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Overview
"I was almost born Happy." So begins The Spanish Bow and the remarkable history of Feliu Delargo, who just misses being "Feliz" by a misunderstanding at his birth, which he barely survives.
The accidental bequest of a cello bow from his dead father sets Feliu on the course of becoming a musician, unlikely given his beginnings in a dusty village in Catalonia. When he is compelled to flee to anarchist Barcelona, his education in music, life, and politics begins. But it isn’t until he arrives at the court of the embattled monarchy in Madrid that passion enters the composition with Aviva, a virtuoso violinist with a haunted past. As Feliu embarks on affairs, friendships, and rivalries, forces propelling the world toward a catastrophic crescendo sweep Feliu along in their wake.
The Spanish Bow is a haunting fugue of music, politics, and passion set against half a century of Spanish history, from the tail end of the nineteenth century up through the Spanish Civil War and World War II.
Synopsis
I was almost born Happy. Literally, Feliz was the Spanish name my mother wanted for me. Not a family name, not a local name, just a hope, stated in the farthest-reaching language she knew a language that once reached around the world, to the Netherlands, Africa, the Americas, the Philippines. Only music has reached farther and penetrated more deeply.I n a dusty, turn-of-the-century Catalan village, the bequest of a cello bow sets young Feliu Delargo on the unlikely path of becoming a musician.
Anarchist Barcelona and the court of the embattled monarchy in Madrid teach him his first serious lessons in creativity, principle, and passion and their consequences. When he meets up with the charming and eccentric piano prodigy Justo Al-Cerraz, their lifelong friendship and rivalry orchestrate a tumultuous course for them both. Over the span of half a century of creative struggle and international turmoil that sees them paying house calls on Picasso one year and being courted by...
The New York Times - Susann Cokal
…an impressive and richly atmospheric debut.
Editorials
Susann Cokal
…an impressive and richly atmospheric debut.—The New York Times
Publishers Weekly
In her impressive debut, Romano-Lax creates the epic story of Feliu Delargo, an underprivileged child prodigy whose musical ability brings him into contact with world leaders, first-class artists and a life filled with loss and triumph. Their father killed in Cuba just before the Spanish-American War, Feliu, his three brothers and one sister manage a meager life in Campo Seco, a small Catalan town, while their strong-willed mother fends off suitors. At 14, Feliu and his mother travel to Barcelona, where a cello tutor agrees to take on Feliu as a student. Over the years, as Feliu establishes himself, he crosses path with Justo Al-Cerra, an egotistical, manipulative pianist, and their touring leads to an intertwining of lives that becomes more complicated when they encounter Aviva, a violinist with her own emotional damage. As the trio tour and Europe careens toward WWII, Romano-Lax weaves into the narrative historical figures from Spanish royalty to Franco and Hitler, giving Feliu the opportunity to ponder the roles of morality in art and art in politics. Though the story has much heart and depth, Feliu's proximity to so many watershed moments of the 20th century can make him feel more like an instructive icon than a person. But for sheer scope and ambition, this is a tough debut to beat. (Sept.)
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