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This Is the World by W. S. Penn β€” book cover
Short Story Collections (Single Author), Native American Literature

This Is the World

by W. S. Penn
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Overview

In this first collection of short fiction, renowned American Indian writer W. S. Penn reveals a writing life that has been both difficult and fortunate. Penn has moved away from conventional narrative methods, through what his own oral tradition encompasses, to arrive at telling stories as they must be told as opposed to the ways they might be told. In This Is The World, Penn moves through spaces, encounters characters, and confronts humanity with a sage's omnipotence, yet at the same time with an unassuming voice, devoid of pretentiousness. His words are unflinching, but also unselfconscious. Although sometimes sad, This Is The World describes the tensions and problems that arise between the subtle clashes of culture and gender with a good deal of humor, both background and foreground, which makes this collection essential to those who love the craft of storytelling itself.

About the Author, W. S. Penn

William S. Penn received a 2003 Distinguished Faculty Award from Michigan State University. Bill is the editor of As We Are Now: Mixblood Essays on Race and Identity and The Telling of the World: Native American Stories and Art. He has been the recipient of a New York Foundation for the Arts award; the North American Indian Prose Award; the Stephen Crane Prize for Fiction; a Michigan Arts Council award; and Writer of the Year (1997) and Editor of the Year (1998), both from the Wordcraft Circle of Native Writers and Storytellers. His book The Telling of the World: Native American Stories and Art was named to the list of Best University Press Books of 2000. and he received the American Book Award for Literary Merit for Killing Time With Strangers.

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Editorials

Publishers Weekly - Publisher's Weekly

Of the 14 entries in Penn's first collection, the greater sophistication of the last seven stories overshadows the first six narratives. All deal with alienation and displacement in the pervading culture. "Toothpaste" is typical of the first group. It's narrated by a woman who meets a Native American at an arty party in New York. The man's candor makes the other partygoers seem shallow and insecure, but the story's equation of ethnicity and authenticity is itself shallow. The narrator of the most effective tale, "Tarantula," is a postal worker in Sacramento who reads a postcard written by a man named C. An artist who is contemptuous of the dishonesty and timidity of his colleagues, C. uses a striking image to express his feeling for them. During his boyhood, as he was climbing a tree, a tarantula crawled onto his arm, and he had to remain absolutely still until the spider moved off his body. "It's that silence I paint out of now," he says. Feeling a kinship to C., the narrator steals C.'s correspondence, counterfeiting letters in its place, acts that eventually land him in jail. This story and the following ones radiate a resigned understanding for "all the women and men gridlocked into this world of surprise and pain and broken laws." Penn (All My Sins Are Relatives) writes in an unadorned style that achieves remarkable power when his fictions reach their restrained but often haunting denouements. (Nov.) Copyright 2000 Cahners Business Information.

Book Details

Published
January 31, 2001
Publisher
Michigan State University Press
Pages
212
Format
Paperback
ISBN
9780870135613

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