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The Stone That the Builder Refused by Madison Smartt Bell — book cover

The Stone That the Builder Refused

by Madison Smartt Bell
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Overview

The Stone that the Builder Refused is the final volume of Madison Smartt Bell’s masterful trilogy about the Haitian Revolution–the first successful slave revolution in history–which begins with All Souls' Rising (a finalist for the National Book Award and the PEN/Faulkner Award) and continues with Master of the Crossroads.  Each of these three novels can be read independently of the two others; of the trilogy, The Baltimore Sun has said, “[It] will make an indelible mark on literary history–one worthy of occupying the same shelf as Tolstoy’s War and Peace.”

Synopsis

Following the widely acclaimed All Souls’ Rising and Master of the Crossroads, Madison Smartt Bell gives us the climactic final chapter in the life of Toussaint Louverture, the legendary leader of the only successful slave revolution in history.

In 1791, what would become known as the Haitian Revolution began as a rebellion of African slaves against their white masters in the French colony of Saint Domingue. By 1793 Toussaint had emerged as the leader of the revolt, proving himself to be as adept at politics as he was on the battlefield. By 1801 he had succeeded in stabilizing the war-ravaged territory and invited exiled white planters, whose expertise was needed, to return and reclaim their properties. The foundation of a society based on liberty, genuine equality, and brotherhood among whites, blacks, and mulattos seemed in place. But the proclamation of a new constitution that abolished slavery and appointed Toussaint governor for life incited Napoleon to dispatch troops in order to reestablish control over the island.

The Stone That the Builder Refused spans the final phase of Toussaint’s career and paints an astonish-ingly detailed and riveting portrait of a new society breaking forth from the chrysalis of a revolution, of the vision that impelled Toussaint to create a society based on principle and idealism, and of the dreadful compromises he was forced to make in order to
preserve it.

A masterly weave of the factual and the imagined, this grand culmination of Bell’s landmark Toussaint Louverture trilogy stands alone as a towering achievement of historical fiction.

The New York Times - Michael Pye

The scale alone is extraordinary. But any fool can write 2,000 pages; that just takes time. What is truly impressive is the energy and concentration, right to the very end. Almost every moment is full, like some great narrative painting, alive with the detail that puts you on the road or in the house where some murder or meeting is about to happen. And almost every moment is imagined thoroughly … As fiction, these books do what novels are meant to do: they propose their own vivid and inexorable history.

About the Author, Madison Smartt Bell

Whether he's writing about the Haitian Revolution or a white Tae Kwon Do teacher in the Baltimore ghetto, Madison Smartt Bell can be extraordinarily flexible while maintaining his simple but poetic way with language. As the New York Times Book Review once put it, "[Bell] has an uncanny understanding of the way many people must struggle to live."

Reviews

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Editorials

Michael Anft

… Bell compels our interest by straightforwardly examining the spirit of freedom embodied by Toussaint and the blacks and whites who entertained his notion of it. Without the use of literary gimmicks -- he doesn't rely on magical realism or lyrical pyrotechnics wrought from the island's fascination with spirits and fate -- the author artfully takes us to the end of a fascinating journey. Summing it all up, Riau says, "There is more of what we don't see than what we do." But for most of a decade, Bell has dared to show us as much as he can, in often astonishing and brutal detail. It's hard to imagine that anyone could have chronicled Haiti and the travails of Toussaint with an eye more unblinking or with a hand so steady.
— The Washington Post

Michael Pye

The scale alone is extraordinary. But any fool can write 2,000 pages; that just takes time. What is truly impressive is the energy and concentration, right to the very end. Almost every moment is full, like some great narrative painting, alive with the detail that puts you on the road or in the house where some murder or meeting is about to happen. And almost every moment is imagined thoroughly … As fiction, these books do what novels are meant to do: they propose their own vivid and inexorable history.
— The New York Times

