Overview
Edmund "Mundy" McDowell is barely fourteen when the Civil War invades the Shenandoah Valley. He watches in shocked horror as a gang of Union and Confederate deserters loot and burn his home and then brutally murder his parents. From that moment he wanders silent and seemingly invisible through a valley of death. He is guided by a mysterious black dog that has eyes of fire and may or may not be real. And he is haunted by the memories and voices of those who've died. On his nightmarish journey, young Mundy will cross a hellish landscape scarred by makeshift hospitals, endless fields of the dead and dying, and the anarchic terror and joy of battle. He will encounter runaway slaves, mystic madmen, suicidal cavalry officers, cold-blooded murderers, enigmatic prostitutes, and nobly misguided heroes, all displaced by the apocalyptic conflagration. And in the end Mundy must decide whether to go back to the world of the living--or remain an invisible silent spirit.Synopsis
From the critically acclaimed author of The Memory Cathedral comes perhaps the most powerful, haunting, and unforgettable novel of the Civil Waror any warever written. Provocative, poetic, and disturbing, it introduces us to a young narrator, Mundy McDowell, whose voice rivals any in literature, bringing poignantly to life the surreal horrors of battle and its spiritual cost to human survival.
I was scarce twelve the day the damn Yankees invaded the valley. I seen a lot that day I ain't never gonna forget.
Men blown apart, screamin' and dyin' all around me. I was wandering in the woods like I wasn't supposed to and wound up right in the middle of the battle. And that's what I suppose saved me.
When I got back home the main house was burning to the ground. I saw two men wearin' bits and pieces of 'Federate and Yank uniforms. They killed Poppa right off, and Mother they dragged into the front yard before they killed her too. I reckon that was the day I first got the knack of being invisible.
The spirit dog seen me right off, though. He was big and black and smelled like burning. His eyes were like red coals and everywhere he went, it seemed death followed. Him and me, we mostly traveled together after that.
I passed through midnight fields of dead and dying soldiers, reeking makeshift field hospitals worse than hell itself; climbed into the mountains where the runaway slaves hid; and walked through towns shattered by the passage of the war.
I met a lot of people, some of them living and some of them just memories. There was Jimmadasin, the slave who died on my account, and Mammy Jack, who taught me to see visions; the gallant Colonel Ashby, who let me ride by his side, and, of course, the mulatto whore Lucy, who saved my life twice.
Last but not least, there was mad but brilliant General Jackson, who was probably responsible for putting more men in their graves than any other during the Shenandoah campaign. Whether he was a hero or a demon I never did determine, but I wish I had never met him at all.
And through it all I remained silent. The power of speech left me the day my parents were killed and I first saw the spirit dog. You see, the whole time I was wandering through that valley of death I was deciding on whether to go back to being human or to become a spirit myself, and that's what this book is all about.
Publishers Weekly
Dann's maudlin but sporadically engaging second novel (after The Memory Cathedral) treats the Civil War as a phantasmagoric experience and takes the form of a "therapeutical" memoir set down (in 1864!) by 13-year-old Virginian Edmund McDowell. After seeing his mother raped, both his parents murdered and his home burned by Yankee marauders on March 23, 1862, the boy retreats into speechlessness and a cloak of imagined invisibility, wandering for 75 days in a mute post-traumatic stupor through the battles ranging around Winchester, Va. The account is burdened by the repetitive, ill-defined symbolism of a "spirit dog," the ghost of a slave named "Jimmadasin" and an enigmatic icon known as "baby Jesus." Innuendoesthat the famously rigid, religious Gen. Stonewall Jackson tipples on the side, and that McDowell's hero, Col. Ashby, is a pedophilelend the tale neither depth nor verisimilitude. Delirious variously from fear, dysentery, ague and a primitive smallpox vaccination, the protagonist is raped by a Yankee malingerer and given his heterosexual initiation (and a dose of the clap) by a worldly teenager who consorts with runaway slaves and deserters. After witnessing oral sex between a mapmaker and his wife, he eventually is taken to the bed of his hero, Col. Ashby. No number of rapes and pillagings can bring this tedious, ahistorical novel to life. (July)