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The Silent

by Jack Dann
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Overview

Edmund "Mundy" McDowell is barely fourteen when the Civil War invades the Shenandoah Valley. He watches in shocked horror as a gang of Union and Confederate deserters loot and burn his home and then brutally murder his parents. From that moment he wanders silent and seemingly invisible through a valley of death. He is guided by a mysterious black dog that has eyes of fire and may or may not be real. And he is haunted by the memories and voices of those who've died. On his nightmarish journey, young Mundy will cross a hellish landscape scarred by makeshift hospitals, endless fields of the dead and dying, and the anarchic terror and joy of battle. He will encounter runaway slaves, mystic madmen, suicidal cavalry officers, cold-blooded murderers, enigmatic prostitutes, and nobly misguided heroes, all displaced by the apocalyptic conflagration. And in the end Mundy must decide whether to go back to the world of the living--or remain an invisible silent spirit.

Synopsis

From the critically acclaimed author of The Memory Cathedral comes perhaps the most powerful, haunting, and unforgettable novel of the Civil War—or any war—ever written. Provocative, poetic, and disturbing, it introduces us to a young narrator, Mundy McDowell, whose voice rivals any in literature, bringing poignantly to life the surreal horrors of battle and its spiritual cost to human survival.

I was scarce twelve the day the damn Yankees invaded the valley. I seen a lot that day I ain't never gonna forget.

Men blown apart, screamin' and dyin' all around me. I was wandering in the woods like I wasn't supposed to and wound up right in the middle of the battle. And that's what I suppose saved me.

When I got back home the main house was burning to the ground. I saw two men wearin' bits and pieces of 'Federate and Yank uniforms. They killed Poppa right off, and Mother they dragged into the front yard before they killed her too. I reckon that was the day I first got the knack of being invisible.

The spirit dog seen me right off, though. He was big and black and smelled like burning. His eyes were like red coals and everywhere he went, it seemed death followed. Him and me, we mostly traveled together after that.

I passed through midnight fields of dead and dying soldiers, reeking makeshift field hospitals worse than hell itself; climbed into the mountains where the runaway slaves hid; and walked through towns shattered by the passage of the war.

I met a lot of people, some of them living and some of them just memories. There was Jimmadasin, the slave who died on my account, and Mammy Jack, who taught me to see visions; the gallant Colonel Ashby, who let me ride by his side, and, of course, the mulatto whore Lucy, who saved my life twice.

Last but not least, there was mad but brilliant General Jackson, who was probably responsible for putting more men in their graves than any other during the Shenandoah campaign. Whether he was a hero or a demon I never did determine, but I wish I had never met him at all.

And through it all I remained silent. The power of speech left me the day my parents were killed and I first saw the spirit dog. You see, the whole time I was wandering through that valley of death I was deciding on whether to go back to being human or to become a spirit myself, and that's what this book is all about.

Publishers Weekly

Dann's maudlin but sporadically engaging second novel (after The Memory Cathedral) treats the Civil War as a phantasmagoric experience and takes the form of a "therapeutical" memoir set down (in 1864!) by 13-year-old Virginian Edmund McDowell. After seeing his mother raped, both his parents murdered and his home burned by Yankee marauders on March 23, 1862, the boy retreats into speechlessness and a cloak of imagined invisibility, wandering for 75 days in a mute post-traumatic stupor through the battles ranging around Winchester, Va. The account is burdened by the repetitive, ill-defined symbolism of a "spirit dog," the ghost of a slave named "Jimmadasin" and an enigmatic icon known as "baby Jesus." Innuendoesthat the famously rigid, religious Gen. Stonewall Jackson tipples on the side, and that McDowell's hero, Col. Ashby, is a pedophilelend the tale neither depth nor verisimilitude. Delirious variously from fear, dysentery, ague and a primitive smallpox vaccination, the protagonist is raped by a Yankee malingerer and given his heterosexual initiation (and a dose of the clap) by a worldly teenager who consorts with runaway slaves and deserters. After witnessing oral sex between a mapmaker and his wife, he eventually is taken to the bed of his hero, Col. Ashby. No number of rapes and pillagings can bring this tedious, ahistorical novel to life. (July)

About the Author, Jack Dann

Jack Dann is the author of several novels, including The Memory Cathedral and The Man Who Melted. He lives in New York and Australia and is at work on a new novel.

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Editorials

Publishers Weekly - Publisher's Weekly

Dann's maudlin but sporadically engaging second novel (after The Memory Cathedral) treats the Civil War as a phantasmagoric experience and takes the form of a "therapeutical" memoir set down (in 1864!) by 13-year-old Virginian Edmund McDowell. After seeing his mother raped, both his parents murdered and his home burned by Yankee marauders on March 23, 1862, the boy retreats into speechlessness and a cloak of imagined invisibility, wandering for 75 days in a mute post-traumatic stupor through the battles ranging around Winchester, Va. The account is burdened by the repetitive, ill-defined symbolism of a "spirit dog," the ghost of a slave named "Jimmadasin" and an enigmatic icon known as "baby Jesus." Innuendoesthat the famously rigid, religious Gen. Stonewall Jackson tipples on the side, and that McDowell's hero, Col. Ashby, is a pedophilelend the tale neither depth nor verisimilitude. Delirious variously from fear, dysentery, ague and a primitive smallpox vaccination, the protagonist is raped by a Yankee malingerer and given his heterosexual initiation (and a dose of the clap) by a worldly teenager who consorts with runaway slaves and deserters. After witnessing oral sex between a mapmaker and his wife, he eventually is taken to the bed of his hero, Col. Ashby. No number of rapes and pillagings can bring this tedious, ahistorical novel to life. (July)

