Lost in the Forest

For nearly two decades, since the publication of her iconic first novel, The Good Mother, Sue Miller has distinguished herself as one of our most elegant and widely celebrated chroniclers of family life, with a singular gift for laying bare the interior lives of her characters. In each of her novels, Miller has written with exquisite precision about the experience of grace in daily life–the sudden, epiphanic recognition of the extraordinary amid the ordinary–as well as the sharp and unexpected motions of the human heart away from it, toward an unruly netherworld of upheaval and desire. But never before have Miller’s powers been keener or more transfixing than they are in Lost in the Forest, a novel set in the vineyards of Northern California that tells the story of a young girl who, in the wake of a tragic accident, seeks solace in a damaging love affair with a much older man.

Eva, a divorced and happily remarried mother of three, runs a small bookstore in a town north of San Francisco. When her second husband, John, is killed in a car accident, her family’s fragile peace is once again overtaken by loss. Emily, the eldest, must grapple with newfound independence and responsibility. Theo, the youngest, can only begin to fathom his father’s death. But for Daisy, the middle child, John’s absence opens up a world of bewilderment, exposing her at the onset of adolescence to the chaos and instability that hover just beyond the safety of parental love. In her sorrow, Daisy embarks on a harrowing sexual odyssey, a journey that will cast her even farther out onto the harsh promontory of adulthood and lost hope.

With astonishing sensuality and immediacy, Lost in the Forest moves through the most intimate realms of domestic life, from grief and sex to adolescence and marriage. It is a stunning, kaleidoscopic evocation of a family in crisis, written with delicacy and masterful care. For her lifelong fans and those just discovering Sue Miller for the first time, here is a rich and gorgeously layered tale of a family breaking apart and coming back together again: Sue Miller at her inimitable best.

For nearly two decades, since the publication of her iconic first novel, The Good Mother, Sue Miller has distinguished herself as one of our most elegant and widely celebrated chroniclers of family life, with a singular gift for laying bare the interior lives of her characters. In each of her novels, Miller has written with exquisite precision about the experience of grace in daily life -the sudden, epiphanic recognition of the extraordinary amid the ordinary- as well as the sharp and unexpected motions of the human heart away from it, toward an unruly netherworld of upheaval and desire. But never before have Miller s powers been keener or more transfixing than they are in Lost in the Forest, a novel set in the vineyards of Northern California that tells the story of a young girl who, in the wake of a tragic accident, seeks solace in a damaging love affair with a much older man.

Eva, a divorced and happily remarried mother of three, runs a small bookstore in...

The New York Times Sunday Book Review - Kathryn Harrison

You don't need to read a book with a title like Lost in the Forest to guess that Sue Miller will be using it to acquaint you with a wolf and a version of Red Riding Hood, a girl teetering on the dangerous cusp between childhood and adulthood, innocence and initiation. But if at first her new novel seems to revisit an overly familiar story, she quickly offers proof that it will be in her own distinctive style -- that it will, in fact, be one of her strongest, most satisfying books. Miller has always been adept at rendering the complexities of family life, the way even well-intentioned, decent people can't walk across a room without wounding at least one person they love. But while some of her plots (that of While I Was Gone, for example) can be cluttered and occasionally clumsy, Lost in the Forest has a seemingly effortless grace; Miller quickly captures and never loses our attention.

Sue Miller is an expert in limning the pain of endings, but if this were the extent of her talents, she probably would not be as successful as she is. In Miller's books, one broken relationship often leads to the development of another. Her stories may not offer pat answers and perfect love stories, but readers find something more rewarding in the end.