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Fiction, World Literature, Fiction Subjects

Gum Thief

by Douglas Coupland
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Overview

“Wildly differing perspectives merge beautifully into one cohesive look at loneliness and despair. Yes, Coupland is dark and cutting about our fluorescent-lit times, but there's also a real underlayer of gratitude here, for the hand that can reach down and unite with you in the darkness. A–.”—Karen Valby, Entertainment Weekly

Douglas Coupland’s ingenious novel—think Clerks meets Who’s Afraid of Virginia Woolf?—is the story of an extraordinary epistolary relationship between Roger and Bethany, two very different, but strangely connected, “aisles associates” at Staples. Watch as their lives unfold alongside Roger’s work-in-progress, the oddly titled Glove Pond. A raucous tale of four academics, two malfunctioning marriages, and one rotten dinner party, Roger’s opus is a Cheever-style novella gone horribly wrong. But as key characters migrate into and out of its pages, Glove Pond becomes an anchor of Roger’s unsettled—and unsettling—life.

Coupland electrifies us on every page of this witty, wise, and unforgettable novel. Love, death, and eternal friendship can all transpire where we least expect them…and even after tragedy seems to have wiped your human slate clean, stories can slowly rebuild you.

Synopsis

“Wildly differing perspectives merge beautifully into one cohesive look at loneliness and despair. Yes, Coupland is dark and cutting about our fluorescent-lit times, but there's also a real underlayer of gratitude here, for the hand that can reach down and unite with you in the darkness. A–.”—Karen Valby, Entertainment Weekly

Douglas Coupland’s ingenious novel—think Clerks meets Who’s Afraid of Virginia Woolf?—is the story of an extraordinary epistolary relationship between Roger and Bethany, two very different, but strangely connected, “aisles associates” at Staples. Watch as their lives unfold alongside Roger’s work-in-progress, the oddly titled Glove Pond. A raucous tale of four academics, two malfunctioning marriages, and one rotten dinner party, Roger’s opus is a Cheever-style novella gone horribly wrong. But as key characters migrate into and out of its pages, Glove Pond becomes an anchor of Roger’s unsettled—and unsettling—life.

Coupland electrifies us on every page of this witty, wise, and unforgettable novel. Love, death, and eternal friendship can all transpire where we least expect them…and even after tragedy seems to have wiped your human slate clean, stories can slowly rebuild you.

Publishers Weekly

Two misfits find common ground and a unique, surreal friendship via unspoken words in Coupland's latest (after JPod), a fine return to form. In the two years since his wife's (nonfatal) cancer was diagnosed, Roger Thorpe has devolved into a dejected, hard-drinking, divorced father and the oldest employee "by a fair margin" at Staples. A frustrated novelist to boot, Roger considers himself "lost," continually haunted by dreams of missed opportunities and a long ago car accident that claimed four friends. His younger, disgruntled goth co-worker, Bethany Twain, one day discovers Roger's diary-filled with mock re-imaginings of her thoughts and feelings-in the break room. She lays down a "supreme challenge" for them both to write diary entries to each other, but neither is allowed to acknowledge the other around the store. Through exchanged hopes and dreams, customer stories, world views and cautionary revelations ("time speeds up in a terrifying manner in your mid-thirties"), the pair become intimately acquainted before things unravel for both. Running parallel to the epistolary narrative are chapters from Roger's novel, Glove Pond, which begins having much in common with the larger narrative it's enclosed in. Coupland shines, the story is humorous, frenetic, focused and curiously affecting. (Oct.)

Copyright 2007 Reed Business Information

About the Author, Douglas Coupland

Douglas Coupland is a novelist who also works in visual arts and theater. His novels include Eleanor Rigby, Generation X, All Families Are Psychotic, Hey Nostradamus!, and JPod. He lives and works in Vancouver, Canada.

