Overview
From the author of While I Was Gone, a stunning new novel that showcases Sue Miller's singular gift for exposing the nerves that lie hidden in marriages and families, and the hopes and regrets that lie buried in the hearts of women.
Maine, 1919. Georgia Rice, who has cared for her father and two siblings since her mother's death, is diagnosed, at nineteen, with tuberculosis and sent away to a sanitarium. Freed from the burdens of caretaking, she discovers a nearly lost world of youth and possibility, and meets the doomed young man who will become her lover.
Vermont, the present. On the heels of a divorce, Catherine Hubbard, Georgia's granddaughter, takes up residence in Georgia's old house. Sorting through her own affairs, Cath stumbles upon the true story of Georgia's life and marriage, and of the misunderstanding upon which she built a lasting love.
With the tales of these two women—one a country doctor's wife with a haunting past, the other a twice-divorced San Francisco schoolteacher casting about at midlife for answers to her future—Miller offers us a novel of astonishing richness and emotional depth. Linked by bitter disappointments, compromise, and powerful grace, the lives of Georgia and Cath begin to seem remarkably similar, despite their distinctly different times: two young girls, generations apart, motherless at nearly the same age, thrust into early adulthood, struggling with confusing bonds of attachment and guilt; both of them in marriages that are not what they seem, forced to make choices that call into question the very nature of intimacy, faithfulness, betrayal, and love. Marvelously written, expertly told, The World Below captures the shadowy half-truths of the visible world, and the beauty and sorrow submerged beneath the surfaces of our lives—the lost world of the past, our lost hopes for the future. A tour de force from one of our most beloved storytellers.
Synopsis
From the author of While I Was Gone, a stunning new novel that showcases Sue Miller's singular gift for exposing the nerves that lie hidden in marriages and families, and the hopes and regrets that lie buried in the hearts of women.
Maine, 1919.
Book Magazine
The World Below takes its title from something the narrator, Catherine, sees on a childhood fishing expedition with her grandfather: an entire Vermont town submerged after a dam was built. As a divorced adult, Catherine returns to the area and discovers her grandmother's diaries in the house she has inherited, and she comes to associate the mystery and tranquillity of the town in the lake with the lives of her grandparents. Miller evokes the couple's small-town idyll " the lilac and fidelity" of their lives together with details so plain as to be absolutely convincing, such as Catherine's grandmother's practical lesson in "how to sew on a coat button tight enough to stay, loose enough to be workable." The author also captures the exceptional and the frightening, summing up the terror of a violent storm in a single detail: "A wooden chair came skidding drunkenly across the yard, stopped, then hurried on." Here are lives scrupulously observed and reflected upon, and the result is that we read with a kind of greedy rapture, captivated by the austerities and small pleasures of daily life as if they were the wonders of Aladdin.
Penelope Mesic
Editorials
From Barnes & Noble
This ambitious novel from the author of the Oprah's Book Club selection While I Was Gone is set into two time periods, post-WWI America and the present day. The World Below renders the disparate yet parallel stories of a grandmother and her granddaughter. In 1919, teenage Georgia Rice paradoxically receives a new lease on life when she is sent to a tuberculosis sanitarium. More than 80 years later, Catherine Hubbard, Georgia's granddaughter, moves into her grandmother's house following her own divorce. Each story is strengthened by the other.From The Critics
The World Below takes its title from something the narrator, Catherine, sees on a childhood fishing expedition with her grandfather: an entire Vermont town submerged after a dam was built. As a divorced adult, Catherine returns to the area and discovers her grandmother's diaries in the house she has inherited, and she comes to associate the mystery and tranquillity of the town in the lake with the lives of her grandparents. Miller evokes the couple's small-town idyll—" the lilac and fidelity" of their lives together—with details so plain as to be absolutely convincing, such as Catherine's grandmother's practical lesson in "how to sew on a coat button tight enough to stay, loose enough to be workable." The author also captures the exceptional and the frightening, summing up the terror of a violent storm in a single detail: "A wooden chair came skidding drunkenly across the yard, stopped, then hurried on." Here are lives scrupulously observed and reflected upon, and the result is that we read with a kind of greedy rapture, captivated by the austerities and small pleasures of daily life as if they were the wonders of Aladdin.—Penelope Mesic