Join Books.org — it's free

Fiction, World Literature, Fiction Subjects
White Teeth: Reader's Companion by Zadie Smith — book cover

White Teeth: Reader's Companion

by Zadie Smith
Available on Bookshop Write a review

Books.org participates in affiliate programs including Bookshop.org and the Amazon Services LLC Associates Program. We may earn a commission from qualifying purchases made through links on this page, at no additional cost to you.

Log in to track your reading progress.

Overview

Zadie Smith’s dazzling debut caught critics grasping for comparisons and deciding on everyone from Charles Dickens to Salman Rushdie to John Irving and Martin Amis. But the truth is that Zadie Smith’s voice is remarkably, fluently, and altogether wonderfully her own.

At the center of this invigorating novel are two unlikely friends, Archie Jones and Samad Iqbal. Hapless veterans of World War II, Archie and Samad and their families become agents of England’s irrevocable transformation. A second marriage to Clara Bowden, a beautiful, albeit tooth-challenged, Jamaican half his age, quite literally gives Archie a second lease on life, and produces Irie, a knowing child whose personality doesn’t quite match her name (Jamaican for “no problem”). Samad’s late-in-life arranged marriage (he had to wait for his bride to be born), produces twin sons whose separate paths confound Iqbal’s every effort to direct them, and a renewed, if selective, submission to his Islamic faith. Set against London’s racial and cultural tapestry, venturing across the former empire and into the past as it barrels toward the future, White Teeth revels in the ecstatic hodgepodge of modern life, flirting with disaster, confounding expectations, and embracing the comedy of daily existence.

Finalist in Frankfurt eBook Award 2000, for Best Fiction work originally published in print and converted to eBook form

About the Author, Zadie Smith

Zadie Smith was born in northwest London in 1975. The Autograph Man is her second novel. Her first, White Teeth, was the winner of the Whitbread First Novel Award, the James Tait Black Memorial Prize for fiction, and the Commonweatlh Writers First Book Prize. She is currently living in Cambridge, Massachusetts.

Biography

The debut wunderkind of the new millennium was Zadie Smith, who finished her manuscript for White Teeth as a college student in Cambridge, England, only to find herself sitting on a six-figure advance, an international bestseller, and an onslaught of literary praise comparing her to the likes of Charles Dickens and Salman Rushdie.

Born in 1975 to an English father and a Jamaican mother, Smith grew up in London's poly-ethnic Willesden Green neighborhood, a backdrop she has mined with great success in stories that parse the immigrant experience and investigate overarching themes of race, class, and intergenerational ties. She attended King's College in Cambridge, submitted stories to a college anthology, and got noticed by a literary agent who wangled the deal that led to her first novel. Spanning 150 years, mixing Jamaican, English, and Bangladeshi into its characters' family trees, and focused on three clans in London, White Teeth garnered lavish praise on its publication in 2000. Notoriously critical New York Times book reviewer Michiko Kakutani called it "...a big, splashy, populous production ... that announces the debut of a preternaturally gifted new writer." The San Francisco Chronicle pronounced it the first great novel of the new century, and Time likened Smith to Margaret Atwood and Pulitzer winner Michael Chabon.

In the midst of all the hosannas, though, one negative review stands out. A notice in the literary magazine Butterfly proclaimed: "White Teeth is the literary equivalent of a hyperactive, ginger-haired, tap-dancing 10-year-old." The author of this snipe? Zadie Smith, of course! "I was very worried that if this book did well or was forced to do well by a lot of hype behind it, that I wouldn't write anything again," she explained to London's Independent in 2000

Apparently Smith seriously underestimated her accomplishment. White Teeth scooped the Guardian First Book Award, the Whitbread First Novel Award, and the Commonwealth Writers' Prize and was shortlisted for a several other prestigious literary awards. Moreover, she stared down the dreaded specter of sophomore slump with her second novel, 2002's The Autograph Man, a meditation on her own celebrity that zoomed up the bestseller list, won the Jewish Quarterly Literary Prize for Fiction, and positioned Smith for inclusion in Granta magazine's 2003 list of the 20 best young British writers -- a roster compiled once every 10 years.

Smith continues to forge fiction that gets noticed. In addition, she has edited and written introductions to anthologies that showcase the preeminent writers of her generation.

Good To Know

Smith changed her name from "Sadie" to "Zadie," "because it seemed right, exotic, different," she told the Guardian.

Smith's third novel, On Beauty takes its title from Elaine Scarry's essay "On Beauty and Being Just."

Reviews

There are no reviews yet. Log in to write one.

