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Essays, European Poetry
Road-Side Dog by Czeslaw Milosz — book cover

Road-Side Dog

by Czeslaw Milosz, Robert Haas (Translator)
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Overview

"I went on a journey in order to acquaint myself with my province, in a two-horse wagon with a lot of fodder and a tin bucket rattling in the back. The bucket was required for the horses to drink from. I traveled through a country of hills and pine groves that gave way to woodlands, where swirls of smoke hovered over the roofs of houses, as if they were on fire, for they were chimneyless cabins; I crossed districts of fields and lakes. It was so interesting to be moving, to give the horses their rein, and wait until, in the next valley, a village slowly appeared, or a park with the white spot of a manor in it. And always we were barked at by a dog, assiduous in its duty. That was the beginning of the century; this is its . I have been thinking not only of the people who lived there once but also of the generations of dogs accompanying them in their everyday bustle, and one night-I don't know where it came from-in a pre-dawn sleep, that funny and tender phrase composed itself: a road-side dog." —Road-Side Dog

Synopsis

"I went on a journey in order to acquaint myself with my province, in a two-horse wagon with a lot of fodder and a tin bucket rattling in the back. The bucket was required for the horses to drink from. I traveled through a country of hills and pine groves that gave way to woodlands, where swirls of smoke hovered over the roofs of houses, as if they were on fire, for they were chimneyless cabins; I crossed districts of fields and lakes. It was so interesting to be moving, to give the horses their rein, and wait until, in the next valley, a village slowly appeared, or a park with the white spot of a manor in it. And always we were barked at by a dog, assiduous in its duty. That was the beginning of the century; this is its . I have been thinking not only of the people who lived there once but also of the generations of dogs accompanying them in their everyday bustle, and one night-I don't know where it came from-in a pre-dawn sleep, that funny and tender phrase composed itself: a road-side dog." —Road-Side Dog

Los Angeles Times

A delightful paperback edition of Milosz's poetry collection-a "valorous and beautiful work (Richard Eder, Los Angeles Times).

About the Author, Czeslaw Milosz

Czeslaw Milosz received the 1978 Neustadt International Prize in Literature and the 1980 Nobel Prize in Literature. Since 1961 he has been a professor of Slavic languages and literature at the University of California at Berkeley.

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Editorials

From the Publisher

"A valorous and beautiful work . . . There are poems as haunting as any he has written. A delightful paperback edition of Milosz's poetry collection-a "valorous and beautiful work" ——Richard Eder, Los Angeles Times

"Nobody tells the story of this age better than Czeslaw Milosz . . . Road-side Dog is delightful."—Jaroslaw Anders, The New Republic

"An elusive as well as allusive work . . . A pleasure."—Richard Bernstein, The New York Times

"An end-of-the-century diary from one of the century's most important poets."—Christopher Merrill, San Francisco Chronicle

Los Angeles Times

A delightful paperback edition of Milosz&#39s poetry collection-a "valorous and beautiful work (Richard Eder, Los Angeles Times).

Los Angeles Times

A delightful paperback edition of Milosz&#39s poetry collection-a "valorous and beautiful work (Richard Eder, Los Angeles Times).

From The Critics

His thoughts on the staying power of humans in the face of epidemics, natural disasters and technology are incentive enough to read this stunning collection.

Library Journal

Alternatively playful and brooding, this collection of Mil/osz's "wandering thoughts"--over 140 journal-like mini-essays and a handful of fables and poems--probes the moral significance "of the many-shapedness of earthly things." A "cold weighing on a balance" of gains and losses and "dark thoughts" springing out of "doubts, turmoil, and despair" search for "a set of words" to capture the essence of "the horror discovered in this century." The 87-year-old "setter of words" and 1980 Nobel laureate bears witness to "the struggle of life" with human-centered, compassionate vision. Out of the "labyrinth of his mind," starting point for a difficult journey to a "country of dreams," comes contemplation of humanistic value "in a demonic century." In a notebook of the soul, Milosz's hard-won, prayerlike meditation soars. The work of this Lithuanian-born Polish poet has enriched civilization with an unwavering allegiance to sanity and truth.--Frank Allen, Northampton Community Coll., Tannersville, PA

Richard Bernstein

...[A]n allusive as well as allusive work, a book not exactly of poetry but not of prose either....generally it has more of a valedictory tone than a classically philosophical one....a diffficult pleasure, but it is a pleasure.
The New York Times

Jaroslaw Anders

...[A] book that at first encounter seems an invitation to revisit the remembered landscapes of his life....[; instead,] it is a book of fragments, snippets even, greatly diverse in form and in subject....[T]he book is delightful in its own way...touching in its occasional roughness...
The New Republic

Richard Eder

A delightful paperback edition of Milosz&#39s poetry collection-a "valorous and beautiful work.
Los Angeles Times

Kirkus Reviews

The great poet explores a miscellany of topics in miniature pieces of finely crafted prose and poetry. Milosz, the Polish emigre writer of The Captive Mind (1951) and many works of poetry, is now 87 years old. He was a professor of Slavic language and literature at the University of California, Berkeley, from 1961 until 1980, when a Nobel Prize for Literature freed him of the need to hold a steady job. His output of poetry and essays has been prodigious; Road-Side Dog is his 24th book in English, and we have reason to be grateful for it. The book, brief and pithy, is a pleasure. Milosz turns his agile mind to whatever crosses its path. The upshot is a wealth of insights on a variety of topics. The task of poetry and the standing of the poet are favorite themes here. Milosz is inclined away from the avant-garde and toward the classical, toward the honing of the language of his predecessors: "I was perfectly aware of how little of the world is scooped up by the net of my clauses and phrases. Like a monk, sentencing himself to ascesis, tormented by erotic visions, I would take shelter in rhythm and the order of syntax, because I was afraid of my chaos." He is also concerned in this collection with old age and memory ("one can write a few truly good things only by paying with the deformation of one's life"), with history ("Images more terrible than those invented by the phantasy"), and with the fleeting pleasures of life. What will impress many readers, though, is probably the remarkable compression of much wisdom in these pages, a wisdom that is as unpretentious as it is authentic. Milosz has a gift for acute observation and the ability to formulate what he understands insimple and beautiful prose. Though a modest and understated work, the poet's generosity of spirit is unmistakable.

Book Details

Published
November 1, 1999
Publisher
Farrar, Straus and Giroux
Pages
224
Format
Paperback
ISBN
9780374526238

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