VOYA - Beth Karpas

Imagine Mathew Brady's battlefield photographs turned into words: these are the images found in Dann's text. The autobiography of Mundy, a young Confederate teenager, begins with Mundy witnessing his mother's rape and murder and hearing his father's screams as his father burns with their home. Not one to slouch from the brutalities of 1862, Dann sends a now mute Mundy into a Confederate hospital camp where he is sodomized by a soldier whom he then kills. The remainder of the novel shows Mundy wandering the South, occasionally joining various segments of the Confederate Army, running from "bluebellies," deserters, runaway slaves, and spirit dogs, never quite knowing whether he is a spirit or a person himself. This is a fascinating novel, full of disquieting descriptions and memories of a youth lost in the Civil War. Dann's afterword explains that Mundy is partially based on roving bands of orphans who crossed the South at the time, but the youth's troubles and confusions could be attributed to a boy of any time who witnessed and experienced similar abuse. This is a very serious, mesmerizing book, recommended in small doses for readers of adult public library collections and for mature YA readers. VOYA Codes: 5Q 2P S A/YA (Hard to imagine it being better written, For the YA reader with a special interest in the subject, Senior High-defined as grades 10 to 12 and adults).

Library Journal

"It was around the time I saw the spirit dog and became invisible that I forgot how to talk.Getting to be a spirit meant you had to lose things." This fine novel tells the horrific tale of a boy unable to escape from a hell he didn't make and can't begin to understand. Mundy McDowell, not even 13, watches in silence as Yankee deserters kill his father, rape and murder his mother, and set fire to their home. He is struck dumb, his thoughts filled with recurrent "visions" of sex, death, and mutilation. The line between reality and fantasy is tenuous in his thoughts, made more so by constant hunger and illness. Mundy traverses a nightmare landscape, engaged on a demon quest, seeking an inner peace that no longer can be found. From the author of The Memory Cathedral (LJ 10/15/95), this is narrative storytelling at its best -- so highly charged emotionally as to constitute a kind of poetry from hell.

Library Journal

"It was around the time I saw the spirit dog and became invisible that I forgot how to talk.Getting to be a spirit meant you had to lose things." This fine novel tells the horrific tale of a boy unable to escape from a hell he didn't make and can't begin to understand. Mundy McDowell, not even 13, watches in silence as Yankee deserters kill his father, rape and murder his mother, and set fire to their home. He is struck dumb, his thoughts filled with recurrent "visions" of sex, death, and mutilation. The line between reality and fantasy is tenuous in his thoughts, made more so by constant hunger and illness. Mundy traverses a nightmare landscape, engaged on a demon quest, seeking an inner peace that no longer can be found. From the author of The Memory Cathedral (LJ 10/15/95), this is narrative storytelling at its best -- so highly charged emotionally as to constitute a kind of poetry from hell.

Kirkus Reviews

A ferocious portrait of the Civil Warþs human toll. Dann (The Memory Cathedral, 1995, etc.) isn't much concerned here with causes or outcomes. His gruesome chronicle of the suffering of 14-year-old Edmund McDowell, caught up in the efforts of þStonewallþ Jackson to defeat a Federal Army in 1862, is clearly intended to remind us that the Civil War was as brutal as any other war. Mundy disobeys his minister father and goes in search of a skirmish, hoping to watch his hero Stonewall chase the Yankees out of his valley. Instead he stumbles into the midst of a rout, finds the body of a longtime acquaintance who had been searching for him, and arrives home in time to see Union deserters shoot his father and rape and murder his mother. Sick and disoriented, Mundy wanders in and out of the battle lines. Made a prisoner, heþs compelled for a time to work in a Union field hospital, witnessing almost unimaginable horrors. Escaping, he falls in briefly with a band of renegade slaves, and after leaving them becomes the companion of a deranged Confederate cavalryman. Despite Mundy's efforts to escape both his memories and the ever-widening war zone, he inevitably finds himself back in the middle of the slaughter. There is no doubt that Dann captures, in a way few other novelists have, the sheer bloody chaos of battle in the Civil War. Scenes of carnage and madnessþwith Mundy ravaged by fever, prone to hallucinations, or convulsed by griefþlinger in the mind. But the conceit of writing the book as Mundy's memoirs doesn't work; it isn't likely that any 19th-century teenager would have said all the things Mundy does here. And the narrative is finally too long, toorepetitive, as if the author didnþt trust the reader to grasp how awful war is. Still, Dann's anger, and his portrait of combat's sheer horrors, make for a vividþand disturbingþread.

Book Details

Published
August 1, 1999
Publisher
Random House Publishing Group
Pages
304
Format
Paperback
ISBN
9780553380385

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