Editorials

From Barnes & Noble

Barnes & Noble Discover Great New Writers
Smith's debut has been described as "precocious," and our volunteer readers eagerly anticipated the arrival of our reader's copies of this work. In fact, we had planned to highlight this amazing stew of a novel last season. But once we determined its May publication date, we decided that rather than promote a title a month in advance of its publication and frustrate readers who'd have to wait, we'd do so in July with our summer selections. One thing is clear: our claim of Zadie Smith as a "great new writer" is no longer a solo voice-she's since been mentioned in the same breath as Dickens and Rushdie, Proust, Hemingway and Forster (as in E.M.)!

In this remarkable novel set in postwar London, 24-year-old Smith has cleverly created an unlikely friendship between Archie Jones, a simple working-class Brit, and Samad Iqbal, a Muslim Bengali waiter in an Indian restaurant, who meet in the English army in WWII. After the war, the two commiserate over their lives and those of their children; their dreams, disappointments and expectations unfolding with riotous humor as the characters in both generations struggle to carve out their own cultural identities. As Samad himself says, "…you begin to give up the very idea of belonging. Suddenly, this thing, this belonging, it seems like some long, dirty lie."

White Teeth is filled to bursting with all the sights, sounds, tastes and smells of London. Melding races and cultures with a near-perfect ear for dialogue and dialect, and weaving successfully (albeit uproariously) between themes of history, religion, faith and science, Zadie Smith's is a stunning, self-assured debut, and an unforgettable new voice in fiction.

From the Publisher

“A preternaturally gifted new writer [with] a voice that’s street-smart and learned, sassy and philosophical all at the same time.”–Michiko Kakutani, The New York Times

“Brilliant…. Smith is a master at detail…a postmodern Charles Dickens…[Smith's] rich storytelling and wicked wit are suited to the sights and smells of the world that England has inherited.”–The Washington Post

“[A] vibrant, rollicking first novel about race and idenity…[Smith's] prickly wit is affectionate and poignant.”–People

“[A] dazzling intergenerational first novel…wonderfully inventive…playful yet unaffected, mongrel yet cohesive, profound yet funny, vernacular yet lyrical. ”–Los Angeles Times

“[A] marvel of a debut novel. . .Reminscent of both Salman Rushdie and John Irving, White Teeth is a comic, canny, sprawling tale, adeptly held together by Smith's literary sleight of hand.”–Entertainment Weekly

“A magnificent and audacious novel, jampacked with memorable characters and challenging ideas.”–The Atlanta Journal & Constitution

"Ambitious, earnest and irreverent. . . Smith has a real talent for comedy and a fond eye for human foibles."–The Wall Street Journal

“Wonderful…. Zadie Smith…possesses a more than ordinary share of talent.”–USA Today

"Smith has an astonishing intellect. She writes sharp dialogue for every age and race— and she's funny as hell.”–Newsweek

“[
White Teeth] is, like the London it portrays, a restless hybrid of voices, tones, and textures…with a raucous energy and confidence.”–The New York Times Book Review

"Fresh…spirited…this extravagant novel bursts with optimism about people, about language, and perhaps, above all, about novels and the joy, indeed the impertinence, of writing one.”–The Philadelphia Inquirer

“Blissfully confident, wide-ranging and funny from the get-go, White Teeth…promises–and delivers–a wildly inventive journey into a fresh imagination.”–Rocky Mountain News

“Brilliant…. Smith is a master at detail…. Like a postmodern Dickens, she has a flair for features, dress, dialogue, accents and human frailty.”–The Miami Herald

“It’s a treat to watch an immensely gifted young writer performing, for the very first time, such an admirably audacious and ambitious juggling act.”–Elle

“Absolutely delicious…. Smith’s voice is a perfect balance of tragedy and comedy.”–The Tampa Tribune and Times

“Gently observant and generous in its judgments…. Filled with vibrant life.”–The San Diego Union—Tribune

“Brilliant…. Bubbles and pops in its imaginative intensity.”–The Baltimore Sun

Barnes & Noble Guide to New Fiction

Smith's debut novel is touted as a remarkable look at the immigrant's experience in a post colonial world.

