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The Moon Opera by Bi Feiyu — book cover
Chinese Fiction, Women's Fiction, Asian Peoples & Cultures - Fiction & Literature, Politics & Social Issues - Fiction, Arts & Entertainment - Fiction

The Moon Opera

by Bi Feiyu, Howard Goldblatt (Translator), Sylvia Li-chun Lin
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Overview

The debut novel of one of China’s rising young literary talents—a gem of a book that takes a piercing look into the world of Chinese opera and its female stars In a fit of diva jealousy, Xiao Yanqiu, star of The Moon Opera, disfigures her understudy with boiling water. Spurned by the troupe, she turns to teaching.

Twenty years later, a rich cigarette-factory boss offers to underwrite a restaging of the cursed opera, but only on the condition that Xiao Yanqiu return to the role of Chang’e. So she does, this time believing she has fully become the immortal moon goddess.

Set against the drama, intrigue, jealousy, retribution, and redemption of backstage Peking opera, The Moon Opera is a stunning portrait of women in a world that simultaneously reveres and restricts them. Bi Feiyu, one of China’s young literary stars, re-creates all the temptations and triumphs of the stage the world over in this gem of a novel.

Synopsis

The debut novel of one of China s rising young literary talents a gem of a book that takes a piercing look into the world of Chinese opera and its female stars. In a fit of diva jealousy, Xiao Yanqiu, star of The Moon Opera, disfigures her understudy with boiling water. Spurned by the troupe, she turns to teaching. Twenty years later, a rich cigarette-factory boss offers to underwrite a restaging of the cursed opera, but only on the condition that Xiao Yanqiu return to the role of Chang e. So she does, this time believing she has fully become the immortal moon goddess. Set against the drama, intrigue, jealousy, retribution, and redemption of backstage Peking opera, The Moon Opera is a stunning portrait of women in a world that simultaneously reveres and restricts them. Bi Feiyu, one of China s young literary stars, re-creates all the temptations and triumphs of the stage the world over in this gem of a novel.

Publishers Weekly

A peerless singer in the Peking Opera is ruined by her jealousy of her understudy in this vividly sketched tale of art and money by Chinese screenwriter (Shanghai Triad) and novelist Feiyu. In 1979, 20 years before the novel takes place, the actress Xiao Yanqiu debuted brilliantly and memorably as the lead in The Moon Opera, although she soon wrecked her career when she attacked her understudy's teacher in a fit of rage at sharing the spotlight. Now 40, unhappily married and overweight, Xiao is offered the chance to reprise her role in a new production bankrolled by a factory owner and former fan. Xiao, who assumes the role to perfection, chooses as her understudy a gifted student, Chunlai, who postpones a TV career for the promise of the stage. The scene is set for a terrible showdown, naturally, complicated by the clash between art and money, as exemplified by the crass interests of the factory owner. The novel's slimness, simple storytelling and overarching morality lend it a fable-like air, with Xiao filling the role of its tormented star. (Jan.)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author, Bi Feiyu

BI FEIYU is one of the most respected authors and screenwriters in China today. He was born in 1964 in Xinghua, in the province of Jiangsu. A journalist and poet as well as a novelist, he has been awarded a number of literary prizes, including the Lu Xun Prize for 1995–96. He cowrote the film Shanghai Triad, which was directed by the acclaimed Zhang Yimou.

BI FEIYU is one of the most respected authors and screenwriters in China. He was born in 1964 in Xinghua, in the province of Jiangsu. A journalist and poet as well as a prize-winning novelist, he cowrote the film Shanghai Triad, directed by the acclaimed Chinese director Zhang Yimou.

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Editorials

Publishers Weekly

A peerless singer in the Peking Opera is ruined by her jealousy of her understudy in this vividly sketched tale of art and money by Chinese screenwriter (Shanghai Triad) and novelist Feiyu. In 1979, 20 years before the novel takes place, the actress Xiao Yanqiu debuted brilliantly and memorably as the lead in The Moon Opera, although she soon wrecked her career when she attacked her understudy's teacher in a fit of rage at sharing the spotlight. Now 40, unhappily married and overweight, Xiao is offered the chance to reprise her role in a new production bankrolled by a factory owner and former fan. Xiao, who assumes the role to perfection, chooses as her understudy a gifted student, Chunlai, who postpones a TV career for the promise of the stage. The scene is set for a terrible showdown, naturally, complicated by the clash between art and money, as exemplified by the crass interests of the factory owner. The novel's slimness, simple storytelling and overarching morality lend it a fable-like air, with Xiao filling the role of its tormented star. (Jan.)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Kirkus Reviews

The American debut of an acclaimed Chinese novelist. When Xiao Yanqiu took the lead role in The Moon Opera, she was a rising star. Her career came to an abrupt and horrible end, though, when she mutilated her understudy. Banished from the stage, Xiao Yanqiu vanished into obscurity as a voice teacher. Twenty years later, a wealthy factory boss decides to launch another production of The Moon Opera, with Xiao Yanqiu once again playing the lead role. The aging diva grasps this opportunity to recapture her glory and her youth. As she loses herself in the part of Chang'e, the moon goddess, her grasp on reality slips as well. Ultimately, Xiao Yanqiu loses everything. This is not Memoirs of a Geisha for the opera crowd. Western readers may find themselves mystified by the untranslated technical terms, not to mention slightly annoyed when they discover that the glossary at the back is hardly comprehensive. Nevertheless, the novel offers evocative glimpses not only of Chinese opera, but also of a Communist country opening itself to capitalism and a new era of expressive freedom. And, while the tragedy of Xiao Yanqiu may be particular in its details, it is, at its foundation, universally human. Flawed, but elegantly theatrical and emotionally resonant-just like a good opera.

Book Details

Published
January 1, 2009
Publisher
Houghton Mifflin Harcourt
Pages
128
Format
Hardcover
ISBN
9780151012947

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