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Overview
"When Darwin called his second book The Descent of Man instead of The Ascent of Man he was thinking of his progeny."
So declares Darwin's great-great grandson Matthew Chapman as he leaves behind his stressful career as a Hollywood screenwriter and travels to Dayton, Tennessee where in 1925 creationist opposition to the teaching of evolution in schools was played out in a famous legal drama, the Scopes Monkey Trial.
The purpose of this journey is to see if opinions have changed in the seventy- five intervening years. A defiant atheist, Chapman is confronted not only by the fundamentalist beliefs that continue to banish the theory of evolution but by his own spiritual malaise as the outward journey becomes an inward quest, a tragicomic "accidental memoir".
"First there was Charles Darwin, two yards long and nobody's fool. Then there was his son, my great-grandfather, Sir Francis Darwin, an eminent botanist. Then came my grandmother Frances, a modest poet who spent a considerable amount of time in rest-homes for depression From her issued my beloved mother, Clare, who was extremely short, failed to complete medical school, and eventually became an alcoholic. Then we get down to me. I'm in the movie business."
Trials of the Monkey combines travel writing and reportage, as Chapman records his encounters in the South, with history and the accidental memoir of a man full of mid-life doubts in a genre-breaking first book that is darkly funny, provocative and poignant.
Synopsis
"When Darwin called his second book The Descent of Man instead of The Ascent of Man he was thinking of his progeny."
So declares Darwin's great-great grandson Matthew Chapman as he leaves behind his stressful career as a Hollywood screenwriter and travels to Dayton, Tennessee, where in 1925 creationist opposition to the teaching of evolution in schools was played out in a famous legal drama, the so-called Scopes Monkey Trial.
The purpose of this journey is to see if opinions have changed in the seventy-five intervening years. A defiant atheist, Chapman records his encounters in the South, where he is confronted not only by the fundamentalists still trying to banish the theory of evolution but also, ironically, by his own spiritual malaise. The outward journey becomes an inward quest, a tragicomic accidental memoir.
"First there was Charles Darwin, two yards long and nobody's fool. Then there was his son, my great-grandfather, Sir Francis Darwin, an eminent botanist. Then came my grandmother Frances, a modest poet who spent a considerable amount of time in rest-homes for depression. From her issued my beloved mother, Clare, who was extremely short, failed to complete medical school, and eventually became an alcoholic. Then we get down to me. I'm in the movie business."
Trials of the Monkey combines travel writing and reportage with history and the accidental memoir of a man full of midlife doubts in a genre-breaking first book that is darkly funny, provocative and poignant.
About the Author:
Matthew Chapman was born in Cambridge, England and is the great-great grandson of Charles Darwin. He has written and directed five films, and lived for many years in Los Angeles. A Hollywood screenwriter he now lives in Manhattan. Trials of the Monkey is his first book.
Spectator - Tony Gould
Hugely entertaining While Chapman can be as funny and revealing as either [Bill Bryson or Paul Theroux] in the travel sections of his book, the autobiographical element plumbs greater depths.
Editorials
From Barnes & Noble
Barnes & Noble Discover Great New WritersA successful screenwriter with a lucrative income and a lifestyle to match, Matthew Chapman found himself in the middle of a midlife crisis in his late 40s. The great-great-grandson of the famed scientist Charles Darwin, Chapman decided to reclaim his integrity by writing a book. The subject matter of the book "was not an arbitrary choice" -- it was to commemorate the 75th anniversary of the Scopes "Monkey" trial, "the trial of a schoolteacher accused of teaching evolution in defiance of Tennessee law."
Chapman contracts with his publisher to travel from his home in New York to the Bible Belt of Dayton, Tennessee, the celebrated small town where the trial took place, and to observe the town's annual theatrical event: the reenactment of the trial itself. But what the author failed to take into account when he set out on this journey was that "I was on the verge of my own crisis, spiritual and otherwise." While compiling his research on the trial, Chapman reflects back on his life, and "another book, a book within a book, began to form, an accidental memoir." As Chapman's humorous narrative details the "philosophical skirmish between religion and reason," he comes to the realization that "I had fallen off the rails. Perhaps this other book would help me climb back on." And indeed, it does. (Fall 2001 Selection)
Patrick Skene Catling
A clever, provocative and very entertaining hotchpotch of confession and redneck theology, a genre all his own.— Irish Times
Spalding Gray
In his insightful, confessional and intimately human voice, Chapman reads like he's right there talking to you.Tony Gould
Hugely entertaining…While Chapman can be as funny and revealing as either [Bill Bryson or Paul Theroux] in the travel sections of his book, the autobiographical element plumbs greater depths.— Spectator
From The Critics
Matthew Chapman, a forty-seven-year-old New York screenwriter and great-great-grandson of Charles Darwin, goes to Dayton, Tennessee, to see what has changed in the seventy-five years since the Scopes Monkey Trial, in which William Jennings Bryan and Clarence Darrow debated Darwinism. Chapman meets a Harvard-trained creation scientist at Bryan College and a deputy sheriff, along with a few randomly selected townies—and concludes that not much has affected the Christian beliefs of rural Americans. What changes is Chapman's attitude. Expecting to poke fun at stereotypical rednecks, he ends up liking most of the people and making fun of himself. By incorporating trial transcripts and descriptions in his travel narrative, he creates a very amusing and informative piece of double-barreled reportage. Chapman closes the book by describing his shift from rabid atheist to humane agnostic, not an ending for a Hollywood opus but one just right for this sharp-eyed and entertaining work.—Tom LeClair