspects of pop culture, such as heavy metal music. Illustrations not seen by PW. (Mar.)

Library Journal

Skal, author of a terrific history of the Dracula subgenre, Hollywood Gothic: The Tangled Web of ``Dracula'' from Novel to Stage to Screen ( LJ 9/15/90), offers an incisive analysis of the (mostly) American horror film. He demonstrates how historical, social, and political factors influenced (and were influenced by) Hollywood's production of this changing but almost always popular genre. Skal ventures from Tod Browning's ``mutilation allegories'' of the post-World War I 1920s, to the early archetypes of the 1930s (Dracula, Frankenstein, and the one-of-a-kind movie Freaks ), to the mid-1950s, and on to the AIDS metaphors in today's sex-and-splatter films. Skal also includes fresh production information and trivia. The Monster Show is much better than Walter Kendrick's recent The Thrill of Fear (Grove Pr., 1991), which deals more with literature than film. This sharply written, thoroughly researched, and unflaggingly compelling book is the best ``serious'' nonsurvey of the genre to date. For all cinema collections.-- David Bartholomew, NYPL

Ray Olson

Skal follows his exceptional tracing of "Dracula" on stage and screen, "Hollywood Gothic" , with a chronicle of the horror genre in twentieth-century American popular culture that, although hardly as well done, is just as much fun. Skal calls his effort a "cultural history" because he strives to relate thematic trends in horror to currents in both high and normative cultures. For instance, the first U.S. sound-movie horror hits ("Dracula", "Frankenstein", "Dr. Jekyll and Mr. Hyde") are seen as mass-market reflections of, from high culture, surrealism, and from the newspapers (so to speak), popular notions of the Freudian conception of the unconscious mind. Skal presses none of his theories too hard (none are original, anyway), instead tossing them in as clever, plausible mortar between the shiny, hyperbolic bricks of movie production trivia and minibiography (of such major figures as Tod Browning, the ex-carnival performer who directed first Lon Chaney's hit silents then "Dracula" and "Freaks") that are the bulk of the text. Besides the movies, Skal covers 1950s horror comics, Stephen King, Michael Jackson's music videos, and Bret Easton Ellis' "American Psycho".

Book Details

Published
July 1, 1993
Publisher
New York : Norton, c1993.
Pages
288
Format
Hardcover
ISBN
9780393034196

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