Publishers Weekly

Readers unfamiliar with the previous books in Bell's Haitian rebellion trilogy might feel like latecomers to an intense, raucous party in the first hundred pages of this final installment. Multiple characters and backstories form a somewhat opaque context for the events of 1802, when a French army commanded by Napoleon's brother-in-law, Leclerc, landed in Haiti (then called Saint Domingue) in an attempt to overthrow Toussaint's government and gradually restore slavery. The book moves from the burning of the town of Cap Francais-ordered by one of Toussaint's generals, Christophe, in response to Leclerc's demand to submit-to the war in the Haitian countryside, ending with Toussaint's unexpected surrender and his betrayal by Leclerc and Touissant's black generals Dessalines, Christophe and Maurepas. With a panoramic vision of battle reminiscent of Shelby Foote, Bell recreates the devastating counterstrokes the black generals devised against the French at Ravine a Couleuvre and La Crete a Pierrot. Through it all, he retains as a narrative anchor Doctor Hebert, who operates in both the worlds of the blanc and the neg. Bell intercuts scenes of the war in Haiti with Toussaint's terrible last days in a French jail in the Jura Mountains. This lends an air of unbearable pathos to this tangled, tragic history. In exploring the line between atrocity and liberation, Bell's novel is unexpectedly and powerfully relevant to our times. Agent, Jane Gelfman. (Nov.) Copyright 2004 Reed Business Information.

Library Journal

This massive book succeeds All Souls Rising and Master of the Crossroads to conclude Bell's Toussaint Louverture trilogy. Toussaint, of course, was the Haitian ideolog and general who led history's only successful slave rebellion. The third installment centers on Toussaint's last two years, in which Haiti's war-ravaged economy begins to rebound and a constitution is drafted and sent to France for ratification, only to raise Napoleon's ire. France then reinvaded Haiti, which led to Toussaint's capture and death in prison in 1803. Ultimately, Haitian independence did prevail, though the path was not always smooth. As in the earlier two acclaimed novels, Bell crafts his characters and prose artfully, and the reader is immersed in the book's times and setting. Could anyone else write both smart Baltimore "street" books and sweeping historical fiction ("faction") this well? Obviously, buy this if you have the others; if you don't, strongly consider purchasing the entire trilogy. [See Prepub Alert, LJ 7/04.]-Robert E. Brown, Minoa Lib., NY Copyright 2004 Reed Business Information.

Kirkus Reviews

Bell's heroically ambitious trilogy comes to a close as he delves into the concluding months of the Haitian Revolution, begun in 1791, and the final days of that island country's black liberator, Toussaint Louverture. As he did in its critically praised predecessors (All Souls' Rising, 1995; Master of the Crossroads, 2000), Bell constructs his bulky narrative as a series of juxtapositions: military maneuverings and battlefield confrontations as experienced by Toussaint's freed black soldiers on the one hand, and, on the other, troops led by France's Generals Le Clerc and Rochambeau, entrusted with reestablishing slavery (despite Bonaparte's contrary promises) and ordered to capture Louverture. Soldiers' ordeals are both contrasted with, and related to, the lives of white plantation owners and their families, and omniscient narration is frequently interrupted by the voice of former slave (now Toussaint's trusted lieutenant) Riau, one of the trilogy's most complex and interesting characters. Others include stoical French doctor Antoine Hebert, long sympathetic to the former slaves' plight; his beautiful, oversexed sister Esther Tocquet and her bosom friend Isabelle Cigny (whose privileged lives become increasingly endangered); planter Michel Arnaud and his imperious wife Claudine, whose horrific crime against a slave woman will not go unpunished; and Toussaint's sons Placide and Isaac, first seen aboard a ship en route to Sainte Domingue to join their father, where only one will declare himself Toussaint's ally. The story's dimensions are further multiplied by flash-forwards to Toussaint's imprisonment at Fort de Joux in the French Alps, where he ponders his great mission's successes andfailures, as he awaits the arrival of "Baron Samedi," the Haitian avatar of death. At the very least, Bell's willed masterpiece is a brilliant synthesis of historical fact and a consistently absorbing story. Readers who persevere through the trilogy's almost 2,000 pages will be amply rewarded. This rich work-in all its (very real) glories, despite its (inevitable) longueurs-is the logical culmination of an obsession with racial issues that has consistently dominated Bell's fiction. As such, it merits the utmost attention and respect. Agent: Jane Gelfman/Gelfman Schneider Literary Agents

Book Details

Published
February 1, 2006
Publisher
Knopf Doubleday Publishing Group
Pages
768
Format
Paperback
ISBN
9781400076185

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