Log in to track your reading progress.
Overview
In Act One, a young lawyer, "C," has been sent to the home of a client, a ninety-two-year-old woman, "A," to sort out her finances. "A," frail, perhaps a bit senile, resists and is of no help to "C." Along with "B," the old woman's matronly paid companion/caretaker, "C" tries to convince "A" that she must concentrate on the matters at hand. In "A's" beautifully appointed bedroom, she prods, discusses and bickers with "B" and "C," her captives. "A's" long life is laid out for display, no holds barred. She cascades from regal and charming to vicious and wretched as she wonders about and remembers her life: her husband and their cold, passionless marriage; her son and their estrangement. How did she become this? Who is she? Finally, when recounting her most painful memory, she suffers a stroke. In Act Two, "A's" comatose body lies in bed as "B" and "C" observe no changes in her condition. In a startling coup-de-theatre, "A" enters, very much alive and quite lucid. The three women are now the stages of "A's" life: the imperious old woman, the regal matron and the young woman of twenty-six. Her life, memories and reminiscences—pondered in the first act—are now unceremoniously examined, questioned, accepted or not, but, at last, understood. In the end, her son arrives and kneels at her bedside, but it is too late.Winner of the 1994 Pulitzer Prize for best play, as well as a number of other prestigious awards, Three Tall Woman has been called Albee's finest achievement. In his triumphant return to the New York and London stages, Albee demonstrates insight and vision with a moving look at mortality. "Stunning . . . nuanced and breathtaking."--Time.
Editorials
New Yorker
Beautiful and enduring. THREE TALL WOMEN has earned Albee his third, and most deserved, Pulitzer Prize.Wall Street Journal
A Dazzler...Worthy of mention in the same breath as and THREE TALL WOMEN blazes as bright as a midsummer day. Electrifying and heartrending, each of Albee's women is memorable...NY Times
One of America's finest playwrights. Edward Albee offers a new play so good it can only exist on the stage. A perfect illustration of why theater is an indispensable art.NY Post
An extraordinarily brilliant new play. THREE TALL WOMEN is the best, most forceful play [Albee] has given us...To be truthful about death is admirable, but to be elegant at the same time is almost Mozartian.Publishers Weekly -
Albee's drama of an old woman coming to grips with her life and approaching death earned him his third Pulitzer. (Sept.)Jack Helbig
Albee's best plays have always walked a line between heightened realism and dark comedy. Even his most surreal works are populated with characters who wouldn't seem out of place in real life. His 1994 Pulitzer Prize winner runs true to form. It begins as a naturalistic conversation among three women (identified as A, B, and C) from successive generations who meet in a hospital room. Each is undergoing a change from one life phase to another, and each faces her travails and disappointments with lots of Albee's trademark bitter wit. In the second act, however, the three women become representatives of the same person at different ages (26, 52, late 80s), and their bickering talk becomes a touching internal colloquy about life, love, and the inevitability of loss. Not since Beckett's brooding meditation "Krapp's Last Tape" has a playwright dealt so movingly with the subject of disappointment, aging, and death.Book Details
Published
June 12, 1995
Publisher
New York : Dutton, [1995], c1994.
Pages
128
Format
Hardcover
ISBN
9780525939603