Books.org participates in affiliate programs including Bookshop.org and the Amazon Services LLC Associates Program. We may earn a commission from qualifying purchases made through links on this page, at no additional cost to you.
Overview
Though he may not speak of them, the memories still dwell inside Jacob Jankowski's ninety-something-year-old mind. Memories of himself as a young man, tossed by fate onto a rickety train that was home to the Benzini Brothers Most Spectacular Show on Earth. Memories of a world filled with freaks and clowns, with wonder and pain and anger and passion; a world with its own narrow, irrational rules, its own way of life, and its own way of death. The world of the circus: to Jacob it was both salvation and a living hell.
Jacob was there because his luck had run out—orphaned and penniless, he had no direction until he landed on this locomotive "ship of fools." It was the early part of the Great Depression, and everyone in this third-rate circus was lucky to have any job at all. Marlena, the star of the equestrian act, was there because she fell in love with the wrong man, a handsome circus boss with a wide mean streak. And Rosie the elephant was there because she was the great gray hope, the new act that was going to be the salvation of the circus; the only problem was, Rosie didn't have an act—in fact, she couldn't even follow instructions. The bond that grew among this unlikely trio was one of love and trust, and ultimately, it was their only hope for survival.
Surprising, poignant, and funny, Water for Elephants is that rare novel with a story so engrossing, one is reluctant to put it down; with characters so engaging, they continue to live long after the last page has been turned; with a world built of wonder, a world so real, one starts to breathe its air.
Synopsis
As a young man, Jacob Jankowski was tossed by fate onto a rickety train that was home to the Benzini Brothers Most Spectacular Show on Earth. It was the early part of the great Depression, and for Jacob, now ninety, the circus world he remembers was both his salvation and a living hell. A veterinary student just shy of a degree, he was put in charge of caring for the circus menagerie. It was there that he met Marlena, the beautiful equestrian star married to August, the charismatic but twisted animal trainer. And he met Rosie, an untrainable elephant who was the great gray hope for this third-rate traveling show. The bond that grew among this unlikely trio was one of love and trust, and, ultimately, it was their only hope for survival.
The New York Times - Elizabeth Judd
Circuses showcase human beings at their silliest and most sublime, and many unlikely literary figures have been drawn to their glitzy pageantry, soaring pretensions and metaphorical potential (Marianne Moore leaps to mind). Unsurprisingly, writers seem liberated by imagining a spectacle where no comparison ever seems inflated, no development impossible. For better and for worse, Gruen has fallen under the spell. With a showman's expert timing, she saves a terrific revelation for the final pages, transforming a glimpse of Americana into an enchanting escapist fairy tale.
Editorials
People Magazine
"Novelist Gruen unearths a lost world with her rich and surprising portrayal of life in a traveling circus in the '30s. An emotional tale that will please history buffs—and others." —PeopleEntertainment Weekly
"For pure story, this colorful, headlong tale of a Depression-era circus simply can't be beat. Heroes, villains, romance, a wild-animal stampede! Big fun from page 1."—Stephen King, Entertainment Weekly: "Best & Worst 2007"New York Times Book Review
"Water for Elephants resembles stealth hits like The Giant's House, by Elizabeth McCracken, or The Lovely Bones, by Alice Sebold, books that combine outrageously whimsical premises with crowd-pleasing romanticism. . . . With a showman's expert timing, [Gruen] saves a terrific revelation for the final pages, transforming a glimpse of Americana into an enchanting escapist fairy tale."—The New York Times Book ReviewThe Washington Post
"You'll get lost in the tatty glamour of Gruen's meticulously researched world, from spangled equestrian pageantry and the sleazy side show to an ill-fated night at a Chicago speak-easyThe Denver Post
“Lively with historical detail and unexpected turns. . . . Water for Elephants is a rich surprise, a delightful gem springing from a fascinating footnote to history that absolutely deserved to be mined.”—The Denver Post
The Denver Post
“Lively with historical detail and unexpected turns. . . . Water for Elephants is a rich surprise, a delightful gem springing from a fascinating footnote to history that absolutely deserved to be mined.”—The Denver Post
The New Yorker
To replicate the salty vernacular of a Depression-era circus, Gruen, in her third novel, did extensive research in archives and in the field, and her work pays off admirably. The Benzini Brothers Most Spectacular Show on Earth is a roving fleabag ensemble of “cooch tents,” “kinkers,” and “hay burners,” whose tyrannical m.c. is always on the lookout for “born freaks.” Unfortunately, Jacob Jankowski, the novel’s narrator and protagonist, carries less conviction than the period idiom. Recalling, near the end of his life, his work as a veterinarian for the circus and his love for a colleague’s wife, he comes off as so relentlessly decent—an unwavering defender of animals, women, dwarves, cripples, and assorted ethnic groups—that he ceases to be interesting as a character.Elizabeth Judd
Circuses showcase human beings at their silliest and most sublime, and many unlikely literary figures have been drawn to their glitzy pageantry, soaring pretensions and metaphorical potential (Marianne Moore leaps to mind). Unsurprisingly, writers seem liberated by imagining a spectacle where no comparison ever seems inflated, no development impossible. For better and for worse, Gruen has fallen under the spell. With a showman's expert timing, she saves a terrific revelation for the final pages, transforming a glimpse of Americana into an enchanting escapist fairy tale.— The New York Times