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The Privileges by Jonathan Dee — book cover

The Privileges

by Jonathan Dee
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Overview

Smart and socially gifted, Adam and Cynthia Morey are perfect for each other. With Adam’s rising career in the world of private equity, a beautiful home in Manhattan, gorgeous children, and plenty of money, they are, by any reasonable standard, successful. But for the Moreys, their future of boundless privilege is not arriving fast enough. As Cynthia begins to drift, Adam is confronted with a choice that will test how much he is willing to risk to ensure his family’s happiness and to recapture the sense that the only acceptable life is one of infinite possibility. The Privileges is an odyssey of a couple touched by fortune, changed by time, and guided above all else by their epic love for each other.

Synopsis

Smart and socially gifted, Adam and Cynthia Morey are perfect for each other. With Adam’s rising career in the world of private equity, a beautiful home in Manhattan, gorgeous children, and plenty of money, they are, by any reasonable standard, successful. But for the Moreys, their future of boundless privilege is not arriving fast enough. As Cynthia begins to drift, Adam is confronted with a choice that will test how much he is willing to risk to ensure his family’s happiness and to recapture the sense that the only acceptable life is one of infinite possibility. The Privileges is an odyssey of a couple touched by fortune, changed by time, and guided above all else by their epic love for each other.

The New York Times Book Review - Roxana Robinson

Dee is at once funny, subversive and sympathetic. In fact, the strange harmonies of his authorial voice, which combines ravishing language, a bleak view of humanity and Dee's own innate good nature, provide much of the novel's interest…part of Dee's appeal is his sympathy for his characters, and his generous tendency to endow them, no matter how foolish or contemptible, with a certain nobility.

About the Author, Jonathan Dee

Jonathan Dee is the author of four novels, most recently Palladio. He is a staff writer for The New York Times Magazine, a frequent contributor to Harper's, and a former senior editor of The Paris Review. He teaches in the graduate writing programs at Columbia University and the New School.

From the Hardcover edition.

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Editorials

Roxana Robinson

Dee is at once funny, subversive and sympathetic. In fact, the strange harmonies of his authorial voice, which combines ravishing language, a bleak view of humanity and Dee's own innate good nature, provide much of the novel's interest…part of Dee's appeal is his sympathy for his characters, and his generous tendency to endow them, no matter how foolish or contemptible, with a certain nobility.
—The New York Times Book Review

Joseph Finder

…scintillating…Dee is a remarkably skilled portraitist with a rare talent for rendering his characters' points of view with deep empathy.
—The Washington Post

Janet Maslin

The Moreys, Cynthia and Adam, have been so disarmingly envisioned by Mr. Dee that they manage to confound expectations…Mr. Dee illustrates why indirection in this new-money morality tale can be so much more effective than a heavy hand. However alarmed by his characters he may claim to be, he's too smart to give the Moreys the one-note menace-to-society treatment. That leaves The Privileges excessively cryptic, but this story is so invitingly told that it's much easier to be drawn in than turned off.
—The New York Times

Publishers Weekly

Dee's four prior novels (Palladio; etc.) cast an intelligent, calculating eye on the culturally topical, which sparked comparisons to the writings of Updike, DeLillo and Franzen. The wedding of Adam and Cynthia Morey, a young and charming couple who quickly expand into a brood of four, begins Dee's fifth. Adam and Cynthia's nuanced personalities and playful, sincere exchanges form the novel's empathic backbone as Adam begins to profit immensely from risky side ventures while working for a hedge fund. Dee establishes a trust with his readers that allows Adam's murky business ethics to escape the spotlight of outright moral scrutiny, and by showing how Adam endangers his privilege—while his children endanger their own lives—Dee reveals how risk is a kind of numbing balm. April, Adam's daughter, responds to the boredom of material comfort by resorting to drug-induced self-effacement. The novel climaxes as the children face the possibility of their own death, though lucidity after mortal danger is fleeting: “I can feel myself forgetting what it feels like to feel,” April says. Dee notably spurns flat portraits of greed, instead letting the characters' self-awareness and self-forgetfulness stand on their own to create an appealing portrait of a world won by risk. (Jan.)

Library Journal

Dee's latest novel (after Palladio) is a scathing portrait of the perks and perils of a life of privilege. Cynthia and Adam Morey are a golden couple—beautiful, ambitious, untouchable. From their wedding in their early twenties, to raising two children in Manhattan, to Adam's rise in the financial world, they exude a self-absorbed confidence, and their commitment to each other shines. Yet Adam's relentless insider trading and lack of conscience are pathological. Daughter April is aimless and abuses drugs, while son Jonas eschews his trust fund and attends art school. In a twisted and bizarre sideplot, he comes running back to the safety of his privileged life after a near-death experience. Dee excels at detailing contemporary scenes, delivering pitch-perfect dialog, and crafting brutal, hard-to-forget interactions, as when Cynthia coldly buys off her dying father's girlfriend in order to spend a few last hours with the man who deserted her as a child. VERDICT Readers who appreciate complex characters with questionable morality will enjoy discussing this stylish work. [Library marketing; ebook available 1/10: ISBN 978-1-58836-920-8.]—Christine Perkins, Bellingham P.L., WA

Kirkus Reviews

Gilded young go-getter creates, not always legally, a cocoon for his family in Dee's mostly buoyant fifth novel about money, family and mortality. Adam and Cynthia Morey, Midwestern transplants in Manhattan, have beauty, brains, charm and a formidable determination to carve out a comfortable world for themselves, though they do not come from money; Adam's father was a pipe fitter. The couple, married when they're only 22, have some simple rules. Forget the past. Seize the day. Keep in shape. Glow! Two kids, April and Jonas, arrive early; no problem. Adam has the Midas touch and the trust of his boss at his private-equity firm. Honoring complexity, Dee (Palladio, 2002, etc.) refuses to paint Adam as a total narcissist or philanderer. Unlike his peer Sherman McCoy in Bonfire of the Vanities, Adam has a doglike devotion to his wife, the stronger character. They dote on their kids; family means this charmed circle of four. Everyone else is an outsider. When her stepsister has a breakdown, Cynthia dumps her like somebody else's garbage. Dee tracks the Moreys over 20-plus years as they strive for a life without limits. Their sex life still sizzles; aging is forbidden; their money keeps growing, helped by Adam's involvement in insider trading, a risk he enjoys. Still, we ignore limits and connectedness at our peril, and that's Dee's theme, implied without glib moralizing. The novel's final third turns darker. Both parents are frantically busy, heavily involved in charity work; they're boldface names, with their own foundation. Then Cynthia takes a time out; her dad is dying in a Florida hospice and she feels uncharacteristically bereft. The pampered college-age kids appear trapped. April isspiraling downward; drugs, meaningless sex. Jonas, an art student and half-hearted rebel against his family's values, almost loses his life to a madman because of his lack of survival skills. Thoughtful and bracingly unpredictable, though the lack of a resolution is frustrating. Agent: Amanda Urban/ICM

Book Details

Published
October 1, 2010
Publisher
Random House Publishing Group
Pages
288
Format
Paperback
ISBN
9780812980790

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