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Editorials
Children's Literature -
Master swordsmith Sensei Masa and his apprentice Michio work long and hard to create magnificent swords. When a new sword is finished, they must find a warrior worthy of it. A series of seemingly worthy men come to buy it, but Sensei finds them each too cruel, too privileged, or too selfish. While in the market one day, they see a brave young samurai disarm a thief without using his sword. They invite him to their home. When he reveals himself to be both honorable and constantly trying to be better, Sensei gives the humble but delighted youth the sword. Sensei and Michio then begin to work on another "perfect sword." Goto's oil paintings have an intensity that helps convey the Japanese spirit inherent in the sword/samurai relationship. The picture on the cover shows Sensei holding up a sword that seems to glow as Michio stares open-mouthed at it. The end pages depict the ritual followed during bathing and dressing, the title page shows master and apprentice bowing to each other in formal greeting, and the next page is a detailed picture of the workshop. The ceremonial basis of the craft, the clothing, and the architecture of the time are portrayed clearly. There is a wonderful five-part action illustration of the young samurai's conquest of the thief. Notes on sword making in ancient Japan and Goto's aims in writing the book are included, along with a glossary. Reviewer: Ken Marantz and Sylvia MarantzSchool Library Journal
Gr 3-5
Told from the perspective of young Michio, a master swordsmith's apprentice, The Perfect Sword is a moral tale about the virtues that make a person worthy of something perfect. After Michio and his Sensei create the perfect sword (or, at least, as close to perfect as can exist), they interview many samurai, warriors, and nobles who want to possess it. But many are too selfish, or too privileged, or too cruel; it is only when they meet a samurai who is kind and selfless and dedicated to bettering himself that they find the proper owner. Goto inserts his readers directly into late-1500s Japan, giving them a feel for the culture and history. His vibrant oil paintings are detailed enough to keep readers poring over them, but large enough for group sharing. Some pages have no text, starting with the endpapers that show Michio getting ready for the day, and later setting the scene at the workshop or showing a martial arts move step-by-step across a full spread. Notes on the tradition of sword making and a glossary help readers to learn more about the world in which the story is set. This book is sure to attract browsers with its excellent illustrations and hold readers with its simple story, beautifully told.-Alana Abbott, James Blackstone Memorial Library, Branford, CT