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Editorials

Publishers Weekly

Two misfits find common ground and a unique, surreal friendship via unspoken words in Coupland's latest (after JPod), a fine return to form. In the two years since his wife's (nonfatal) cancer was diagnosed, Roger Thorpe has devolved into a dejected, hard-drinking, divorced father and the oldest employee "by a fair margin" at Staples. A frustrated novelist to boot, Roger considers himself "lost," continually haunted by dreams of missed opportunities and a long ago car accident that claimed four friends. His younger, disgruntled goth co-worker, Bethany Twain, one day discovers Roger's diary-filled with mock re-imaginings of her thoughts and feelings-in the break room. She lays down a "supreme challenge" for them both to write diary entries to each other, but neither is allowed to acknowledge the other around the store. Through exchanged hopes and dreams, customer stories, world views and cautionary revelations ("time speeds up in a terrifying manner in your mid-thirties"), the pair become intimately acquainted before things unravel for both. Running parallel to the epistolary narrative are chapters from Roger's novel, Glove Pond, which begins having much in common with the larger narrative it's enclosed in. Coupland shines, the story is humorous, frenetic, focused and curiously affecting. (Oct.)

Copyright 2007 Reed Business Information

Library Journal

Bethany, transitioning from goth teen to adult, and Roger, flailing in his forties, have washed up at Staples, a modern circle of hell where employees mindlessly rearrange office paraphernalia. In their world, security footage of the staff stealing gum is a popular download, but real communication rarely happens. Unwilling to acknowledge their mismatched friendship publicly, Roger and Bethany covertly trade mocking self-references and smirky notes about vapid coworkers. Roger shares his novel-in-progress, Glove Pond, which resembles Who's Afraid of Virginia Woolfrecast with characters that echo Roger's acquaintances. These early epistolary exchanges are more tiresome than funny-ennui lacking real conflict-but as growing trust allows Roger and Bethany to reveal the deaths, desertions, and depression that have waylaid them, the odd pair finds the motivation to begin taking action again. The pace mounts, and the story gains emotional weight. Coupland (JPod) has successfully explored consumer culture, technology, and malaise in his many seriocomic novels. His latest doesn't break new ground, but it still pleases. Recommended for public libraries with a readership of 20- to 30-year-olds or where Coupland has a following.
—Neil Hollands

Kirkus Reviews

A big-box chain store is the setting for depressing existential reflection in the latest from Coupland (JPod, 2006, etc.). Roger-middle-aged, divorced, a self-described failure-is a clerk at Staples. He keeps a journal, in which he sometimes impersonates his young, Goth coworker Bethany. Bethany finds this journal and, after a brief protest about the creepiness of Roger's identity theft, begins recording her own actual thoughts and responses to Roger's entries in the same notebook. This diary also contains Glove Pond, Roger's novel in progress. Kyle, a character in Glove Pond, is writing a novel about a middle-aged guy who works at a superstore. Coupland has employed postmodern literary methods to excellent effect in the past, but this setup is too cute and claustrophobic even for him. The epistolary novel is nearly as strict in its formal demands as a sestina, and it's about as difficult to execute well. Coupland deserves credit for avoiding some of the grosser sins of the form, like characters with an embarrassingly artificial fondness for exposition or the ability to reconstruct conversations and scenarios with perfect recall. Roger and Bethany write like ordinary people write, but that's not exactly a formula for compelling fiction, particularly in an age when the innermost thoughts of ordinary people are available in abundance-some might say superabundance-to anyone with a dial-up connection. Roger and Bethany are also barely distinguishable, and their obsessions-personal mortality, the end of the world-are the same as those of just about every other voice in the novel (Bethany's mother, Roger's ex-wife and a few others contribute correspondence). These are, of course, universalhuman concerns, but there's so much uniformity to the way various characters explore these themes that it's difficult to see them as real people with real stories, and not just proxies for an author grappling with his own advancing age. Like watching someone with multiple-personality disorder have a midlife crisis.

Book Details

Published
October 1, 2008
Publisher
Bloomsbury USA
Pages
288
Format
Paperback
ISBN
9781596915008

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