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To the Lighthouse

by Virginia Woolf, Eudora Welty
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Overview

“Radiant as [To the Lighthouse] is in its beauty, there could never be a mistake about it: here is a novel to the last degree severe and uncompromising. I think that beyond being about the very nature of reality, it is itself a vision of reality.”—Eudora Welty, from the Introduction

The serene and maternal Mrs. Ramsay, the tragic yet absurd Mr. Ramsay, and their children and assorted guests are on holiday on the Isle of Skye. From the seemingly trivial postponement of a visit to a nearby lighthouse, Woolf constructs a remarkable, moving examination of the complex tensions and allegiances of family life and the conflict between men and women.

A landmark of modern fiction and Virginia Woolf's most popular novel, first published in 1927. To the Lighthouse explores the subjective reality of the everyday life of the Ramsay family of the British Hebrides islands. A 'feminine' book, filled with irony, sadness, and doubts about life.

Synopsis

The novel is one of Woolf's most successful and accessible experiments in the stream-of-consciousness style. The three sections of the book take place between 1910 and 1920 and revolve around various members of the Ramsay family during visits to their summer residence on the Isle of Skye in Scotland. A central motif of the novel is the conflict between the feminine and masculine principles at work in the universe.

With her emotional, poetic frame of mind, Mrs. Ramsay represents the female principle, while Mr. Ramsay, a self-centered philosopher, expresses the male principle in his rational point of view. Both are flawed by their limited perspectives. A painter and friend of the family, Lily Briscoe, is Woolf's vision of the androgynous artist who personifies the ideal blending of male and female qualities. Her successful completion of a painting that she has been working on since the beginning of the novel is symbolic of this unification. -- Merriam Webster Encyclopedia of Literature

New York Times - New York Times Book Review

Virginia Woolf stands as the chief figure of modernism in England and must be included with Joyce and Proust in the realization of experiments that have completely broken with tradition.

About the Author, Virginia Woolf

The early decades of the 20th century saw the rise of the experimental novel, and few writers had more success with their experiments than Virginia Woolf. Her innovative approach as a novelist, critic, and biographer made her an author who is even more widely read today than she was in her own time.

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Editorials

New York Times Book Review

Virginia Woolf stands as the chief figure of modernism in England and must be included with Joyce and Proust in the realization of experiments that have completely broken with tradition.
New York Times

Publishers Weekly

It's wondrous to listen to a fine reading of a long-loved novel. Leishman makes masterly use of volume, timbre and resonance to distinguish between characters and draw us into the emotional swings and vibrations of the internal musings of each. She creates not a new but a more nuanced reading, following the interwoven streams of consciousness in a British English that lends authenticity to each voice. Leishman swims smoothly through Woolf's sentences that ebb and flow with numerous parenthetical thoughts and fresh images. These passages are interspersed with quick, sharp, simple sentences that gain strength in contrast. Leishman also draws our attention to Woolf's poetic prose: her rhythms and images, her use of hard consonants in monosyllabic words in counterpoint to long, soft, dreamy words and phrases. To The Lighthouse plays back and forth between telescopic and microscopic views of nature and human nature. Mrs. Ramsey is both trapped in and pleased in her roles as wife, mother and hostess. The introspective Mr. Ramsey is consumed with his legacy of long-since-published abstract philosophy. This is a book that cannot be read-or heard-too often. (Jan.) Copyright 2006 Reed Business Information.

New York Times Book Review

Virginia Woolf stands as the chief figure of modernism in England and must be included with Joyce and Proust in the realization of experiments that have completely broken with tradition. -- The New York Times

Book Details

Published
December 1, 1989
Publisher
Houghton Mifflin Harcourt
Pages
224
Format
Paperback
ISBN
9780156907392

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