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The Three Impostors by Arthur Machen — book cover
Fiction, Fiction Subjects

The Three Impostors

by Arthur Machen
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Overview

In a novel that is at once richly terrifying and delightfully funny, a bustling suburb appears normal and cheerful — but nothing is really as it seems. For in this world of impostors, conspiracies combine with dark forces, and one astonishing event follows another, veiling a once-ordinary community in a cloud of mystery.

Synopsis

A bustling suburb appears normal and cheerful, but nothing is really as it seems. For in this world of impostors, conspiracies combine with dark forces to veil a once-ordinary community in a cloud of mystery.

About the Author, Arthur Machen

Arthur Machen (3 March 1863 – 15 December 1947) was a Welsh author and mystic of the 1890s and early 20th century. He is best known for his influential supernatural, fantasy, and horror fiction. His novella The Great God Pan (1890; 1894) has garnered a reputation as a classic of horror. (Stephen King called it "Maybe the best [horror story] in the English language".) He also is well known for his leading role in creating the legend of the Angels of Mons.
Machen was born Arthur Llewelyn Jones, in Caerleon, Monmouthshire, though he usually referred to the county by its Welsh name Gwent. The beautiful landscape of Monmouthshire, with its associations of Celtic, Roman, and medieval history, made a powerful impression on him, and his love of it is at the heart of many of his works.
At the age of eleven, Machen boarded at Hereford Cathedral School, where he received an excellent classical education. Family poverty ruled out attendance at university, and Machen was sent to London, where he sat exams to attend medical school but failed to get in. Machen, however, showed literary promise, publishing in 1881 a long poem "Eleusinia" on the subject of the Eleusinian Mysteries. Returning to London, he lived in relative poverty, attempting to work as a journalist, as a publisher's clerk, and as a children's tutor while writing in the evening and going on long rambling walks across London.
In 1884, he published his second work, the pastiche The Anatomy of Tobacco, and secured work with the publisher and bookseller George Redway as a cataloguer and magazine editor. This led to further work as a translator from French, translating the Heptameron of Marguerite de Navarre, Le Moyen de Parvenir (Fantastic Tales) of Béroalde de Verville, and the Memoirs of Casanova. Machen's translations in a spirited English style became standard ones for many years.
In 1887, Machen married Amy Hogg, an unconventional music teacher with a passion for the theatre, who had literary friends in London's bohemian circles. Hogg had introduced Machen to the writer and occultist A. E. Waite, who was to become one of Machen's closest friends. Machen also made the acquaintance of other literary figures, such as M. P. Shiel and Edgar Jepson. Soon after his marriage, Machen began to receive a series of legacies from Scottish relatives that allowed him to gradually devote more time to writing.

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Book Details

Published
October 1, 2007
Publisher
Dover Publications
Pages
160
Format
Paperback
ISBN
9780486460529

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