Publishers Weekly

The scrambled, heterogeneous sprawl of mixed-race and immigrant family life in gritty London nearly overflows the bounds of this stunning, polymathic debut novel by 23-year-old British writer Smith. Traversing a broad swath of cultural territory with a perfect ear for the nuances of identity and social class, Smith harnesses provocative themes of science, technology, history and religion to her narrative. Hapless Archibald Jones fights alongside Bengali Muslim Samad Iqbal in the English army during WWII, and the two develop an unlikely bond that intensifies when Samad relocates to Archie's native London. Smith traces the trajectory of their friendship through marriage, parenthood and the shared disappointments of poverty and deflated dreams, widening the scope of her novel to include a cast of vibrant characters: Archie's beautiful Jamaican bride, Clara; Archie and Clara's introspective daughter, Irie; Samad's embittered wife, Alsana; and Alsana and Samad's twin sons, Millat and Magid. Torn between the pressures of his new country and the old religious traditions of his homeland, Samad sends Magid back to Bangladesh while keeping Millat in England. But Millat falls into delinquency and then religious extremism, as earnest Magid becomes an Anglophile with an interest in genetic engineering, a science that Samad and Millat repudiate. Smith contrasts Samad's faith in providence with Magid's desire to seize control of the future, involving all of her characters in a debate concerning past and present, determinism and accident. The tooth--half root, half protrusion--makes a perfect trope for the two families at the center of the narrative. A remarkable examination of the immigrant's experience in a postcolonial world, Smith's novel recalls the hyper-contemporary yet history-infused work of Rushdie, sharp-edged, fluorescent and many-faceted. Copyright 2000 Cahners Business Information.

Library Journal

Smith has written an epic tale of two interconnected families. It begins with the suicide attempt of hapless, coin-flipping Archibald Jones on New Year's Day, 1975, and ends, after a 100-year ramble back and forth through time, on New Year's Eve, 1992, with his accidental (or preordained?) release of a poor mutant mouse programmed to do away with the randomness of creation. Smith evokes images of teeth throughout the novel. Do they symbolize some characteristic shared by all of humanity in this novel about ethnicity, class, belonging, homeland, family, adolescence, identity, blindness, and ignorance? Or are they meant to distract the reader from the all-encompassing theme of fate? Smith's characters are tossed about by decisions made deliberately, rashly, or by the flip of a coin. As Smith pieces together this story with bits of fabric from different times and places, the reader must contemplate whether our choices determine our future or whether fate leads us to an inevitable destiny. This fine first novel from Smith is most highly recommended for all libraries. [Previewed in Prepub Alert, LJ 1/00.]--Rebecca A. Stuhr, Grinnell Coll. Libs., IA Copyright 2000 Cahners Business Information.\

Michiko Kakutani

It's a novel that announces the debut of a preternaturally gifted new writer -- a writer who at the age of 24 demonstrates both an instinctive storytelling talent and a fully fashioned voice that's street-smart and learned, sassy and philosophical all at the same time. This, White Teeth announces, is someone who can do comedy, drama and satire, and do them all with exceptional confidence and brio...In what will surely rank as one of her generation's most precocious debuts, Ms. Smith announces herself as a writer of remarkable powers, a writer whose talents prove commensurate with her ambitions.
The New York Times

Tate

...as gut-busting and auspicious a debut novel as Pynchon's V...
The Village Voice

Daneet Steffens

Reminiscent of both Salman Rushdie and John Irving, Teeth is a comic, canny, sprawling tale, adeptly held together by Smith's literary sleight of hand.
Entertainment Weekly

The New Yorker

In this multiracial novel of brilliantly hued setups and vivid dialogue what jumps out at you is not the politics of color but the colors themselves.

The Independent

A rich, ambitious, and often hilarious delight.

Sunday Telegraph

This is a strikingly clever and funny book with a passion for ideas, for language, and for the rich tragicomedy of life. . . . [Smith's] characters always ring true; it is her ebullient, simple prose and her generous understanding of human nature that make Zadie Smith's novel outstanding. It is not only great fun to read, but full of hope.

The Times Literary Supplement

A writer of mighty potential.

The Guardian

Poised and relentlessly funny. . . . A major new talent.

Jana Heffernan

At 24, Smith exhibits the best kind of literary audacity. White Teeth is a wild and generous ride, unstinting on comedy and electric with ideas.
Talk Magazine

David Wiegand

Smith has much to say about threats to ethnic identity in the modern world, but her book's real strength lies in the way she says it. Her characters drawn with a commanding sense of detail, her writing style wonderfully sly and often downright funny, and her plot both rollicking and heartfelt, Smith makes a smashing debut on the literary scene. White Teeth just may be the first great novel of the new century.
San Francisco Chronicle Book Review

Book Details

Published
June 1, 2001
Publisher
Vintage Books USA
Pages
464
Format
Paperback
ISBN
9780375703867

More by Zadie Smith

Similar books