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Detective Fiction, Other Science Fiction Categories, Crimes - Fiction, Women Detectives - Fiction, Police Stories
Treachery in Death by J. D. Robb — book cover

Treachery in Death

by J. D. Robb
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Overview

In the latest in the New York Times bestselling series, Eve Dallas tracks down those who break the law-including the ones sworn to uphold it.

About the Author, J. D. Robb

J.D. Robb is the pseudonym for a number one New York Times bestselling author of more than 190 novels, including the futuristic suspense In Death series. There are more than 400 million copies of her books in print.

Biography

Not only has Nora Roberts written more bestsellers than anyone else in the world (according to Publishers Weekly), she’s also created a hybrid genre of her own: the futuristic detective romance. And that’s on top of mastering every subgenre in the romance pie: the family saga, the historical, the suspense novel. But this most prolific and versatile of authors might never have tapped into her native talent if it hadn't been for one fateful snowstorm.

As her fans well know, in 1979 a blizzard trapped Roberts at home for a week with two bored little kids and a dwindling supply of chocolate. To maintain her sanity, Roberts started scribbling a story -- a romance novel like the Harlequin paperbacks she'd recently begun reading. The resulting manuscript was rejected by Harlequin, but that didn't matter to Roberts. She was hooked on writing. Several rejected manuscripts later, her first book was accepted for publication by Silhouette.

For several years, Roberts wrote category romances for Silhouette -- short books written to the publisher's specifications for length, subject matter and style, and marketed as part of a series of similar books. Roberts has said she never found the form restrictive. "If you write in category, you write knowing there's a framework, there are reader expectations," she explained. "If this doesn't suit you, you shouldn't write it. I don't believe for one moment you can write well what you wouldn't read for pleasure."

Roberts never violated the reader's expectations, but she did show a gift for bringing something fresh to the romance formula. Her first book, Irish Thoroughbred (1981), had as its heroine a strong-willed horse groom, in contrast to the fluttering young nurses and secretaries who populated most romances at the time. But Roberts's books didn't make significant waves until 1985, when she published Playing the Odds, which introduced the MacGregor clan. It was the first bestseller of many.

Roberts soon made a name for herself as a writer of spellbinding multigenerational sagas, creating families like the Scottish MacGregors, the Irish Donovans and the Ukrainian Stanislaskis. She also began working on romantic suspense novels, in which the love story unfolds beneath a looming threat of violence or disaster. She grew so prolific that she outstripped her publishers' ability to print and market Nora Roberts books, so she created an alter ego, J.D. Robb. Under the pseudonym, she began writing romantic detective novels set in the future. By then, millions of readers had discovered what Publishers Weekly called her "immeasurable diversity and talent."

Although the style and substance of her books has grown, Roberts remains loyal to the genre that launched her career. As she says, "The romance novel at its core celebrates that rush of emotions you have when you are falling in love, and it's a lovely thing to relive those feelings through a book."

Good To Know

Roberts still lives in the same Maryland house she occupied when she first started writing -- though her carpenter husband has built on some additions. She and her husband also own Turn the Page Bookstore Café in Boonsboro, Maryland. When Roberts isn't busy writing, she likes to drop by the store, which specializes in Civil War titles as well as autographed copies of her own books.

Roberts sued fellow writer Janet Dailey in 1997, accusing her of plagiarizing numerous passages of her work over a period of years. Dailey paid a settlement and publicly apologized, blaming stress and a psychological disorder for her misconduct.

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Editorials

From Barnes & Noble

Catching criminals is difficult enough; convicting them when they're cops sometimes seems nearly impossible. After Detective Eve Dallas's young partner Peabody overhears a deeply incriminating locker room argument between two corrupt officers, she knows that she can't just shower and forget it. Convinced that the pair aren't just crooked, they're murderers, she takes her problem to the street-wise Dallas who, with the timely help of her husband Roarke, gets on this case of policemen traipsing over the thin blue line. Another stand-up installment of J.D. Robb's resilient futuristic New York crime series.

Publishers Weekly

Lt. Eve Dallas and her squad take on corrupt cops in Robb's 33rd full-length novel featuring the New York Police and Security Dept. homicide detective (after Indulgence in Death), a fast-paced, intricate, and deadly dance of well-matched opponents. When Dallas's partner, Det. Delia Peabody, overhears an angry exchange between Lt. Rene Oberman and Det. William Garnet that reveals an unlawful killing and ongoing skimming, Dallas's reaction to this news is decisive: "the blue line breaks for wrong cops." The setting may be slightly futuristic, but the procedures are familiar: Dallas puts together a solid team that meets in her home to avoid leaks as they compile evidence. At the same time, she initiates confrontations with the dangerous Oberman, whom she begins pushing toward a trap. From this pure good guys versus bad guys scenario, Robb (aka Nora Roberts) wrings plenty of exciting strokes and counterstrokes before reaching the satisfying climax. (Feb.)

Library Journal

In this latest series entry (after Indulgence in Death), Lt. Eve Dallas and her partner, Peabody, investigate a case of crooked cops. Peabody has just wrapped up her first case as lead detective—an elderly store owner murdered by a trio of junkies—when she decides to end the day in the precinct's gym. Alone in the locker room's shower stall and without access to her weapon, she overhears two cops in a heated argument. It's very clear that they are both involved in a long-running scheme of corruption and murder. Even more shocking is the identity of one of the cops; Lt. Renee Oberman is the only daughter of a highly respected former police commander. Now Dallas and Peabody, along with Dallas's husband, Roarke, and internal affairs man Webster, must find a way to bring a ring of dirty cops to justice. VERDICT It's always fun when Dallas manipulates her enemies and watches them slowly unravel. Fast-paced and humorous, with just the right amount of romance, this is sure to please fans of this highly addictive series. [See Prepub Alert, LJ 9/1/10.]—Makiia Lucier, Moscow, ID

Kirkus Reviews

Could real-life high-tech be catching up with Robb's future-crime scenarios? There's barely a single development in 2060 transportation, communications or research in this tale of dirty New York cops.

After cracking her first case as lead investigator, Det. Delia Peabody overhears a locker-room conversation that spells big trouble. It isn't just that Lt. Renee Oberman and Det. William Garnet are on the take; Oberman, whose saintly retired father, Commander Marcus Oberman, gives her a powerful shield against accusations, has organized her whole Illegal Substances unit as a power base and cash cow. Peabody reports this intelligence to her training partner, Lt. Eve Dallas (Indulgence in Death,2010, etc.), who brings it in turn to her boss, Commander Jack Whitney, who vows a full-court press against Illegals. For such a powerfully corrupt unit, though, Illegals turns out to be remarkably toothless. Every attempt Eve makes to unearth new information bears fruit, and every move she makes weakens Illegals further. Oberman doesn't protect his daughter, who never suspects Peabody, and whose minions fail to kill a key witness. There's conflict aplenty, but no obstacles, no setbacks, no complications—nary a doubt what's going to happen next, or ever. The deepest pleasure to be had from this tale of justice triumphant is the repeated, satisfying smirks that will cross your face every time the self-righteous heroine baits the villain.

The futuristic technology isn't the only thing that's stalled in this 32nd installment of Robb's venerable series.

Book Details

Published
July 26, 2011
Publisher
Penguin Group (USA) Incorporated
Pages
384
Format
Paperback
ISBN
9780425242612

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