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Overview
When it came to men, Charlotte Belle strictly ascribed to the law of catch and release. As soon as she could get a man out of her bed, she threw him back in the stream. No, Charlotte did not need a man. She had money. She had her driver, Mr. Nalls, for heavy lifting. Sex? Her pond was well stocked. What else does a woman need a man for? And so it comes as quite a surprise to Charlotte that she can not stop thinking about the Reverend Thomas Jones.
In The Rock Orchard, debut novelist Paula Wall uses sexy, lyrical prose — and throws in a dash of magic — to create a truly unique and hysterical love story.
Synopsis
When it came to men, Charlotte Belle strictly ascribed to the law of catch and release. As soon as she could get a man out of her bed, she threw him back in the stream. No, Charlotte did not need a man. She had money. She had her driver, Mr. Nalls, for heavy lifting. Sex? Her pond was well stocked. What else does a woman need a man for? And so it comes as quite a surprise to Charlotte that she can not stop thinking about the Reverend Thomas Jones.
In The Rock Orchard, debut novelist Paula Wall uses sexy, lyrical prose — and throws in a dash of magic — to create a truly unique and hysterical love story.
Publishers Weekly
The legendary Belle family women of Leaper's Fork, Tenn., sparkle to life in this fine debut novel by the author of the popular syndicated humor column "Off the Wall." In 1920, tough-minded 23-year-old Charlotte Belle comes to raise her dead sister's bastard child and names her Angela. At 17, Angela, a free-spirited girl with an open heart and the same snappy independence as her aunt, captures the affections of Adam Montgomery, the new doctor in town, on the day he helps her give birth in his back garden. Adam's fianc e, Lydia Jackson, is a cold-hearted Boston-bred snob who takes an instant dislike to vivacious Angela. While ably capturing the insouciant charm of the saucy Belle women and the men they bewitch, Wall loses points for giving short shrift to two major elements introduced late in the story: Adam and Lydia's blueblood Bostonian crowd, who make a too-brief appearance at a winter estate on sultry Banyan Island, and the Rev. Thomas Lyle, who appears out of left field to become the sole contender for Charlotte Belle's heart. Wall's light-as-a-feather prose and winning characters carry the novel, but more work on plot and structure would improve her next effort. Agent, Aaron Priest. 7-city author tour. (Jan. 31) Copyright 2004 Reed Business Information.
Editorials
From Barnes & Noble
Barnes & Noble Discover Great New Writers"It is common knowledge that Belle Women make hard men melt like butter in a pan," writes novelist Wall, adding, "They are equally adept at reversing the process." If you find such sentiments appealing, then spirit yourself away to Leaper's Fork, Tennessee, and immerse yourself in the very southern world of Charlotte, Angela, and Dixie Belle: three generations of Belles, and the subjects of this jaunty, sexy debut.
The Belle women are part of an old and wealthy family descended from a Confederate colonel. One neighbor calls them "white trash with money." But their greatest asset, to put it mildly, is feminine charm. Just ask Boston-bred Dr. Adam Montgomery, who moves in next door with his Yankee fiancée, only to be smitten by Angela the moment he lays eyes on her. Or ask Reverend Thomas Jones, another newcomer to Leaper's Fork, to whom Charlotte applies her feminine wiles as she endeavors to help him inter his long, sad past.
Old money verses new, South versus North, hypocrisy verses honesty, prejudice versus love -- these are heavy themes, to be sure. And yet Wall handles them deftly, in a tone so confident and breezy that the pages seem to turn themselves. A resident of Nashville, Wall has a gift for fiction, a gift she employs to great effect in this marvelous novel about the transformative power of love. (Spring 2005 Selection)