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Overview
The new bestseller from the author of The Knitting Circle: “Is there anyone who can write about the connections between ordinary people as well as Ann Hood does?”—Jodi Picoult
“In China there is a belief that people who are destined to be together are connected by an invisible red thread. Who is at the end of your red thread?” After losing her infant daughter in a freak accident, Maya Lange opens The Red Thread, an adoption agency that specializes in placing baby girls from China with American families. Maya finds some comfort in her work, until a group of six couples share their personal stories of their desire for a child. Their painful and courageous journey toward adoption forces her to confront the lost daughter of her past. Brilliantly braiding together the stories of Chinese birth mothers who give up their daughters, Ann Hood writes a moving and beautifully told novel of fate and the red thread that binds these characters’ lives. Heartrending and wise, The Red Thread is a stirring portrait of unforgettable love and yearning for a baby.
Editorials
Elle
“A wisely woven novel.”Washington Post
“A subtle and unusual adoption story, many-layered, exquisitely told.”— Reeve LindberghGood Housekeeping
“Hope sinks and floats again in Hood’s lovely, perceptive tale.”Cleveland Plain Dealer
“Hood wears her big heart on her sleeve. . . . Her prose . . . shines in the portraits of the Chinese families who give up their daughters.”— Tricia SpringstubbReeve Lindbergh - Washington Post
“A subtle and unusual adoption story, many-layered, exquisitely told.”Tricia Springstubb - Cleveland Plain Dealer
“Hood wears her big heart on her sleeve. . . . Her prose . . . shines in the portraits of the Chinese families who give up their daughters.”Reeve Lindbergh
This is a subtle and unusual adoption story, many-layered, exquisitely told.—The Washington Post
Publishers Weekly
In her engaging new tearjerker, Hood (The Knitting Circle) follows several families as they attempt to adopt daughters from China. Holding down the center is Maya Lange, who, as head of the Red Thread Adoption Agency, is the prospective parents' guide through the adoption process. Childless Maya is driven by a desire to make amends for a tragic accident in her past, though her clients have their own share of heartbreak—miscarriages and infertility—and, predictably, the expectations and reservations about parenthood that they confide to Maya are shaped by a host of personal issues. In a nod to Hood's last novel, several women knit to calm their nerves as they await their new daughters. Meanwhile, Maya, also a knitter, takes painful steps toward letting go of the past. The individual arcs are woven together beautifully, though the interspersed tales of how the Chinese children came to be abandoned tend to clutter more than add. Regardless, Hood's sensitive depiction of her characters' hopes and fears makes for a moving story of dedication, forgiveness, and love. (May)Library Journal
Like her best-selling The Knitting Circle, Hood's new novel features the themes of loss and reconnection. After the death of her infant daughter in an accident, Maya Lange opens an adoption agency that places Chinese babies with American parents. Six couples waiting to adopt share the lengthy process and eventually create a bond, although they were previously strangers. Meanwhile, Maya is forced to confront her feelings about her child's death and her former husband so that she can heal and learn to fall in love again. The stories of the adopting parents are intertwined with those of the Chinese women who, for various reasons, had to give up their baby girls. The tone here is somber, but in the end these parents are transformed by the healing journeys they have made. VERDICT Hood offers a thoughtful novel about the yearning for a child that's primed to be a book club pick. Readers who enjoyed Hood's last novel or are fans of writers like Jacqueline Mitchard will enjoy this as well. [See Prepub Alert, LJ 1/10.]—Amy Ford, St. Mary's Cty. Lib., Lexington Park, MDKirkus Reviews
A group of Americans plan to adopt daughters from China through an agency founded by a bereaved mother, in Hood's moving novel (The Knitting Circle, 2007, etc.). Maya walked away from her husband Adam and her formerly happy life in Hawaii after the accidental death of her infant daughter left her in emotional freefall. (The exact circumstances surrounding the accident are not revealed until halfway through the novel.) In part to assuage her anguish, Maya started The Red Thread Adoption Agency, referring to a Chinese saying that a red thread connects people destined to be together. Operating out of Providence, R.I., Maya conducts her latest orientation of a group of couples embarking on the yearlong (or more) process of adopting abandoned Chinese girl babies. Without exception, the wives initiate the adoptions. Theo is bored by ovulation-driven sex with wife Sophie and, still a globetrotting beach bum at heart, views children only as a threat to freedom. Emily, whose efforts to win over her teenage stepdaughter Chloe have netted rejection, unwittingly abetted by her husband Michael, seeks family equilibrium. Nell and Benjamin Walker-Adams, New England aristocrats (he's descended from John Adams) have given up on Nell's mood-bending fertility treatments, but she's experiencing the most untrammeled baby-lust of her charmed life. Brooke, married to ex-Major Leaguer Charlie, yearns to fill the void left by her sterility, but Charlie thinks three's a crowd, until suddenly their attitudes reverse. Susannah, ambivalent about and vaguely shamed by the retarded daughter her husband Carter adores, wants a "normal" child. Interspersed throughout are italicized vignettes about Chinese mothers forcedby the quota on children and prejudice against girls to make wrenching decisions. The raw and riveting Chinese stories siphon narrative juice from the more conventional American angst that dominates the novel. Still, the tale ends with a pleasing sense that the red thread is more than a myth, especially in Maya's case.The Barnes & Noble Review
When Ann Hood lost her five year old daughter Grace to a sudden and virulent form of strep, she was understandably bereft. But the journey through grieving ended on a high note three year later as Hood cradled the Chinese orphan she'd pledged to mother. "I knew that our hope of rebuilding our family again was indeed possible," she wrote in her blog. It was that hope, combined with the inspiration of the other families that made up the group she traveled with to bring their daughters home, which compelled Hood to pen a novel - a re-imagining of the secret histories of the abandoned infants and the heartbreaking sacrifices of the mothers who gave them up. So The Red Thread was born.
Centered on a Rhode Island adoption agency called Red Thread (after the Chinese legend that each child is connected to its parents by an invisible gossamer fiber) and its director Maya, the narrative unfolds in overlapping tales of six couples who come to the agency yearning for a child, punctuated by vignettes of the Chinese birth mothers. Through Maya's dual role as grieving mother and capable shepherd, Hood steers a compassionate course through the rocky shoals of infertility treatments, ovulation-driven sex, resentful stepchildren, and the overwhelming longing for a small being to love. Unspooling one bit of red thread at a time, Hood's novel is at once exuberant and elegiac, a touching meditation on the tensile bond between husbands and wives, children and parents, and friends bound by fate and the desire to belong.
--Lydia Dishman